Norton Hall, Cheshire: Ground Plan with Designs for a Canal
between 1760 and 1776
3
Hubert-François Gravelot, 1699–1773
Two Prize Fighters
ca. 1742
4
Nicholas Pocock, 1740–1821
Bristol
ca. 1780
5
Sir John Soane, 1753–1837
Hinton St. George, Somerset: View of the Saloon
1797
6
Sir Joshua Reynolds, 1723–1792
Standing Man
undated
7
Sir Joshua Reynolds, 1723–1792
Woman and Infant
undated
8
Sir Joshua Reynolds, 1723–1792
Seated Figure Reading
undated
9
Henry Swinburne, 1743–1803
Tree Study
undated
10
Henry Swinburne, 1743–1803
Column of the Court of Lions
1775 to 1776
11
Henry Swinburne, 1743–1803
Six Capitals of Columns in the Court of Lions in the Alambra of Granada
1775 to 1776
12
Henry Swinburne, 1743–1803
Cupboard in the Hall of the Embassadors
1775 to 1776
13
Henry Swinburne, 1743–1803
Coat of Arms Design
undated
14
Sawrey Gilpin, 1733–1807
Four Sketches of Hind Quarters of Horse
1760
15
Capt. Francis Grose, 1731–1791
Priory Old House, Thetford
1777
16
Capt. Francis Grose, 1731–1791
South Mimms Church, Hertfordshire
1787
17
Henry Swinburne, 1743–1803
Study of a Section Piece From The Lions Court at Alahambra
1775 to 1776
18
Henry Swinburne, 1743–1803
View of the Cascine Near Florence
1787
19
Henry Swinburne, 1743–1803
Mountainous Landscape, with a Small Village in its Valley
undated
20
Henry Swinburne, 1743–1803
St. Bertrand, France
undated
21
Robert Adam, 1728–1792
Castle with Figures in a Classical Landscape
undated
22
Paul Sandby, 1731–1809
The Gypsy Fortune-Teller
ca. 1758
23
James Wyatt, 1746–1813
Cobham Hall, Kent: Design for Paneling of a Pew
ca. 1790
24
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763
25
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
26
James Gwin, 1700–1769
De la Passe en Quarte du Dehors des Armes
1763
27
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
28
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
29
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
30
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
31
unknown artist
Le Port Vieux de Toulon: Dessiné du Point C Marqué sur le Plan
undated
32
unknown artist
Le Pont de Brest/ Definne du Point H. Marque fur la Plan: Dock Scene with Laborers employed on Various Aspects of Ship Construction
undated
33
unknown artist
Le Port De Brest: Dessiné Du Point K Marqué sur Le Plan
undated
34
unknown artist
Le Port De Brest: Dessiné Du Point F Marqué sur Le Plan
undated
35
unknown artist
Le Port de Rochefort: Vu Du Point A Marque sur le Plan
undated
36
unknown artist
Dr. Mum
undated
37
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
38
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
39
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
40
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
41
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
42
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
43
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
44
unknown artist
Le Port de Brest: Dessiné du Point, A, Marqué sur La Carte De La Rade
undated
45
unknown artist
Le Port de Brest: Dessiné du Point I Marqué sur Le Plan
undated
46
Augustin Heckel, 1690–1770
The Bridge, Walton on Thames
ca. 1750
47
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Quarte Basse
1763
48
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
49
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
50
unknown artist
Faux-Bourg de St. Serran: Dessine du Point C. Marque sur Le Plan
undated
51
unknown artist
Le Port de L'Orient: Dessine du Point B. Marque fur la Carte
undated
52
Henry Swinburne, 1743–1803
Garonne River
undated
53
Rev. William Gilpin, 1724–1804
Landscape with Large Cruciform
1769
54
Rev. William Gilpin, 1724–1804
Landscape with Castle on Riverbank
1763
55
James Bruce, 1730–1794
Wolf
1764
56
G. W. Gent, active 1804–1822
Boldre Church and Bridge
1800
57
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
58
Capt. Francis Grose, 1731–1791
Wellingborough out of the Angel Window, Northamptonshire
1762
59
Willey Reveley, 1760–1799
Views in the Levant: A Ruined Byzantine Church
ca. 1785
60
Willey Reveley, 1760–1799
Views in the Levant: Landscape With Sea, Town and Hills
ca. 1785
61
James Seymour, 1702–1752
Groom Leading a Racehorse Wearing Hood and Sweaters, June 24, 1743
1743
62
William Evans of Bristol, 1809–1858
The 'Royal' Coach Outside the White Lion Inn
ca. 1845
63
Thomas Rowlandson, 1756–1827
The Stable of an Inn
ca. 1790
64
unknown artist
Design after a Greek Vase
undated
65
Francis Towne, 1740–1816
Vauxhall Stairs, from Millbank, July 5, 1797
1797
66
James Seymour, 1702–1752
Coursing - After the Kill
undated
67
Edward Dayes, 1763–1804
Elgin Cathedral, Moray
1792
68
Thomas Rowlandson, 1756–1827
Bodmin Cornwall: The Arrival of the Stage-Coach
1795
69
Thomas Girtin, 1775–1802
Lincoln Cathedral
ca. 1795
70
Thomas Girtin, 1775–1802
Tolleshunt-Beckingham, Essex
ca. 1795
71
Thomas Rowlandson, 1756–1827
Bodmin Cornwall: French Prisoners on Parole
1795
72
Thomas Rowlandson, 1756–1827
The Connoisseurs
ca. 1790
73
Thomas Rowlandson, 1756–1827
An Audience Watching a Play at Drury Lane Theatre
ca. 1785
74
Thomas Girtin, 1775–1802
Layer Marney Hall, Essex
ca. 1795
75
attributed to Thomas Girtin, 1775–1802
Dover
undated
76
Dominic Serres, 1722–1793
Warships Preparing to Sail from their Anchorage
1782
77
Dominic Serres, 1722–1793
The Battle of the Dogger Bank, 5th August, 1781
1781
78
John Robert Cozens, 1752–1797
Between Chamonix and Martigny
1776
79
Thomas Gainsborough, 1727–1788
Wooded Landscape with Figures outside a Cottage Door
between 1775 and 1780
80
John Fayram, op.1713–1743
Frontispiece design for John Fayram's "Eight Views after Nature"