The Caller at the Mill, with sketches outside margin
1918-1919
18
Robert Polhill Bevan, 1865–1925
The Meet, with further sketches in margin
19
Robert Polhill Bevan, 1865–1925
The Meet
1898
20
Robert Polhill Bevan, 1865–1925
The Pink Apron
ca. 1904
21
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
22
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
etching begun before 1861; impression printed in 1926
23
Print made by Samuel Palmer, 1805–1881
Christmas
1850
24
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
25
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
26
Print made by Samuel Palmer, 1805–1881
Christmas
1877
27
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1920
28
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1926
29
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
30
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
31
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
32
Print made by Samuel Palmer, 1805–1881
The Willow
1850
33
after William Hogarth, 1697–1764
Album Collection of Sixty-six Engravings after William Hogarth
34
after William Hogarth, 1697–1764
Simon, Lord Lovat
1746
35
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
36
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
37
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
38
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
39
Edward Lear, 1812–1888
Sketchbook
1845-1846
40
William Blake, 1757–1827
Pl. 23: `Anacreon Ode LII'
1796
41
William Blake, 1757–1827
Pl. 16: `Cupid & Psyche'
1796
42
William Blake, 1757–1827
Pl. 18: `Iron Age'
1796
43
William Blake, 1757–1827
Pl. 23: `Anacreon Ode LII'
1796
44
William Blake, 1757–1827
Pl. 12: `Psyche Disobeys.'
1796
45
William Blake, 1757–1827
Pl. 16: `Cupid & Psyche'
1796
46
William Blake, 1757–1827
Pl. 15: `The Conjugal Union of Cupid'
1796
47
William Blake, 1757–1827
Pl. 19: `Aristophanes Clouds. Scene I'
1796
48
William Blake, 1757–1827
Pl. 13: `Psyche Repents.'
1796
49
William Blake, 1757–1827
Pl. 14: `Venus Counsels Cupid'
1796
50
William Blake, 1757–1827
Pl. 15: `The Conjugal Union of Cupid'
1796
51
William Blake, 1757–1827
Pl. 19: `Aristophanes Clouds. Scene I'
1796
52
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 1 (Title Page): 'Illustrations of/ the/ Book/ of/ Job'
1826
53
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 14 (page 13): [The Lord answering Job out of the Whirlwind]
1826
54
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
1821, reprinted 1977
55
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
1821, reprinted 1977
56
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
1821, reprinted 1977
57
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
1821, reprinted 1977
58
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
59
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
1821, reprinted 1977
60
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
1821, reprinted 1977
61
William Blake, 1757–1827
And now behold the sun's departing ray
1821, reprinted 1977
62
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
1821, reprinted 1977
63
William Blake, 1757–1827
Pl. 12: 'Psyche Disobeys'
1796
64
William Blake, 1757–1827
Pl. 13: `Psyche Repents'
1796
65
William Blake, 1757–1827
Pl. 14: `Venus Councels Cupid'
1796
66
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
1821, reprinted 1977
67
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
1821, reprinted 1977
68
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
69
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
70
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
71
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
72
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
73
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
74
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 3 (page 2): [Satan before the Throne of God]
1826
75
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 7 (page 6): [Satan smiting Job with Boils]
1826
76
Print made by William Blake, 1757–1827
Illustrations of the Book of Job, pl. 8 (page 7): [Job's Comforters]
1826
77
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 16 (page 15): [Behemoth and Leviathan]
1826
78
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 17 (page 16): [The Fall of Satan]
1826
79
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 22 (page 21): [Job and his Wife restored to Prosperity]
1826
80
William Blake, 1757–1827
Each creature, Thenot, to his task is born
1821, reprinted 1977
81
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
1821, reprinted 1977
82
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
1821, reprinted 1977
83
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
1821, reprinted 1977
84
William Blake, 1757–1827
Or blasting winds o'er blossom'd hedge-rows pass
1821, reprinted 1977
85
William Blake, 1757–1827
My sheep quite spent through travel and ill fare
1821, reprinted 1977
86
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 6 (page 5): [Satan going forth from the Presence of the Lord]
1826
87
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 4 (page 3): [The Destruction of Job's Sons]
1826
88
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 9 (page 8): [Job's Despair]
1826
89
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 18 (page 17): [The Vision of God]
1826
90
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 19 (page 18): [Job's Sacrifice]
1826
91
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 20 (page 19): [Job Accepting Charity]
1826
92
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 21 (page 20): [Job and his Daughters]
1826
93
William Blake, 1757–1827
Illustrations of the Book of Job
1825
94
William Blake, 1757–1827
The Pastorals of Virgil, London, 1821
1821, reprinted 1977
95
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper, (volume 1)
1803-1804
96
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 2 (page 1): [Job and his Family]
1826
97
William Blake, 1757–1827
Illustrations of the Book of Job, p. 5 (page 4): [The Messengers tell Job of the Misfortunes that have Befallen Him]
1826
98
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 10 (page 9): [The Vision of Eliphaz]
1826
99
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 11 (page 10): [Job rebuked by his Friends]
1826
100
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 12 (page 11): [Job's Evil Dreams]