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The Flying Pack
Creator:
Print made by Robert Polhill Bevan, 1865–1925
Date:
1898-1899
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 1/16 x 19 1/2 inches (38.3 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Near Brimley Hill
Creator:
Robert Polhill Bevan, 1865–1925
Date:
1915
Materials & Techniques:
Black chalk and watercolor on thin, smooth, cream wove paper
Dimensions:
Sheet: 10 x 11 3/4 inches (25.4 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
Farm Buildings and Well, Poland
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1908
Materials & Techniques:
Black chalk and watercolor on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 3/4 x 13 3/4 inches (24.8 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
Sketch of a Horse
Creator:
Robert Polhill Bevan, 1865–1925
Date:
undated
Materials & Techniques:
Black chalk on thin, smooth, brown wove paper
Dimensions:
Sheet: 9 7/8 x 13 7/8 inches (25.1 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
Landscape with Three Trees
Creator:
Robert Polhill Bevan, 1865–1925
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, moderately textured, beige laid paper mounted on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 x 13 7/16 inches (25.4 x 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
Who-o-p!
Creator:
Print made by Robert Polhill Bevan, 1865–1925
Date:
1898-1899
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 14 15/16 x 19 1/2 inches (38 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Over the Bank, Exmoor
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1895
Materials & Techniques:
Watercolor, pen and gray ink, and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 13 7/16 inches (25.1 × 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Harrow in the Orchard
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1896
Materials & Techniques:
Pen and black ink and gray wash; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 15 3/8 inches (25.1 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Meet
Creator:
Print made by Robert Polhill Bevan, 1865–1925
Date:
1898-1899
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 x 19 5/16 inches (38.1 x 49 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Found!

Found!
Creator:
Print made by Robert Polhill Bevan, 1865–1925
Date:
1898-1899
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 x 19 7/16 inches (38.1 x 49.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Barns

The Barns
Creator:
Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, gray wove paper
Dimensions:
Sheet: 10 × 13 9/16 inches (25.4 × 34.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Wayside Smithy
Creator:
Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 7 3/8 inches (25.1 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger Skeleton, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Pen with iron gall ink, graphite, and red chalk, squared for transfer on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/4 x 14 3/8 inches (24.8 x 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Leopard Body, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk; verso: black chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 14 inches (25.1 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Leopard Body, Lateral View (First of Five Studies of Another Large Cat)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Red chalk and graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 13 3/4 inches (25.1 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Sleeping Leopard
Creator:
Print made by George Stubbs, 1724–1806
Date:
1791
Materials & Techniques:
Soft-ground etching with roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 13 3/4 inches (25.4 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Tiger and a Sleeping Leopard
Creator:
Print made by George Stubbs, 1724–1806
Date:
1788
Materials & Techniques:
Soft-ground etching with roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/4 × 12 1/2 inches (24.8 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Glaucus and Scylla
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 13 1/2 inches (25.4 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape with Barn
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1795
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper, mounted on thick, smooth, wove paper
Dimensions:
Mount: 9 3/4 x 15 1/4 inches (24.8 x 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Richard L. Purdy
A Great Tree
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1796
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 x 15 1/4 inches (25.4 x 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Yarmouth Sands
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1840
Materials & Techniques:
Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/4 x 14 3/8 inches (24.8 x 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mer de Glace, Valley of Chamouni, Savoy
Creator:
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 12 7/8 inches (25.4 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North Stoke. Oct. 21.1834.
Creator:
Edward Lear, 1812–1888
Date:
1834
Materials & Techniques:
Graphite and white gouache on moderately thick, moderately textured, gray wove paper
Dimensions:
Sheet: 10 x 13 15/16 inches (25.4 x 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
St. Giulio, Orta, 26 September 1837
Creator:
Edward Lear, 1812–1888
Date:
1837
Materials & Techniques:
Graphite with stumping and white gouache on moderately thick, moderately textured, gray-green wove paper
Dimensions:
Sheet: 10 x 14 1/4 inches (25.4 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
View Across a Meadow to a Church
Creator:
Edward Lear, 1812–1888
Date:
ca. 1834
Materials & Techniques:
Graphite on thick, moderately textured, gray wove paper
Dimensions:
Sheet: 10 x 13 15/16 inches (25.4 x 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Balgrate. 14. October. 1837
Creator:
Edward Lear, 1812–1888
Date:
1837
Materials & Techniques:
Graphite and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 10 x 14 1/4 inches (25.4 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Wied Zurrik (Malta)
Creator:
Edward Lear, 1812–1888
Date:
1848
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 × 13 3/4 inches (25.4 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Genezzano, 17 May 1838
Creator:
Edward Lear, 1812–1888
Date:
1838
Materials & Techniques:
Graphite with stumping and gouache on moderately thick, moderately textured, gray wove paper
Dimensions:
Sheet: 9 15/16 x 14 inches (25.2 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
S. Pietro Degli Agostiniani. Leonessa.
Creator:
Edward Lear, 1812–1888
Date:
1844
Materials & Techniques:
Watercolor, graphite, brown wash, pen and brown ink on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 7/8 x 9 11/16 inches (25.1 x 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
People on the Road Near Kalicut, Malabar
Creator:
Edward Lear, 1812–1888
Date:
undated
Materials & Techniques:
Watercolor, gouache, and gum arabic on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 10 × 15 9/16 inches (25.4 × 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Segni, 6 October 1838
Creator:
Edward Lear, 1812–1888
Date:
1838
Materials & Techniques:
Graphite, black chalk, and white gouache on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 10 x 13 11/16 inches (25.4 x 34.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
The First Book of Urizen, Plate 10, "12: Los Howld in a Dismal Stupor...." (Bentley 7)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Book of Urizen, Plate 21 (Bentley 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Book of Urizen, Plate 22, "Stretch'd for a Work of Eternity...." (Bentley 20)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Book of Urizen, Plate 15 (Bentley 14)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Book of Urizen, Plate 18 (Bentley 21)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Book of Urizen, Plate 23 (Bentley 9)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Book of Urizen, Plate 24, "Of Life Forsaken Mountains...." (Bentley 23)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Book of Urizen, Plate 25 (Bentley 26)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Book of Urizen, Plate 11 (Bentley 17)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Book of Urizen, Plate 26, "The Ox in the Slaughter House Moans...." (Bentley 25)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Book of Urizen, Plate 27, "They Lived a Period of Years . . . ." (Bentley 28)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Book of Urizen, Plate 28 (Bentley 27)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Book of Urizen, Plate 3 (Bentley 22)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Book of Urizen, Plate 4 (Bentley 24)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
Creator:
William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:
Sheet: 15 1/4 × 21 1/2 inches (38.8 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Book of Urizen, Plate 7 (Bentley 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Book of Urizen, Plate 9, "As the Stars Are Apart from the Earth...." (Bentley 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Albion Compelling the Four Zoas to Their Proper Tasks
Creator:
William Blake, 1757–1827
Date:
1804 to 1810
Materials & Techniques:
Graphite and black chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 12 1/4 inches (25.1 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery
Shipping off St. Michael's Mount, Cornwall
Creator:
John Callow, 1822–1878
Date:
1866
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, graphite, and scratching out on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 × 23 7/8 inches (25.4 × 60.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Carisbrooke Castle, Isle of Wight
Creator:
attributed to Michael "Angelo" Rooker, 1746–1801
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 16 1/4 inches (25.1 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fye Bridge, Norwich
Creator:
John Thirtle, 1777–1839
Date:
undated
Materials & Techniques:
Brown wash and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 3/4 × 8 1/4 inches (24.8 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Dance in Jamaica
Creator:
Emeric Essex Vidal, 1791–1861
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 14 1/4 inches (25.4 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of a Young Girl Resting her Head on her Knee
Creator:
Attributed to Thomas Barker, 1769–1847
Date:
undated
Materials & Techniques:
Brown chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 7 inches (25.4 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Trumpeter on Galloping Horse
Creator:
James Stuart, 1713–1788
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 7 inches (25.1 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Weymouth Castle
Creator:
unknown artist
Date:
ca. 1830
Materials & Techniques:
Watercolor and black chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Farm House with a Well
Creator:
John Varley, 1778–1842
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 14 1/4 inches (25.4 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Royal Citadel and Cattewater, Plymouth
Creator:
William Callow, 1812–1908
Date:
1842
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 14 5/16 inches (25.1 x 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Neapolitan Fishermen
Creator:
John Thomas Serres, 1759–1825
Date:
1791
Materials & Techniques:
Brown wash with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 13 5/8in. (25.1 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Ferrets

Ferrets
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Black and white chalk on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 7/8 × 13 1/4 inches (25.1 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dead Calm: Boats off Cowes Castle
Creator:
Sir Augustus Wall Callcott, 1779–1844
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, white gouache, and scratching out on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/4 × 18 1/2 inches (24.8 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Eton from the Brocas
Creator:
James Bourne, 1773–1854
Date:
1828
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/4 × 14 1/8 inches (24.8 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portrait of Benjamin Robert Haydon
Creator:
Print made by Mary Dawson Turner, 1774–1850
Date:
1816
Materials & Techniques:
Etching
Dimensions:
Sheet: 12 7/16 × 9 1/2 inches (31.6 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portuguese, Madeira, Jan 30, '68
Creator:
unknown artist
Date:
1868
Materials & Techniques:
Watercolor and graphite on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 × 7 inches (25.4 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Horses, Cow and Men
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/4 × 7 1/2 inches (24.8 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Tree

Tree
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Brushed black ink on moderately thick, slightly textured, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 7 1/2 inches (20.3 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Man (in 16th Century Costume) with Dogs
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 9 13/16 × 6 7/8 inches (24.9 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Man with Hood and Landscape
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 × 13 7/8 inches (25.4 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Two Sketches: Country House and Mountainous Landscape
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/4 × 6 3/4 inches (24.8 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Buildings and Cypress Trees
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 × 7 inches (25.4 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Waterfall and Forest
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 × 7 inches (25.4 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Governor-General's and Commander-in-Chief's Camp at Jalandhar, 1 Febuary 1860
Creator:
William Simpson, 1823–1899
Date:
ca. 1860
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 9 7/8 x 13 7/8 inches (25.1 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
South East View of the Church and Palace at Croydon, Surrey
Creator:
John Chessell Buckler, 1793–1894
Date:
1817
Materials & Techniques:
Watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 13 1/4 inches (25.4 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Lodge
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink, watercolor on slightly textured, medium, brown wove paper
Dimensions:
Sheet: 10 × 6 7/8 inches (25.4 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of Trees at the Edge of a Field
Creator:
Cornelius Varley, 1781–1873
Date:
undated
Materials & Techniques:
Watercolor with white gouache on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 14 7/8 inches (25.4 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Beddgelert Church
Creator:
Cornelius Varley, 1781–1873
Date:
1805
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 x 16 1/4 inches (25.4 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of Small Fishing Vessel on Shore
Creator:
Cornelius Varley, 1781–1873
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 3/4 x 14 3/16 inches (24.8 x 36 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Studies of Boats, Figures, Carts, and Buildings
Creator:
Cornelius Varley, 1781–1873
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 3/4 x 11 3/4 inches (24.8 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Paestum (vignette)
Creator:
Print made by John Pye, 1782–1874
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Amalfi (vignette)
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Plate: 10 1/4 × 5 5/8 inches (26 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Perugia (vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 11 5/8 inches (43.5 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Villa on the Night of a Festa di Ballo (vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Marengo (vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Marengo (vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/2 × 12 1/4 inches (44.5 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Aosta (vignette)
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/4 × 12 inches (43.8 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hospice of the Great St. Bernard, Number 11 (vignette)
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/4 × 6 5/8 inches (28.6 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rome, Castle of St. Angelo (vignette)
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/8 × 12 1/8 inches (44.1 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Amalfi (vignette)
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 11 7/8 inches (43.2 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection