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Period 18th century

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Genre architectural subject

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Subject Terms landscape

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1. Warwick Castle

Warwick Castle
Creator:
Canaletto, 1697–1768
Date:
1748 to 1749
Materials & Techniques:
Oil on canvas
Dimensions:
Frame: 37 3/4 × 56 1/4 × 3 1/2 inches (95.9 × 142.9 × 8.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view at YUAG

2. The Marmalong Bridge

The Marmalong Bridge
Creator:
William Hodges, 1744–1797
Date:
ca. 1783
Materials & Techniques:
Oil on canvas
Dimensions:
27 x 36 inches (68.6 x 91.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. Winter Landscape

Winter Landscape
Creator:
George Smith, 1714–1776
Date:
ca. 1750
Materials & Techniques:
Oil on canvas
Dimensions:
16 3/4 × 26 inches (42.5 × 66 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. Leak Okeover, Rev. John Allen and Captain Chester at Okeover Hall, Staffordshire

Leak Okeover, Rev. John Allen and Captain Chester at Okeover Hall, Staffordshire
Creator:
Arthur Devis, 1712–1787
Date:
between 1745 and 1747
Materials & Techniques:
Oil on canvas
Dimensions:
38 1/2 x 48 1/2 inches (97.8 x 123.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. Pierrepont House, Nottingham, Nottinghamshire

Pierrepont House, Nottingham, Nottinghamshire
Creator:
unknown artist
Date:
ca. 1705
Materials & Techniques:
Oil on canvas
Dimensions:
36 3/16 x 48 inches (91.9 x 121.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

6. A View of the Cathedral and City of Lincoln from the River

A View of the Cathedral and City of Lincoln from the River
Creator:
Joseph Baker of Lincoln, active 1742–1770
Date:
ca. 1760
Materials & Techniques:
Oil on canvas
Dimensions:
32 9/16 x 43 1/4 inches (82.7 x 109.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

7. Church of S. Domenico near Sora built upon the ruins of Cicero's Villa

Church of S. Domenico near Sora built upon the ruins of Cicero's Villa
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 1/4 inches (39.5 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Gate at Blenheim

The Gate at Blenheim
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
1787
Materials & Techniques:
Watercolor and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 x 14 3/4 inches (26.4 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Nîmes from the Tour Magne

Nîmes from the Tour Magne
Creator:
William Marlow, 1740–1813
Date:
ca. 1765
Materials & Techniques:
Watercolor and pen and brown ink over graphite on medium, moderately textured, cream laid paper mounted on medium, moderately textured, cream laid paper (original mount)
Dimensions:
Mount: 17 1/4 × 23 7/8 inches (43.8 × 60.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Study for a Stable Court of Kirkdale, Wigtownshire, Scotland

Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
Creator:
Robert Adam, 1728–1792
Date:
between 1770 and 1780
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/8 × 18 5/8 inches (30.2 × 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Heveningham Hall, Suffolk

Heveningham Hall, Suffolk
Creator:
unknown artist
Date:
between 1782 and 1790
Materials & Techniques:
Watercolor and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 x 10 inches (17.1 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. South View of Bath

South View of Bath
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1773
Materials & Techniques:
Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Bath: The New Bridge

Bath: The New Bridge
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1773
Materials & Techniques:
Etching, hand colored with gray wash on moderatelty thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Remains of a Bridge at San-Sien-Wey on the Pei-Ho near Tong-Tcheou, August 15, 1793

Remains of a Bridge at San-Sien-Wey on the Pei-Ho near Tong-Tcheou, August 15, 1793
Creator:
William Alexander, 1767–1816
Date:
1793
Materials & Techniques:
Watercolor over graphite on medium, smooth, cream laid paper
Dimensions:
Sheet: 4 x 7 7/8 inches (10.2 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Carisbrooke Castle, Isle of Wight

Carisbrooke Castle, Isle of Wight
Creator:
attributed to Michael "Angelo" Rooker, 1746–1801
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 16 1/4 inches (25.1 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Castle with Figures in a Classical Landscape

Castle with Figures in a Classical Landscape
Creator:
Robert Adam, 1728–1792
Date:
undated
Materials & Techniques:
Watercolor, pen, and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/2 × 12 inches (24.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. A View at Lucerne

A View at Lucerne
Creator:
William Pars, 1742–1782
Date:
1775
Materials & Techniques:
Watercolor with pen and gray and brown ink over graphite with brown and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 1/2 × 23 1/8 inches (41.9 × 58.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Little Missenden Church from the Southeast

Little Missenden Church from the Southeast
Creator:
Print made by Lydia Bates, active 1784
Date:
1784
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/16 x 17 1/8 inches (29 x 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

19. Convent at Valmontone. November 1790

Convent at Valmontone. November 1790
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 3/8 x 22 5/8 inches (41.6 x 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. City of Lin Tsin, Shantung, with a View of the Grand Canal

City of Lin Tsin, Shantung, with a View of the Grand Canal
Creator:
William Alexander, 1767–1816
Date:
1795
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 17 1/2 inches (28.6 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
Creator:
Print made by Paul Angier, active 1749
Date:
1749
Materials & Techniques:
Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 18 7/8 inches (31.4 x 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

22. View with several Vessels lying close to the Shore

View with several Vessels lying close to the Shore
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1774
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/16 x 16 15/16 inches (28.1 x 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Theodore Sizer

23. A View of Paris

A View of Paris
Creator:
Print made by Paul Angier, active 1749
Materials & Techniques:
Etching and engraving hand-colored in watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/16 x 18 1/16 inches (31.2 x 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. A View of the Bridge at Walton-on-Thames in Surrey

A View of the Bridge at Walton-on-Thames in Surrey
Creator:
Charles Grignion, 1717–1810
Date:
1752
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 3/8 x 16 5/8 inches (28.9 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
Creator:
Print made by William Angus, 1752–1821
Date:
1793
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 11/16 x 11 3/16 inches (22 x 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The House of William Russell, Esq., Showell Green

The House of William Russell, Esq., Showell Green
Creator:
William Ellis, 1747–1810
Date:
1792
Materials & Techniques:
Aquatint and etching on moderately thick, moderately textured, cream laid paper, pasted on left edge to B1977.14.14752b
Dimensions:
Sheet: 8 9/16 x 11 13/16 inches (21.8 x 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Baskerville House, the Residence of John Ryland, Esq.

Baskerville House, the Residence of John Ryland, Esq.
Creator:
William Ellis, 1747–1810
Date:
1792
Materials & Techniques:
Aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 1/2 x 10 3/8 inches (21.6 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Bordesley Hall, the Seat of John Taylor, Esq.

Bordesley Hall, the Seat of John Taylor, Esq.
Creator:
William Ellis, 1747–1810
Date:
1792
Materials & Techniques:
Aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 9/16 x 10 9/16 inches (21.7 x 26.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. The House of William Russell, Esq., Showell Green: English and French Text

The House of William Russell, Esq., Showell Green: English and French Text
Creator:
William Ellis, 1747–1810
Date:
1792
Materials & Techniques:
Letterpress on medium, slightly textured, cream wove paper (page in book), pasted on left edge to B1977.14.14752a
Dimensions:
Sheet: 8 1/8 x 11 15/16 inches (20.6 x 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. The House of George Humphrys, Esq., Spark Brook

The House of George Humphrys, Esq., Spark Brook
Creator:
William Ellis, 1747–1810
Date:
1792
Materials & Techniques:
Aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 11/16 x 10 1/2 inches (22 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Views in the Levant: Landscape with Travellers Resting under Tree, Temple of Minerva, Medici, Rome

Views in the Levant: Landscape with Travellers Resting under Tree, Temple of Minerva, Medici, Rome
Creator:
unknown artist
Date:
ca. 1740
Materials & Techniques:
Pen and brown ink, gray wash, brown wash, and graphite; squared for transfer on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 18 1/2 inches (29.2 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Dumbarton Rock and Castle

Dumbarton Rock and Castle
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1793
Materials & Techniques:
Watercolor with pen and black ink and scraping over graphite on medium, slightly textured, cream wove paper, pasted on thick, slightly textured, beige wove paper
Dimensions:
Mount: 8 13/16 x 11 3/4 inches (22.4 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Edwinsford, the Seat of R. Banks Hodgkinson Esqr.

Edwinsford, the Seat of R. Banks Hodgkinson Esqr.
Creator:
Print made by William Watts, 1752–1851
Date:
1776
Materials & Techniques:
Etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/8 × 9 7/8 inches (18.7 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

34. North East View of Sir John Elvil's House on Englefield Green near Egham in Surry

North East View of Sir John Elvil's House on Englefield Green near Egham in Surry
Creator:
Print made by Michael "Angelo" Rooker, 1746–1801
Date:
1775
Materials & Techniques:
Etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 10 1/16 inches (19.4 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

35. Landscape

Landscape
Creator:
Nicholas Thomas Dall, op.1748–, d.1777
Date:
undated
Materials & Techniques:
Graphite and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 11/16 x 19 3/16 inches (34.8 x 48.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. View in the Province of Kiang-nan, China, Taken from Nature

View in the Province of Kiang-nan, China, Taken from Nature
Creator:
William Alexander, 1767–1816
Date:
1793
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper mounted on thick, slightly textured, beige wove paper
Dimensions:
Mount: 7 9/16 x 9 11/16 inches (19.2 x 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Landscape with Cottage, Bridge and Figures

Landscape with Cottage, Bridge and Figures
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1774
Materials & Techniques:
Watercolor with gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 x 9 1/4 inches (23.5 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection