Materials & Techniques: etching (printing process) / Creator Gender: male / Image Available: Available / Subject Terms: gown and woman

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Materials & Techniques etching (printing process)

Creator Gender male

Image Available Available

Subject Terms gown

Subject Terms woman

Print made by John Dean, 1754–1798

Miss Crockatt as Julia de Roubigné

1786

Print made by William Angus, 1752–1821

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

Print made by Luigi Schiavonetti, 1765–1810

The Reunion of the Soul & the Body

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

The Soul Exploring the Recesses of the Grave

1808, published 1813

Print made by Philip Dawe, ca.1750–ca.1790

Reading by a Paper-Bell Shade

1768

Print made by William Doughty, 1757–1782

Miss Mary Palmer

1779

Print made by Richard Earlom, 1743–1822

Sensibility

1789

Print made by William Dickinson, 1746–1823

Miss Elizabeth Stephenson, later Elizabeth Savile, Countess of Mexborough

1776

Print made by James Bretherton, ca. 1730–1806

Study of a Lady

1781

Print made by James Caldwall, 1739–1819

A Macarony Alderman and His Rib

1772

Print made by David Allan, 1744–1796

Jenny and Roger

1808

Print made by Pierre Audouin, 1768–1822

Angelica Kauffman

undated

Print made by Charles Bretherton, ca. 1760–1783

Lady Pointing with a Stick

1782

Print made by James Bretherton, ca. 1730–1806

Strephon and Chloe

1801

Print made by Charles West Cope, 1811–1890

Morning Prayer

1844

Print made by John Goldar, 1729–1795

Captain Conquest and His Baggage Wagon

1772

Print made by E. J. Dumée, active 1790

The Discovery

1788

Print made by James Bretherton, ca. 1730–1806

A Modern Spread Eagle

1782

Print made by Richard Earlom, 1743–1822

Sensibility

1789

Print made by Richard Earlom, 1743–1822

Sensibility

1789

Print made by Thomas Chambars, ca. 1724–1789

Mrs. Quarrington as St. Agnes

ca. 1787

Print made by John Condé, 1765–1794

Mrs. Fitzherbert

1792

Print made by John Condé, 1765–1794

Melania

1792

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