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Materials & Techniques graphite
Remove constraint Materials & Techniques: graphiteDate 1817
Remove constraint Date: 1817Search Results
1
- "After Pinnelli" (Group of Peasants Outside a House)
- 1817
2
- 1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
- 1817
3
- A Christening
- undated
4
- A Fruit Stall in a Market
- undated
5
- A Herd of Deer Grazing in a Park
- undated
6
- A Ploughboy Riding One of a Pair of Draught-horses Up a Hill
- undated
7
- A Tub Thumper
- between 1817 and 1820
8
- A Wooded Stream and a Farmhouse in Normandy
- undated
9
- Abbey St-Amand, Rouen
- undated
10
- After Pinnelli - Group of Peasants Outside a Church
- 1817
11
- An Episode at the Battle of Waterloo
- 1817
12
- An Irish Wolfhound
- undated
13
- Boxhill from West Humble Lane
- undated
14
- Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
- ca. 1822
15
- Caricature Sketch of a Man
- undated
16
- Cascatella, Tivoli, 1817
- 1817
17
- Church of Graville near Havre de Grace, Normandy: End of the North Transept
- 1817
18
- Classical Landscape
- undated
19
- Classical Scene
- undated
20
- Commencement of the Passage/ Towards the Gemmi/ from the Bernese Side
- 1817
21
- Courtyard of an Inn on the Thames
- undated
22
- Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through
- undated
23
- East End of the Abbey Church of St. Paul at Rouen, Normandy
- 1817
24
- Entrance into the Cornmarket, Formerly the Chapel of St. Louis, at Bayeux
- 1817
25
- Five Coffin Lids from ?Norfolk Churches
- ca. 1822
26
- Four Hooded Falcons
- undated
27
- Grisons/ Looking to Glarnisch (Switzerland) Mountains
- 1817
28
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
29
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
30
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
31
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
32
- Hogarth Declaring His Love to Miss Thornhill
- 1817
33
- Hogarth Drawing Sarah Malcolm
- 1817
34
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
35
- Hogarth Engraving His Master's Shop-bill the Sign of the Angel
- 1817
36
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
37
- Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
- 1817
38
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
39
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
40
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
41
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
42
- Hogarth Sitting to Roubiliac for His Bust
- 1817
43
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
44
- Honey-Badger
- 1817
45
- Hunting Scene: The Meet
- undated
46
- Interior of the Belfry, Bushey Church
- ca. 1822
47
- Jealousy, Rage, Disappointment..
- 1817
48
- Knapton Church, Norfolk, from the North-East
- 1817
49
- Knaresborough
- undated
50
- Landscape
- undated