Plate 12 (page 19): 'Emblem of that which shall awake the dead'
1797
5
Engravings by William Blake, 1757–1827
Plate 13 (page 23): 'We censure nature for a span too short'
1797
6
William Blake, 1757–1827
Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
1797
7
William Blake, 1757–1827
Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
1797
8
William Blake, 1757–1827
Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
1797
9
William Blake, 1757–1827
Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
1797
10
William Blake, 1757–1827
Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
1797
11
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
1794
12
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
1794
13
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
1794
14
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 8 (Bentley 9)
1794
15
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)
1794
16
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)
1794
17
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)
1794
18
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 12 (Bentley 22)
1794
19
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 14 (Bentley 14)
1794
20
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 16 (Bentley 17)
1794
21
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)
1794
22
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 18 (Bentley 21)
1794
23
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)
1794
24
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
1789
25
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
1789
26
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
1794
27
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
1794
28
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)
1794
29
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 2, Title Page
1793
30
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
1789
31
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)
1789
32
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
1789
33
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
1789
34
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
1789
35
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)
1794
36
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)
1794
37
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
1793
38
Print made by William Blake, 1757–1827
I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18
1793
39
Print made by William Blake, 1757–1827
The Traveller Hasteth in the Evening; Plate 16
1793
40
Print made by William Blake, 1757–1827
Death's Door; Plate 17
1793
41
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
1789
42
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
1789
43
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
1789
44
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
1789
45
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 43, "A Little Boy Lost" (Bentley 50)
1794
46
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)
1794
47
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)
1794
48
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
1794
49
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
1794
50
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
1794
51
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
52
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
1793
53
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
1793
54
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
1793
55
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
1789
56
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
1789
57
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
1789
58
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
1789
59
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
1789
60
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
1789
61
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)
1794
62
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 35, "Earth's Answer" (Bentley 31)
1794
63
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)
1794
64
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 39, "London" (Bentley 46)
1794
65
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)
1794
66
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
67
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
68
Print made by William Blake, 1757–1827
Jerusalem, Plate 99, "All Human Forms identified...."
1804 to 1820
69
William Blake, 1757–1827
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
70
William Blake, 1757–1827
The Poems of Thomas Gray, Design 29, "A Long Story."
between 1797 and 1798
71
William Blake, 1757–1827
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
72
Print made by William Blake, 1757–1827
Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
1804 to 1820
73
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
74
Print made by William Blake, 1757–1827
Jerusalem, Plate 1, Frontispiece
1804 to 1820
75
Print made by William Blake, 1757–1827
Jerusalem, Plate 100
1804 to 1820
76
Print made by William Blake, 1757–1827
Jerusalem, Plate 2, Title Page
1804 to 1820
77
Print made by William Blake, 1757–1827
Jerusalem, Plate 27, "To the Jews...."
1804 to 1820
78
Print made by William Blake, 1757–1827
Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
1804 to 1820
79
Print made by William Blake, 1757–1827
Jerusalem, Plate 35, "Then the Divine hand...."
1804 to 1820
80
Print made by William Blake, 1757–1827
Jerusalem, Plate 51
1804 to 1820
81
Print made by William Blake, 1757–1827
Jerusalem, Plate 6, "His Spectre driv'n...."
1804 to 1820
82
William Blake, 1757–1827
Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
1797
83
William Blake, 1757–1827
Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
1797
84
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
1794
85
Print made by William Blake, 1757–1827
Jerusalem, Plate 11, "To labours mighty...."
1804 to 1820
86
Print made by William Blake, 1757–1827
Jerusalem, Plate 70, "And this the form of mighty Hand...."
1804 to 1820
87
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
ca. 1788
88
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
89
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
90
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 1, Frontispiece
1794
91
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
1794
92
Print made by William Blake, 1757–1827
Jerusalem, Plate 25, "And there was heard...."
1804 to 1820
93
Print made by William Blake, 1757–1827
Jerusalem, Plate 26, "Such Visions Have...."
1804 to 1820
94
Print made by William Blake, 1757–1827
Jerusalem, Plate 32, "Leaning against the pillars...."
1804 to 1820
95
Print made by William Blake, 1757–1827
Jerusalem, Plate 53, "Jerusalem / Chap. 3"
1804 to 1820
96
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
97
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
98
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
99
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]