Door-way in Wall of South Precints of Westminster Abbey
undated
2
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
3
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
4
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
5
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
6
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
7
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
8
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
9
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
10
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
11
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
12
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
13
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
14
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
15
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
16
Print made by unknown artist
Entrance of the House of Lords with the Office of Ordnance
undated
17
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
18
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
19
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
20
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
21
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
22
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
23
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
24
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
25
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
26
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
27
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
28
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
29
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
30
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
31
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
32
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
33
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
34
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
35
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
36
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
37
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
38
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
39
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
40
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
41
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
42
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
43
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
44
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
45
Print made by Edward Rooker, 1724–1774
Henry the Seventh's Chapel
undated
46
Print made by George Barret Jr., 1767–1842
Marriage of Henry the seventh
1796
47
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
48
Print made by Charles J. Hullmandel, 1789–1850
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
49
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
50
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
51
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
52
Print made by James Basire the younger, 1769–1822
Plate XI: St Stephen's Chapel
1795
53
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
54
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
55
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
56
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
57
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons