A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
2
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
3
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
4
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
5
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
6
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
7
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
8
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
9
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
10
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
11
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
12
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
13
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
14
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
15
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
16
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
17
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
18
Print made by Charles J. Hullmandel, 1789–1850
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
19
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
20
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
21
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
22
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
23
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
24
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
25
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
26
Print made by James Basire the younger, 1769–1822
Plate XI: St Stephen's Chapel
1795
27
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
28
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
29
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
30
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
31
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
32
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
33
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
34
Print made by unknown artist
Entrance of the House of Lords with the Office of Ordnance
undated
35
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
36
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
37
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
38
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
39
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
40
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
41
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
42
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
43
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
44
unknown artist
A View of Westminster Bridge from Lambeth. 1. Westminster Abby. 2. St. Margaret's Church. 3. Westminster Hall. 4. St. Martin's Church
45
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
46
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
47
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
48
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
49
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
50
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
51
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
52
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
53
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster