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101. Bell Rock Lighthouse

Bell Rock Lighthouse
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1824
Materials & Techniques:
Line engraving and etching, Proof on medium, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 1/16 × 13 3/16 inches (25.6 × 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. Bell Rock Lighthouse

Bell Rock Lighthouse
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1824
Materials & Techniques:
Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 5/8 × 12 7/8 inches (24.4 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. Dunbar

Dunbar
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 19 9/16 inches (37.5 × 49.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. Dunbar

Dunbar
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/8 × 18 7/8 inches (33.3 × 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. Richmond

Richmond
Creator:
William Henry Bartlett, 1809–1854
Date:
undated
Materials & Techniques:
Pen and black ink and watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 7/8 × 6 1/2 inches (9.8 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

106. Georgiana, Duchess of Bedford

Georgiana, Duchess of Bedford
Creator:
Sir George Hayter, 1792–1871
Date:
1824
Materials & Techniques:
Pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 7 inches (22.2 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

107. A Minuet

A Minuet
Creator:
Sir George Hayter, 1792–1871
Date:
1824
Materials & Techniques:
Pen and brown ink and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 8 7/8 × 11 1/4 inches (22.5 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. The Villa Adrianna, Rome

The Villa Adrianna, Rome
Creator:
James William Giles, 1801–1870
Date:
1824
Materials & Techniques:
Brown wash and pen and brown ink with touches of white gouache on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 10 13/16 x 16 5/8 inches (27.5 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. Nemi

Nemi
Creator:
James William Giles, 1801–1870
Date:
1824
Materials & Techniques:
Brown wash, graphite, pen and brown ink, and white gouache on moderately thick, moderately textured, blue wove paper
Dimensions:
Sheet: 10 3/8 x 14 3/4in. (26.4 x 37.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. Figures and Animals in a Vineyard

Figures and Animals in a Vineyard
Creator:
John Frederick Lewis, 1804–1876
Date:
ca. 1829
Materials & Techniques:
Watercolor and gouache with gum over graphite, with scratching out on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/2 × 20 1/2 inches (41.9 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. Fish Market, Hastings

Fish Market, Hastings
Creator:
William Henry Harriott, active 1811, died 1839
Date:
1824
Materials & Techniques:
Pen and brown ink, brown wash and graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 10 3/8 inches (17.8 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. Circassians

Circassians
Creator:
William Heath, 1795–1840
Date:
1824
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite on very thick, slightly textured, beige card
Dimensions:
Sheet: 13 15/16 × 10 15/16 inches (35.4 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. Russian Cossacks at a Boathouse on the Banks of the Don

Russian Cossacks at a Boathouse on the Banks of the Don
Creator:
William Heath, 1795–1840
Date:
1824
Materials & Techniques:
Watercolor and graphite on very thick, slightly textured, beige card
Dimensions:
Sheet: 13 15/16 × 10 15/16 inches (35.4 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. Mrs. William Wilberforce and Child

Mrs. William Wilberforce and Child
Creator:
John Linnell, 1792–1882
Date:
1824
Materials & Techniques:
Watercolor, gouache, graphite, and scored gesso ground on panel
Dimensions:
Sheet: 14 x 10 1/4 inches (35.6 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

115. North West View of Wrexham Church

North West View of Wrexham Church
Creator:
unknown artist
Date:
1824
Materials & Techniques:
Etching and aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

116. Deepdene near Dorking

Deepdene near Dorking
Creator:
Edward Radclyffe, 1809–1863
Date:
undated
Materials & Techniques:
Engraving on smooth, moderately thick, cream wove paper
Dimensions:
Image: 4 1/8 × 7 inches (10.5 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

117. Rue du Gros-Horloge, Rouen

Rue du Gros-Horloge, Rouen
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with cream chine collé
Dimensions:
Sheet: 13 3/8 x 19 3/4 inches (34 x 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901, Fund

118. Fulham Church (Middlesex)

Fulham Church (Middlesex)
Creator:
unknown artist
Date:
1824
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. Kensington Church

Kensington Church
Creator:
William Dorset Fellows, 1807–1878
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

120. Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417

Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with gray chine collé
Dimensions:
Sheet: 20 7/8 x 13 3/4 inches (53 x 35 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. Chelsea - Albert Bridge

Chelsea - Albert Bridge
Creator:
Thomas Abiel Prior, 1809–1886
Date:
undated
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 5/8 x 19 9/16in. (29.5 x 49.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. Lillebonne - Château d'Harcourt

Lillebonne - Château d'Harcourt
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph with yellow tint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 1/2 x 9 11/16 inches (31.8 x 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

123. More Park, near Watford, on the River Colne

More Park, near Watford, on the River Colne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 5/8 × 17 1/8 inches (32.1 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. More Park, near Watford, on the River Colne

More Park, near Watford, on the River Colne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; first engraver's proof before (a) (very early) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 × 10 7/8 inches (21.6 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. Rochester, on the River Medway

Rochester, on the River Medway
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (b); completed on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 1/4 × 20 1/4 inches (33.7 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (a) (touched) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (b) (touched) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 13 1/4 inches (24.8 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (c) (touched) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 11 5/8 inches (23.5 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (cd) (touched) on medium, slightly textured, cream laid paper
Dimensions:
Plate: 8 5/8 × 10 1/8 inches (21.9 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

130. Dartmouth Castle, on the River Dart

Dartmouth Castle, on the River Dart
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (a) (touched) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

131. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (g) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 × 19 3/8 inches (33 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

132. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (d) (touched) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 16 3/8 inches (28.9 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

133. Caen - Eglise Saint-Sauveur

Caen - Eglise Saint-Sauveur
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph with yellow tint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 14 1/16 x 11 5/16 inches (35.7 x 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

134. Members of a Society of Artists that Existed About 1730

Members of a Society of Artists that Existed About 1730
Creator:
Richard Sawyer, active 1820–1830
Date:
ca. 1829
Materials & Techniques:
Etching
Dimensions:
Sheet: 11 3/8 x 13 1/2in. (28.9 x 34.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. Advertisement for 'List of New Prints and Engraved Works published by W.B. Cooke 9 Soho Square'

Advertisement for 'List of New Prints and Engraved Works published by W.B. Cooke 9 Soho Square'
Creator:
Print made by unknown artist
Date:
1824 to 1825
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

136. Cader Idris

Cader Idris
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
between 1824 and 1830
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 5 1/2 x 7 7/16 inches (13.9 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

137. Bergues - La Tour du Marché

Bergues - La Tour du Marché
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 10 1/4 x 7 1/4 inches (26.1 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

138. Sunrise, Whiting Fishing at Margate

Sunrise, Whiting Fishing at Margate
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1824 to 1825
Materials & Techniques:
Mezzotint; earliest engraver's proof on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 10 1/8 × 14 3/8 inches (25.7 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. Set of 6 with the printed wrapper: British Proverbs

Set of 6 with the printed wrapper: British Proverbs
Creator:
Henry Thomas Alken, 1785–1851
Date:
1824
Materials & Techniques:
Hand colored soft-ground etchings
Dimensions:
Sheet: 8 3/4 x 11 1/8in. (22.2 x 28.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. No Shoe's!

No Shoe's!
Creator:
Henry Heath, active 1824–1835
Date:
1824
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 3 5/8 x 5 1/8in. (9.2 x 13cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. General View of Kemp Town now Erecting on the Estate of Thomas Read Kemp, on the East Cliff, Brighton after Wilds and Busby

General View of Kemp Town now Erecting on the Estate of Thomas Read Kemp, on the East Cliff, Brighton after Wilds and Busby
Creator:
Matthew Dubourg, active 1786–1838
Date:
1824
Materials & Techniques:
Colored aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. A set of four: Meeting at Cover. London, pub. by Thos. McLean, 1824

A set of four: Meeting at Cover. London, pub. by Thos. McLean, 1824
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

143. A set of four: Breaking Cover. London, pub. by Thos. McLean, 1824

A set of four: Breaking Cover. London, pub. by Thos. McLean, 1824
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. A set of four: Full Cry. London, pub. by Thos. McLean, 1824

A set of four: Full Cry. London, pub. by Thos. McLean, 1824
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. A set of four: The Death. London, pub. by Thos. McLean, 1824

A set of four: The Death. London, pub. by Thos. McLean, 1824
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

146. A Merchantman Becalmed Offshore

A Merchantman Becalmed Offshore
Creator:
David Cox Jr., 1809–1885
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 7 1/16 inches (11.7 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

147. The Exeter College Eight on the Isis, Oxford

The Exeter College Eight on the Isis, Oxford
Creator:
William Turner of Oxford, 1789–1862
Date:
1824
Materials & Techniques:
Watercolor, graphite, and gouache on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 1/4 × 21 7/16 inches (28.6 × 54.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

148. Dunbar

Dunbar
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Line engraving and etching on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 7/16 × 14 3/4 inches (26.5 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. James Northcote

James Northcote
Creator:
Frederick Christian Lewis the Elder, 1779–1856
Date:
1824
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper with cream chine colle
Dimensions:
Sheet: 22 1/16 × 17 5/16 inches (56 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

150. W. Sharp

W. Sharp
Creator:
Print made by James Thompson, 1790–1850
Date:
1824
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. Martin Archer Shee

Martin Archer Shee
Creator:
Henry Thomson, 1773–1843
Date:
1824
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

152. H. Bone, Esqr., R.A.

H. Bone, Esqr., R.A.
Creator:
Frederick Christian Lewis the Elder, 1779–1856
Date:
1824
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

153. Wash proofs to accompany Westmacott's "The English Spy": First Bow to Alma Mater or Bernard Blackmantle's introduction to the Big Wig

Wash proofs to accompany Westmacott's "The English Spy": First Bow to Alma Mater or Bernard Blackmantle's introduction to the Big Wig
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

154. Wash proofs to accompany Westmacott's "The English Spy": Flooring of Mercury or Burning the Oaks, a Scene in Tom Quadrangle

Wash proofs to accompany Westmacott's "The English Spy": Flooring of Mercury or Burning the Oaks, a Scene in Tom Quadrangle
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

155. Wash proofs to accompany Westmacott's "The English Spy": The Oppidan's Museum or Eton Court of Claims at the Christopher

Wash proofs to accompany Westmacott's "The English Spy": The Oppidan's Museum or Eton Court of Claims at the Christopher
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

156. Wash proofs to accompany Westmacott's "The English Spy": A Frolic in High Life, or a Visit to Billingsgate

Wash proofs to accompany Westmacott's "The English Spy": A Frolic in High Life, or a Visit to Billingsgate
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

157. Wash proofs to accompany Westmacott's "The English Spy": Tom Echo laid up with the Headington fever or an Oxonion very near the Wall

Wash proofs to accompany Westmacott's "The English Spy": Tom Echo laid up with the Headington fever or an Oxonion very near the Wall
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

158. Wash proofs to accompany Westmacott's "The English Spy":: Bernard Blackmantle reading his Farce in the Green Room of the Theatre Royal Drury Lane

Wash proofs to accompany Westmacott's "The English Spy":: Bernard Blackmantle reading his Farce in the Green Room of the Theatre Royal Drury Lane
Creator:
J. W. Wageman, active 1824
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

159. Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre

Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

160. Wash proofs to accompany Westmacott's "The English Spy": The Daffy Club, or a Musical Muster of the Fancy

Wash proofs to accompany Westmacott's "The English Spy": The Daffy Club, or a Musical Muster of the Fancy
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. Wash proofs to accompany Westmacott's "The English Spy": The Great Subscription Room at Brooks's or Opposition Members engaged upon Hazardous Points

Wash proofs to accompany Westmacott's "The English Spy": The Great Subscription Room at Brooks's or Opposition Members engaged upon Hazardous Points
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords

Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

163. Wash proofs to accompany Westmacott's "The English Spy": The Royal Saloon Piccadilly

Wash proofs to accompany Westmacott's "The English Spy": The Royal Saloon Piccadilly
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

164. An Irish Tilting Match, or the Poissardes against the Poignards

An Irish Tilting Match, or the Poissardes against the Poignards
Creator:
Henry Heath, active 1824–1835
Date:
1824
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

165. Turk on a Horse

Turk on a Horse
Creator:
Thomas Hartley Cromek, 1809–1873
Date:
undated
Materials & Techniques:
Pen and sepia ink
Dimensions:
Frame: 2 1/4 × 1 15/16 × 3/16 inches (5.7 × 4.9 × 0.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

166. Elevations and Plans of the Court of Kings Bench

Elevations and Plans of the Court of Kings Bench
Creator:
Print made by unknown artist
Date:
ca. 1827
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 16 7/16 x 11 5/8in. (41.8 x 29.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

167. A High Caste Woman Standing by a Wall

A High Caste Woman Standing by a Wall
Creator:
William Daniell, 1769–1837
Date:
ca. 1829
Materials & Techniques:
Watercolor with black ink and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 5 7/8 x 4 1/4 inches (14.9 x 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

168. Study for Master William Wilberforce

Study for Master William Wilberforce
Creator:
John Linnell, 1792–1882
Date:
1824
Materials & Techniques:
Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 3/4 x 6 1/4 inches (17.1 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of R. M. M. Pryor, Esq., (Hitchin, Herts), 1983.

169. Study of Country Boys

Study of Country Boys
Creator:
William Evans of Bristol, 1809–1858
Date:
undated
Materials & Techniques:
Watercolor and scratching out over graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 6 5/8 inches (18.7 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

170. Wash proofs to accompany Westmacott's "The English Spy": College Comforts, A Freshman taking possession of his Rooms

Wash proofs to accompany Westmacott's "The English Spy": College Comforts, A Freshman taking possession of his Rooms
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

171. Wash proofs to accompany Westmacott's "The English Spy": The Opera Green Room, or Noble Amateurs viewing Foreign Curiosities

Wash proofs to accompany Westmacott's "The English Spy": The Opera Green Room, or Noble Amateurs viewing Foreign Curiosities
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

172. Wash proofs to accompany Westmacott's "The English Spy": Black Matins, or the Effect of Late Drinking upon Early Risers

Wash proofs to accompany Westmacott's "The English Spy": Black Matins, or the Effect of Late Drinking upon Early Risers
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

173. Wash proofs to accompany Westmacott's "The English Spy": Town and Gown or the Battle of the Togate and the Town Raff in the High Street Oxford

Wash proofs to accompany Westmacott's "The English Spy": Town and Gown or the Battle of the Togate and the Town Raff in the High Street Oxford
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

174. Wash proofs to accompany Westmacott's "The English Spy": Oxford Transports or Albanians doing Penance for Past Offences

Wash proofs to accompany Westmacott's "The English Spy": Oxford Transports or Albanians doing Penance for Past Offences
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

175. Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]

Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

176. Wash proofs to accompany Westmacott's "The English Spy": The Maiden Brief, Dick Gradus's first appearance among the Worthies of Westminster Hall

Wash proofs to accompany Westmacott's "The English Spy": The Maiden Brief, Dick Gradus's first appearance among the Worthies of Westminster Hall
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

177. Mausoleum, at Trentham (the Seat of the Marquis of Stratford)

Mausoleum, at Trentham (the Seat of the Marquis of Stratford)
Creator:
Print made by John Gendall, 1790–1865
Date:
1824
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 9 3/8 inches (14.9 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

178. Untitled Images of Livestock, Plate 6

Untitled Images of Livestock, Plate 6
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

179. Shakspeare's Desk

Shakspeare's Desk
Creator:
James Fahey, 1804–1885
Date:
1824
Materials & Techniques:
Print
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

180. Untitled Images of Livestock, Plate 14

Untitled Images of Livestock, Plate 14
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

181. View from the Cowgate of the Buildings on the South of the Parliament Close

View from the Cowgate of the Buildings on the South of the Parliament Close
Creator:
Print made by Robert Scott, 1771–1841
Date:
1824
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

182. Cuyp

Cuyp
Creator:
Print made by John Young, 1755–1825
Date:
1824
Materials & Techniques:
Mezzotint and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

183. Covent Garden Market

Covent Garden Market
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

184. The Gothic Bridge of Eudes, Tours

The Gothic Bridge of Eudes, Tours
Creator:
Print made by Henry Adlard, active 19th century
Date:
between 1824 and 1848
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

185. Untitled Images of Livestock, Plate 16

Untitled Images of Livestock, Plate 16
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

186. Untitled Images of Livestock, Plate 15

Untitled Images of Livestock, Plate 15
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

187. Untitled Images of Livestock, Plate 12

Untitled Images of Livestock, Plate 12
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

188. Untitled Images of Livestock, Plate 13

Untitled Images of Livestock, Plate 13
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

189. Untitled Images of Livestock, Plate 9

Untitled Images of Livestock, Plate 9
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

190. Untitled Images of Livestock, Plate 8

Untitled Images of Livestock, Plate 8
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

191. Untitled Images of Livestock, Plate 3

Untitled Images of Livestock, Plate 3
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

192. Untitled Images of Livestock, Plate 5

Untitled Images of Livestock, Plate 5
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

193. Untitled Images of Livestock

Untitled Images of Livestock
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

194. Antwerp Cathedral

Antwerp Cathedral
Creator:
Sir John Frederick William Herschel, first Baronet, 1792–1871
Date:
1824
Materials & Techniques:
Graphite camera lucida drawing on medium, smooth, cream wove paper mounted on sheet of cream wove paper
Dimensions:
Mount: 7 5/8 × 11 1/2 inches (19.4 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

195. The Coliseum, Rome

The Coliseum, Rome
Creator:
Sir John Frederick William Herschel, first Baronet, 1792–1871
Date:
1824
Materials & Techniques:
Graphite camera lucida drawing on medium, smooth, cream wove paper
Dimensions:
Mount: 10 × 15 1/4 inches (25.4 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

196. Hotel de Ville, Bruges

Hotel de Ville, Bruges
Creator:
John Coney, 1786–1833
Date:
1824
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 5/8 x 14 7/8in. (24.4 x 37.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

197. Entrance to Calais Harbour

Entrance to Calais Harbour
Creator:
David Cox, 1783–1859
Date:
ca. 1829
Materials & Techniques:
Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 11 inches (18.7 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

198. Heads of Fisherman

Heads of Fisherman
Creator:
Joseph Stannard, 1797–1830
Date:
1824
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 5 1/2 inches (24.4 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

199. Walking Dress, Tenerife

Walking Dress, Tenerife
Creator:
Alfred Diston, active 1818–1829
Date:
1824
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 7 1/2 inches (21.3 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

200. [Coaching] Mail Coach

No cover image available
Creator:
Matthew Dubourg, active 1786–1838
Date:
1824
Materials & Techniques:
Aquatint, printed in color but mostly hand colored
Dimensions:
Sheet: 14 3/4 x 16 5/8in. (37.4 x 42.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection