P. Wilkinson Esq. Sitting Under the Shade of an Oak Learning to Whistle
ca. 1785
2
Attributed to Sir Joseph Ayloffe, 1709–1781
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)
1780
3
Francesco Bartolozzi, 1728–1815
Lavinia, The Milk Maid
ca.1785
4
Francesco Bartolozzi, 1728–1815
Illustration From Bell's Edition of The Poets of Great Britain
ca. 1785
5
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
ca.1785
6
Francesco Bartolozzi, 1728–1815
Time and Beauty
1780
7
Francesco Bartolozzi, 1728–1815
Cipriani's Daughter
ca.1785
8
Francesco Bartolozzi, 1728–1815
Ticket to Mr. Fierville's Ball
ca.1785
9
Francesco Bartolozzi, 1728–1815
Group Of Four Children
ca.1785
10
Francesco Bartolozzi, 1728–1815
Miniature Of Elizabeth Farren, Countess Of Derby
ca.1785
11
Print made by Francesco Bartolozzi, 1728–1815
Angelica Kauffman
1780
12
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
13
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
14
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1780
15
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1780
16
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
17
Francesco Bartolozzi, 1728–1815
Vide Howard On Prisons
1780
18
Francesco Bartolozzi, 1728–1815
Sir Henry Clinton, K.B
1780
19
Francesco Bartolozzi, 1728–1815
Che L'uom Trae Dal Sepolgro E A Morte Fura
c.1780
20
Francesco Bartolozzi, 1728–1815
Vignette: Angel Holding Medallion Of Composer. G.F. Handel
ca.1785
21
Francesco Bartolozzi, 1728–1815
Three Putti And A Goat
ca.1785
22
Francesco Bartolozzi, 1728–1815
I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
ca.1785
23
Francesco Bartolozzi, 1728–1815
Three Cupids With Bows & Arrows, And Two Doves
ca.1785
24
Francesco Bartolozzi, 1728–1815
Classical Scene: Woman, Two Children, One Sheep, Man Reading In Background
ca.1785
25
Print made by Francesco Bartolozzi, 1728–1815
Sir Henry Clinton
1780
26
Print made by Francesco Bartolozzi, 1728–1815
Sir Henry Clinton
1780
27
Print made by Francesco Bartolozzi, 1728–1815
Paris and Oenone
1780
28
Francesco Bartolozzi, 1728–1815
Cupid's Manufactory
ca.1785
29
Print made by Francesco Bartolozzi, 1728–1815
Sir Henry Clinton
1780
30
Print made by Francesco Bartolozzi, 1728–1815
Medallions of F. Hutcheson and L. Natter
1780
31
Francesco Bartolozzi, 1728–1815
Medalian Design Of Francis Hutchenson, A Philosopher (Above) and Laurence Natter, A Medalist (Center)
1780
32
Francesco Bartolozzi, 1728–1815
His Ego Ne Metas Rerum, Nec Tempora Pono:..
ca.1785
33
Francesco Bartolozzi, 1728–1815
Roman General Julius Caesar Dedicating the Temple of Venus Genetrix in the Forum of Caesar, Rome, 46BC
1780
34
Francesco Bartolozzi, 1728–1815
Socrates
1780
35
Francesco Bartolozzi, 1728–1815
Vignette: Monk Giving Letter to a Pregnant Woman in a Cell
ca.1785
36
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
1780
37
Francesco Bartolozzi, 1728–1815
Diana of Ephesus Being Unveiled by Cupid and Mercury
ca.1785
38
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
39
Print made by Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mrs. Grassi
1780
40
Francesco Bartolozzi, 1728–1815
Hope Nursing Love (Fan)
1780
41
Francesco Bartolozzi, 1728–1815
Fan Mount: Hope Nursing Love
1780
42
Francesco Bartolozzi, 1728–1815
Fan Mount: Decorated with three Medallions, the Central Medallion represents Love holding a Lyre and Seated on a Lion
1780
43
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)
1780
44
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
1780
45
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)
1780
46
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)
1780
47
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)
1780
48
Engraved by James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)
1780
49
Thomas Beilby, 1747–1826
Habes Bridge near Kendall
1780
50
Thomas Beilby, 1747–1826
Conisbrough Castle
1780
51
Thomas Beilby, 1747–1826
Prudhoe Castle
1780
52
Robert Blyth, 1750–1784
Banditti Going Out (number 52 of Catalogue Mortimer Exhibition 1968)
1780
53
Robert Blyth, 1750–1784
Banditti Returning (number 53 of Catalogue Mortimer Exhibition 1968)
1780
54
Robert Blyth, 1750–1784
Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair
1780
55
Robert Blyth, 1750–1784
Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair
1780
56
Print made by Robert Blyth, 1750–1784
Belisarius
1780
57
Print made by Robert Blyth, 1750–1784
Belisarius
1780
58
Robert Blyth, 1750–1784
Fisherman
1780
59
Robert Blyth, 1750–1784
Rustick Dance
1780
60
Robert Blyth, 1750–1784
Portraits of James Smithson, Marshall of the King's Bench 1422 and his wife Alice Whitworth (Laid down on the same sheet as B1977.14.12074)
1780
61
John Bowles, 1701–1779
A Perspective View of Venice
between 1780 and 1815
62
Thomas Bowles, ca. 1712–died 1753
A Perspective View of the Town and Fortifications of Malta
between 1780 and 1815
63
Thomas Bowles, ca. 1712–died 1753
A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket
between 1780 and 1815
64
Thomas Bowles, ca. 1712–died 1753
A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
between 1780 and 1815
65
Thomas Bowles, ca. 1712–died 1753
A View of Amsterdam on each side the Old Rampart as seen from the Harbor
between 1780 and 1815
66
Thomas Bowles, ca. 1712–died 1753
A View of Little St. Mark's Place at Venice to the Sea
between 1780 and 1815
67
Print made by James Bretherton, ca. 1730–1806
A Riding-House
1780
68
Print made by Agostino Brunias, 1728–1796
Free Natives of Dominica
1780
69
Print made by Agostino Brunias, 1728–1796
Free Natives of Dominica
1780
70
Print made by Frederick George Byron, 1764–1794
The Pitt Fall
ca. 1785
71
Print made by James Caldwall, 1739–1819
Inside view of the Supper-room & part of the Ball-room in a Pavilion erected for a Fete Champetre in the Garden of the Earl of Derby
1780
72
James Caldwall, 1739–1819
Fete Champetre, 9 June 1774 (Inside of the Supper-Room)
1780
73
Print made by James Caldwall, 1739–1819
Inside view of the Ball-room in a Pavilion erected for a Fete Champetre in the Garden of the Earl of Derby
1780
74
Adam Callander, active 1780–1811
High Cliff Castle (Hants)
undated
75
John Carter, 1748–1817
View of Modern Gateway in South East Angle of Dean's Yard
between 1780 and 1807
76
J. Carwitham, active 1720–1740
A South-East View of the City of Boston in North America
undated
77
Print made by John Chapman, act. 1772–1778
Collection of Prints by Notable Dilettanti
ca. 1785
78
Francis Chesham, 1749–1806
View of the Encampment in Hyde Park, from Marshal Sac's Tent
1780
79
Thomas Colley, active 1780s
The English Lion Dismember'd
1780
80
Richard Cooper the Younger, 1740–1814
Classical Italian Landscape with Temples and a Ruined Aquaduct
ca. 1785
81
Richard Cooper the Younger, 1740–1814
Classical Landscape
ca. 1785
82
J. Couse, active 1750
The City of Lisbon as before the dreadful Earthquake of November 1st 1755;..
between 1780 and 1815
83
Alexander Cozens, 1717–1786
Fantastic Landscape
1780 to 1785
84
John Robert Cozens, 1752–1797
On the Lake of Nemi
between 1780 and 1783
85
John Robert Cozens, 1752–1797
The Pays de Valais
between 1780 and 1785
86
Thomas Daniell, 1749–1840
William Daniell, the Artist's Nephew, Sketching a Ruined Temple at Zafarabad on the Gumti River
ca. 1785
87
Thomas Daniell, 1749–1840
Boats near a Dutch Folly Fort, Canton
ca. 1785
88
Samuel Davis, 1760–1819
March of Troops in India
1780
89
Arthur William Devis, 1762–1822
Portrait of an Unknown Man with an Attendant
ca. 1785
Not on view
90
William Dickinson, 1746–1823
Sir Anthony Van Dyck
1780
91
William Dickinson, 1746–1823
Elizabeth Countess of Derby
1780
92
William Doughty, 1757–1782
The Sleeping Child
1780
93
John Downman, 1750–1824
Mrs. Ives of Catton
1780
94
Samuel Drummond, 1765–1844
Portrait Study of a Naval Officer
undated
95
Joseph Farington, 1747–1821
Palace on a Cliff Above a River
1780-1789 (?)
96
Joseph Farington, 1747–1821
Landscape with Trees by a Lake
1780-1789
97
Print made by James Fittler, 1758–1835
Warwick Castle
1780
98
James Fittler, 1758–1835
View of the Encampment in the Museum Gardens, August 1780