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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionPeriod 19th century
Remove constraint Period: 19th centuryImage Available Available
Remove constraint Image Available: AvailableHeight [cm] 24
Remove constraint Height [cm]: 24Search Results
1
- Boat Building near Dinan, Brittany
- ca. 1838
- Not on view
2
- A View on Hampstead Heath, Early Morning
- ca. 1821
- Not on view
3
- Stormy Sea, Brighton
- ca. 1828
- Not on view
4
- Study of Hollyhocks
- ca. 1826
- Not on view
5
- Somerset House Terrace from Waterloo Bridge
- ca. 1819
- Not on view
6
- Undergrowth
- ca. 1815
- Not on view
7
- Cloud Study
- ca. 1821
- Not on view
8
- Dieppe Races
- 1885
- Not on view
9
- Landscape with Cottages
- between 1802 and 1827
- Not on view
10
- The Burning of the Houses of Parliament
- ca. 1834
- Not on view
11
- The Louth-London Royal Mail Travelling by Train from Peterborough East, Northamptonshire
- 1845
- Not on view
12
- Donkeys and Figures on a Beach
- ca. 1815
- Not on view
13
- Old Barn
- ca. 1855
- Not on view
14
- Avenue with Figures
- ca. 1807
- Not on view
15
- Grand Canal, Venice
- 1826
- Not on view
16
- Men Round the Food Vendor’s Stall
- after 1825
- Not on view
17
- Crickhowell, Breconshire
- ca. 1800
- Not on view
18
- Study of a Dog Lying Down
- 1860
- Not on view
19
- Ravager, One of the Lambton Hounds
- 1835
- Not on view
20
- Greenwich Hospital from the Observatory with a Distant View of London
- 1824
- Not on view
21
- Rocky Hillside
- ca. 1830
- Not on view
22
- Godstow Bridge near Oxford
- 1835
- Not on view
23
- Street in Patna
- ca. 1825
- Not on view
24
- East Gateway, Patna
- 1825
- Not on view
25
- View on the River Sid, near Sidmouth
- ca. 1852
- Not on view
26
- Self-Portrait
- ca. 1832
- Not on view
27
- Salisbury Cathedral From the Meadows
- 1829
28
- Boxhill
- 1868
29
- Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq
- ca. 1840
30
- Italian Hill Town
- after 1838
31
- The Rock Slip near Boscastle
- undated
32
- The Sepulchre
- etching begun ca. 1800; impression printed in 1924
33
- London from Greenwich
- 1811
34
- Inverary Pier, Loch Fyne, Morning
- 1811
35
- Stonehenge at Daybreak
- 1815 to 1819
36
- Oasis Village
- 1854
37
- The Pontine Marshes above Terracina
- ca. 1880
38
- Palermo
39
- Rocca di Falconiera
40
- Monte Pellegrino
41
- Landscape Study
42
- Borghetto
43
- Cefalù
44
- Cefalù
45
- Termini
46
- Sommantino
47
- Landscape Study with Ancient Ruins
48
- Segesta
49
- Agrigento
50
- Agrigento
51
- Segesta
52
- Favara
53
- Syracuse
54
- Syracuse
55
- Catania
56
- Syracuse
- ca. 1845
57
- Taormina
58
- Taormina
59
- Vignette
60
- Palermo
61
- Palermo
62
- Pantalica
63
- Castel D'Aci
64
- Agrigento
65
- Pantalica
66
- Mola
67
- Graphite sketch on loose sheet
68
- Europe. A Prophecy, Frontispiece Proof Impression
- ca. 1820
69
- Jerusalem, Plate 53, "Jerusalem / Chap. 3"
- 1804 to 1820
![William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]](https://media.collections.yale.edu/thumbnail/ycba/acf4d172-dfee-4b27-8478-2be8df5a19cb)
70
- Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
- 1827
![William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]](https://media.collections.yale.edu/thumbnail/ycba/a649b6a5-30dd-4484-bf7c-0a2c0cbcf2b6)
71
- Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
- 1827
![William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]](https://media.collections.yale.edu/thumbnail/ycba/7f5ea7d3-2e50-4064-bf5d-a66c163c0237)
72
- Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
- 1827
![William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]](https://media.collections.yale.edu/thumbnail/ycba/db51dfe6-d6ad-4f8e-89a8-e348c9002be7)
73
- pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
- 1827
![William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]](https://media.collections.yale.edu/thumbnail/ycba/374dc78e-dd18-49c1-b553-b3cf58cc9df1)
74
- Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
- 1827
75
- Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
- undated
76
- Deepdene near Dorking
- undated
77
- Welgelegen:Vue du Pavillon de Harlem prise du Bois
- undated
78
- Reigate Heath
- 1837
79
- View of the Pantheon, Paris
- 1802
80
- Coast Scene with Shipping
- undated
81
- Scarborough Harbour, Yorkshire - Moonlight
- 1850
82
- Trees and a Cottage by a River
- 1827
83
- John Gilpin in the Uxbridge Passage Boat
- 1820s
84
- African Civet
- ca. 1817
85
- From Boxley Hill near Maidstone
- 1801
86
- Near Goudhurst, Kent
- 1860
87
- Design for Polychromatic Decoration of a Church
- undated
88
- Hon. and Rev. Baptist Wriothesley Noel (1798-1873)
- between 1835 and 1840
89
- Studies of Woman and Greyhound
- undated
90
- Two Huskies
- ca. 1817
91
- Fire on the Thames
- ca. 1808
92
- A Farmyard
- ca. 1815
93
- Tree Study
- 1807
94
- Barges on a Canal in Rotterdam
- 1845
95
- Sheet of Sketches
- undated
96
- Backyard of a Cottage
- ca. 1817
97
- Landscape in North Wales
- 1813
98
- Design for Covent Garden Drop Curtain
- 1823
99
- The Beautiful Vale and Mowddach River, Merionethshire
- 1805
100
- A Bulldog
- after 1815