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Materials & Techniques wove paper

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Genre literary theme

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Subject Terms woman

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Search Results

Joseph Mallord William Turner Procris and Cephalus
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
William Blake The Poems of Thomas Gray, Design 23, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 23, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
1789
William Blake Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
1789
William Blake Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
1789
William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
William Blake Jerusalem, Plate 71, "And above Albions Land...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 71, "And above Albions Land...."
1804 to 1820
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
William Blake The Poems of Thomas Gray, Design 31, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 77, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 77, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 85, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 93, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 93, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
Augustus Welby Northmore Pugin Window West End, South Aisle, Saint Vincent
Augustus Welby Northmore Pugin, 1812–1852
Window West End, South Aisle, Saint Vincent
undated
Robert Smirke Ferdinand Reunited with his Father
Robert Smirke, 1752–1845
Ferdinand Reunited with his Father
1821
Robert Smirke Feste, as Sir Topas, addressing Malvolio
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
Robert Smirke Katherina and Grumio
Robert Smirke, 1752–1845
Katherina and Grumio
1821
Robert Smirke Master William Page and Sir Hugh Evans
Robert Smirke, 1752–1845
Master William Page and Sir Hugh Evans
1821
Robert Smirke The Death of Ophelia
Robert Smirke, 1752–1845
The Death of Ophelia
ca. 1810
Henry William Bunbury The Battle of the Cataplasm
Print made by Henry William Bunbury, 1750–1811
The Battle of the Cataplasm
between 1773 and 1817
Luigi Schiavonetti The Reunion of the Soul & the Body
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808, published 1813
Luigi Schiavonetti The Soul Exploring the Recesses of the Grave
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808, published 1813
Luigi Schiavonetti The Soul Hovering over the Body reluctantly Parting with Life
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808, published 1813
Robert Smirke Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
Robert Smirke, 1752–1845
Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
1821
Robert Smirke Anne Page and Slender
Robert Smirke, 1752–1845
Anne Page and Slender
1821
Edward Goodall St. Julienne's Chapel
Print made by Edward Goodall, 1795–1870
St. Julienne's Chapel
1834
Theodor von Holst Faust and Margaret
Theodor von Holst, 1810–1844
Faust and Margaret
undated
Sir David Wilkie Scene from Quentin Durward
Sir David Wilkie, 1785–1841
Scene from Quentin Durward
1833
Robert Smirke She Never Told Her Love, But Sat Like Patience on a Monument
Robert Smirke, 1752–1845
She Never Told Her Love, But Sat Like Patience on a Monument
1827
William Young Ottley Prospero Summoning Ariel
William Young Ottley, 1771–1836
Prospero Summoning Ariel
ca. 1800
Francesco Bartolozzi Ophelia: There's Rue for You, and Here's Some for Me
Print made by Francesco Bartolozzi, 1728–1815
Ophelia: There's Rue for You, and Here's Some for Me
1784
Francesco Bartolozzi Miss Anna Brunton
Print made by Francesco Bartolozzi, 1728–1815
Miss Anna Brunton
1785
Francesco Bartolozzi Mrs. Abington as Thalia
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
1783
Mary Hoare Ferdinand and Ariel
Mary Hoare, 1744–1820
Ferdinand and Ariel
ca. 1781
Mary Hoare Lady Macbeth, Sleepwalking
Mary Hoare, 1744–1820
Lady Macbeth, Sleepwalking
1781
Mary Hoare Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
Mary Hoare, 1744–1820
Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
1781
Mary Hoare Imogen in the Cave, 'Cymbeline', Act III, Scene VI
Mary Hoare, 1744–1820
Imogen in the Cave, 'Cymbeline', Act III, Scene VI
1782
unknown artist The Bay of Baiae - Apollo and the Sibyl
Print made by unknown artist
The Bay of Baiae - Apollo and the Sibyl
between 1852 and 1856
Henry Fuseli A Woman Sitting by the Window (Evening thou Bringest All)
Print made by Henry Fuseli, 1741–1825
A Woman Sitting by the Window (Evening thou Bringest All)
1802
Thomas Abiel Prior The Bay of Baiae, Apollo and the Sibyl
Print made by Thomas Abiel Prior, 1809–1886
The Bay of Baiae, Apollo and the Sibyl
1873
James T. Willmore The Golden Bough
Print made by James T. Willmore, 1800–1863
The Golden Bough
1856
James T. Willmore The Golden Bough
Print made by James T. Willmore, 1800–1863
The Golden Bough
1856