<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Materials & Techniques line engraving

Remove constraint Materials & Techniques: line engraving

Date 1827

Remove constraint Date: 1827

Search Results

William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
Augustus Welby Northmore Pugin St. Giles' Catholic Church: Elevation of the Steeple
Print made by Augustus Welby Northmore Pugin, 1812–1852
St. Giles' Catholic Church: Elevation of the Steeple
undated
George Richmond The Shepherd
Print made by George Richmond, 1809–1896
The Shepherd
1827
Robert Wallis St. Maurice
Print made by Robert Wallis, 1794–1878
St. Maurice
1827
Edward Goodall Florence
Print made by Edward Goodall, 1795–1870
Florence
1827
Edward Goodall Rievaulx Abbey, Yorkshire
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827
Edward Goodall Rievaulx Abbey, Yorkshire
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827
W. R. Smith Dartmouth Cove
Print made by W. R. Smith, active 1819–1851
Dartmouth Cove
1827
Robert Wallis Colchester, Essex
Print made by Robert Wallis, 1794–1878
Colchester, Essex
1827
Robert Wallis Lancaster, from the Aqueduct Bridge
Print made by Robert Wallis, 1794–1878
Lancaster, from the Aqueduct Bridge
1827
Edward Goodall Fall of the Tees, Yorkshire
Print made by Edward Goodall, 1795–1870
Fall of the Tees, Yorkshire
1827
W. R. Smith Richmond, Yorkshire
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827
W. R. Smith Richmond, Yorkshire
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827
Robert Wallis Bolton Abbey, Yorkshire
Print made by Robert Wallis, 1794–1878
Bolton Abbey, Yorkshire
1827
J. C. Varrall Launceston, Cornwall
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
Edward Goodall Fall of the Trees, Yorkshire
Print made by Edward Goodall, 1795–1870
Fall of the Trees, Yorkshire
1827
J. C. Varrall Launceston, Cornwall
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
Robert Wallis Barnard Castle, Durham
Print made by Robert Wallis, 1794–1878
Barnard Castle, Durham
1827
J. C. Varrall Launceston, Cornwall
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
Robert Wallis Barnard Castle, Durham
Print made by Robert Wallis, 1794–1878
Barnard Castle, Durham
1827
W. R. Smith Saltash, Cornwall
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827
Edward Goodall Aldborough, Suffolk
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827
Robert Brandard Orford, Suffolk
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
W. R. Smith Richmond, Yorkshire
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827
Edward Goodall Aldborough, Suffolk
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827
Robert Brandard Orford, Suffolk
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
Robert Brandard Orford, Suffolk
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
James Redway Althorp Castle, Northamptonshire
James Redway, active 1827–1838
Althorp Castle, Northamptonshire
undated
Augustus Fox The Dreams of the Youthful Shakespeare
Print made by Augustus Fox, 1800–1876
The Dreams of the Youthful Shakespeare
1827
Robert Wallis St. Maurice (vignette)
Print made by Robert Wallis, 1794–1878
St. Maurice (vignette)
1827
Edward Goodall Tivoli, a Composition
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
Edward Goodall Tivoli, a Composition
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
Edward Goodall Old London Bridge and Vicinity
Print made by Edward Goodall, 1795–1870
Old London Bridge and Vicinity
1827
Robert Wallis Buckfastleigh Abbey, Devonshire
Print made by Robert Wallis, 1794–1878
Buckfastleigh Abbey, Devonshire
1827
Edward Goodall Florence
Print made by Edward Goodall, 1795–1870
Florence
1827
Edward Goodall Florence
Print made by Edward Goodall, 1795–1870
Florence
1827
James C. Allen The Custom House
Print made by James C. Allen, active 1821–1831
The Custom House
1827
James C. Allen The Custom House
Print made by James C. Allen, active 1821–1831
The Custom House
1827
George Richmond The Fatal Bellman
Print made by George Richmond, 1809–1896
The Fatal Bellman
1827
William Henry Worthington Sir Humphrey Davy
Print made by William Henry Worthington, ca. 1790–active 1839
Sir Humphrey Davy
1827
William Camden Edwards Nicholas Revett
William Camden Edwards, 1777–1855
Nicholas Revett
1827
George Cooke Tooting Church
Print made by George Cooke, 1781–1834
Tooting Church
1827
Robert Brandard Orford, Suffolk
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
Edward Goodall Aldborough, Suffolk
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827
R.C. Roffe Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c.
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c
1827
R.C. Roffe Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench
1827
R.C. Roffe A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
Print made by R.C. Roffe, active in London 1806–1835
A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
1827
John Cochran Sir William Jones
Print made by John Cochran, active 1825–1854
Sir William Jones
ca. 1832
William Blake Illustrations to Dante's Divine Comedy
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827