Materials & Techniques: line engraving / Collection: Prints and Drawings / Creator: Turner, J. M. W. (Joseph Mallord William), 1775–1851

101. Castle Upnor, on the River Medway

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1833
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. Castle Upnor, on the River Medway

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1833
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. Laugharne Castle, Caermarthenshire

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1833
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. Laugharne Castle, Caermarthenshire

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1833
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Coventry, Warwickshire

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof, touched with graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Penmaen Maur, Caernarvonshire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1834
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. Whitehaven, Cumberland

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1837
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. Mount St. Michael, Cornwall

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1838
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. The Pilgrimage of Childe Harold

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. The Golden Bough

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. Crossing the Brook

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Venice - the Dogana

Creator:: Print made by unknown artist
Date:: 1869
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. Apollo and Daphne in the Vale of Tempe

Creator:: Print made by unknown artist
Date:: 1879
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. The Rhine - Osterspey and Feltzen

Creator:: Print made by William Miller, 1796–1882
Date:: 1838-1852
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. The Rhine - Neuwied and Weissenthurm

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1838-1852
Materials & Techniques:: Line engraving, engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. The Rhine - Neuwied and Weissenthurm

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1838-1852
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. The Rhine - Osterspey and Feltzen

Creator:: Print made by William Miller, 1796–1882
Date:: 1838-1852
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. Venice - the Piazzetta

Creator:: Print made by William Miller, 1796–1882
Date:: 1853-1874
Materials & Techniques:: Line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. Farne Island - Shipwreck

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1853-1874
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. Farne Island - Shipwreck

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1853-1874
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. Between Quilleboeuf and Villequier

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Line engraving, (First Published State)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

122. Folkestone

Creator:: Print made by John Cousen, 1804–1880
Date:: ca. 1844
Materials & Techniques:: Line engraving; finished engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. St. Agatha's Abbey

Creator:: Print made by John Cousen, 1804–1880
Date:: ca. 1844
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. The Thames at Mortlake

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1836 to 1838
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. The Thames at Mortlake

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1836-1838
Materials & Techniques:: Line engraving; engraver's proof, touched on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. Folkestone

Creator:: Print made by John Cousen, 1804–1880
Date:: ca. 1844
Materials & Techniques:: Line engraving; engraver's proof, touched on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. The Thames at Mortlake

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1836-1838
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Dismantling of the Temple of Jupiter, Aegina

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1835
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. The Thames at Mortlake

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1836-1838
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. Dismantling of the Temple of Jupiter, Aegina

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1835
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. The Chedder Cliffs, Somersetshire

Creator:: Print made by Mollineux, active 1729
Date:: 1810
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. Okehampton

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1828
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. Coast Scene with Fishermen Hauling a Boat Ashore

Creator:: Print made by Edward P. Brandard, 1819–1898
Date:: undated
Materials & Techniques:: Line engraving, trial proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. Coast Scene with Fishermen Hauling a Boat Ashore

Creator:: Print made by Edward P. Brandard, 1819–1898
Date:: undated
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. The Bay of Baiæ - Apollo and the Sibyl

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. St. Agatha's Abbey

Creator:: Print made by John Cousen, 1804–1880
Date:: ca. 1844
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. St. Agatha's Abbey

Creator:: Print made by John Cousen, 1804–1880
Date:: ca. 1844
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. Craig Crook Castle, near Edinburgh, the Seat of Lord Jeffrey

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. View on Indian Coast

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. London - Blackfriars Bridge, St. Pauls

Creator:: Print made by Charles Pye, 1777–1864
Date:: undated
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. Oberwesel

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1838-1852
Materials & Techniques:: Line engraving; engraver's proof, touched on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. Fetcham Park

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1838-1852
Materials & Techniques:: Etching and engraving, first published state on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. Venice - the Piazzetta

Creator:: Print made by William Miller, 1796–1882
Date:: 1853-1874
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. Weathercote Cave when Half Filled with Water

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1821
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. St. Florent

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Line engraving, (Engraver's Proof a)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. Château Hamelin

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. Hotel de Ville and Pont d'Arcole

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. Troyes

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Bowes Tower

Creator:: Print made by Edward Webb, active 1805–1854
Date:: 1834
Materials & Techniques:: Line engraving; touched engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. Roslin Castle

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. Crichton Castle

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1834
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. Edinburgh - March of the Highlanders

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1836-1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. Edinburgh - March of the Highlanders

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. Tantallon Castle

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1833
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. Wolf's Hope

Creator:: Print made by James H. Kernot, active early 19th century
Date:: 1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. Sandy Knowe, or Smailholm Tower

Creator:: Print made by William Miller, 1796–1882
Date:: 1839
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. Abbotsford from the Northern Bank of the Tweed

Creator:: Print made by William Miller, 1796–1882
Date:: 1839
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. Scott's Birthplace, no. 39, Castle Street, Edinburgh

Creator:: Print made by William Miller, 1796–1882
Date:: 1839
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Santa Sabas and the Brook Kidron

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. The Dead Sea, Jericho and the Mouth of the Jordan

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. Solomon's Pools

Creator:: Print made by James Stephenson, 1808–1886
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. Joppa

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Line engraving and graphite, touched engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. Lebanon from Tripoli

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. Egypt, the Pyramids of Ghizeh

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. Jerusalem, Pool of Bethesda

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof (touched)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. Part of the Ghaut at Hurdwar

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. View near Jubbera

Creator:: Print made by John Cousen, 1804–1880
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. Rocks at Colgong on the Ganges

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. Lochiel's Warning

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. Battle of the Baltic

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. Gertrude of Wyoming - the Waterfall

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. Rolandseck

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. The Chaplet

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1839
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. Lake of Nemi

Creator:: Print made by Edward Goodall, 1795–1870
Date:: ca. 1844
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. Tynemouth Priory

Creator:: Print made by William Miller, 1796–1882
Date:: ca. 1844
Materials & Techniques:: Line engraving; engraver's proof, touched on medium, slightly textured, cream wove paper, with cream chine collé
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. The Beech Tree's Petition

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. Coventry, Warwickshire

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1833
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. Coventry, Warwickshire

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1833
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. Nottingham, Nottinghamshire

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1833
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. Nottingham, Nottinghamshire

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1833
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. Nottingham, Nottinghamshire

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. Carew Castle, Pembroke

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. Carew Castle, Pembroke

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof, early
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. Christ Church College, Oxford

Creator:: Print made by James Redway, active 1827–1838
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. Carew Castle, Pembroke

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. Christ Church College, Oxford

Creator:: Print made by James Redway, active 1827–1838
Date:: 1834
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. Arundel Castle and Town, Sussex

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1834
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. Arundel Castle and Town, Sussex

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1834
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. Llandberis Lake, Wales

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. Christ Church College, Oxford

Creator:: Print made by James Redway, active 1827–1838
Date:: 1834
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. Llandberis Lake, Wales

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1834
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. Leicester, Leicestershire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

193. Llandberis Lake, Wales

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1834
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. Arundel Castle and Town, Sussex

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1834
Materials & Techniques:: Line engraving, with scraping out and touched with graphite (First Published State)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

195. Leicester, Leicestershire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1834
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

196. Leicester, Leicestershire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1834
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

197. Caernarvon Castle, Wales

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

198. Powis Castle, Montgomery

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

199. Powis Castle, Montgomery

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

200. Powis Castle, Montgomery

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques line engraving

Collection Prints and Drawings

Creator Turner, J. M. W. (Joseph Mallord William), 1775–1851

Height [cm] Unknown

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101. Castle Upnor, on the River Medway

102. Castle Upnor, on the River Medway

103. Laugharne Castle, Caermarthenshire

104. Laugharne Castle, Caermarthenshire

105. Coventry, Warwickshire

106. Penmaen Maur, Caernarvonshire

107. Whitehaven, Cumberland

108. Mount St. Michael, Cornwall

109. The Pilgrimage of Childe Harold

110. The Golden Bough

111. Crossing the Brook

112. Venice - the Dogana

113. Apollo and Daphne in the Vale of Tempe

114. The Rhine - Osterspey and Feltzen

115. The Rhine - Neuwied and Weissenthurm

116. The Rhine - Neuwied and Weissenthurm

117. The Rhine - Osterspey and Feltzen

118. Venice - the Piazzetta

119. Farne Island - Shipwreck

120. Farne Island - Shipwreck

121. Between Quilleboeuf and Villequier

122. Folkestone

123. St. Agatha's Abbey

124. The Thames at Mortlake

125. The Thames at Mortlake

126. Folkestone

127. The Thames at Mortlake

128. Dismantling of the Temple of Jupiter, Aegina

129. The Thames at Mortlake

130. Dismantling of the Temple of Jupiter, Aegina

131. The Chedder Cliffs, Somersetshire

132. Okehampton

133. Coast Scene with Fishermen Hauling a Boat Ashore

134. Coast Scene with Fishermen Hauling a Boat Ashore

135. The Bay of Baiæ - Apollo and the Sibyl

136. St. Agatha's Abbey

137. St. Agatha's Abbey

138. Craig Crook Castle, near Edinburgh, the Seat of Lord Jeffrey

139. View on Indian Coast

140. London - Blackfriars Bridge, St. Pauls

141. Oberwesel

142. Fetcham Park

143. Venice - the Piazzetta

144. Weathercote Cave when Half Filled with Water

145. St. Florent

146. Château Hamelin

147. Hotel de Ville and Pont d'Arcole

148. Troyes

149. Bowes Tower

150. Roslin Castle

151. Crichton Castle

152. Edinburgh - March of the Highlanders

153. Edinburgh - March of the Highlanders

154. Tantallon Castle

155. Wolf's Hope

156. Sandy Knowe, or Smailholm Tower

157. Abbotsford from the Northern Bank of the Tweed

158. Scott's Birthplace, no. 39, Castle Street, Edinburgh

159. Santa Sabas and the Brook Kidron

160. The Dead Sea, Jericho and the Mouth of the Jordan

161. Solomon's Pools

162. Joppa

163. Lebanon from Tripoli

164. Egypt, the Pyramids of Ghizeh

165. Jerusalem, Pool of Bethesda

166. Part of the Ghaut at Hurdwar

167. View near Jubbera

168. Rocks at Colgong on the Ganges

169. Lochiel's Warning

170. Battle of the Baltic

171. Gertrude of Wyoming - the Waterfall

172. Rolandseck