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Subject Terms Aesthetics.

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Immediations :
Immediations
c2004-
Bensusan-Butt, John, 1911- On naturalness in art :
Bensusan-Butt, John, 1911–
On naturalness in art
1981
Siukonen, Jyrki. On artistic knowledge :
Siukonen, Jyrki
On artistic knowledge
[1996]
Townsend, Joyce, author. How Turner painted :
Townsend, Joyce
How Turner painted
2019
The power of beauty
The power of beauty
2008
Prettejohn, Elizabeth. Beauty and art, 1750-2000 /
Prettejohn, Elizabeth
Beauty and art, 1750-2000
2005
Capes, Alfred. The old and new churches of London,
Capes, Alfred
The old and new churches of London,
1880
Ladd, Henry, 1895-1941. With eyes of the past,
Ladd, Henry, 1895–1941
With eyes of the past,
[c1928]
Understanding art objects :
Understanding art objects
2009
Pears, Iain. The discovery of painting :
Pears, Iain
The discovery of painting
1988
Deusner, Melody Barnett, author. Aesthetic painting in Britain and America :
Deusner, Melody Barnett
Aesthetic painting in Britain and America
2020
Simply stunning :
Simply stunning
1996
Bell, Quentin. Bad art /
Bell, Quentin
Bad art
1989
Prown, Jules David, author. On Center :
Prown, Jules David
On Center
[2020]
Prettejohn, Elizabeth. Postcript
Prettejohn, Elizabeth
Postcript
2011
Rubin, Adrianne, 1969- Roger Fry's 'difficult and uncertain science' :
Rubin, Adrianne, 1969–
Roger Fry's 'difficult and uncertain science'
2013
Ono, Ayako, 1970- author. Whistler and artistic exchange between Japan and the West :
Ono, Ayako, 1970–
Whistler and artistic exchange between Japan and the West
2023
Phillips, Tom, 1937- Aspects of art :
Phillips, Tom, born 1937
Aspects of art
1997
Newhouse, Victoria. Art and the power of placement /
Newhouse, Victoria
Art and the power of placement
2005
Lew, Laurie Kane. Figuring a tradition
Lew, Laurie Kane
Figuring a tradition
c1994
The New art history /
The New art history
1986
Bedford, Leslie, author. The art of museum exhibitions :
Bedford, Leslie
The art of museum exhibitions
2016
The paths of creation :
The paths of creation
c2011
Gill, Eric, 1882-1940, author, engraver. Id quod visum placet :
Gill, Eric, 1882–1940
Id quod visum placet
MCMXXVI [1926]
Ruskin, John, 1819-1900. Ruskin on music /
Ruskin, John, 1819–1900
Ruskin on music
1894
Hay, D. R. (David Ramsay), 1798-1866. The science of beauty :
Hay, D. R. (David Ramsay), 1798–1866
The science of beauty
1856
Ruskin, John, 1819-1900. Letter to young girls /
Ruskin, John, 1819–1900
Letter to young girls
[1876]
An essay on the objects of taste.
An essay on the objects of taste
1823
Hay, D. R. (David Ramsay), 1798-1866. The laws of harmonious colouring,
Hay, D. R. (David Ramsay), 1798–1866
The laws of harmonious colouring,
1844
Adam, Joseph Denovan, 1841 or 2-1896. Mountain, loch and glen :
Adam, Joseph Denovan, 1841 or 2–1896
Mountain, loch and glen
1869
Alison, Archibald, 1757-1839. Essays on the nature and principles of taste.
Alison, Archibald, 1757–1839
Essays on the nature and principles of taste
1815
Shee, Martin Archer, 1769-1850. Rhymes on art;
Shee, Martin Archer, 1769–1850
Rhymes on art;
1805
Cousin, Victor, 1792-1867. The philosophy of the beautiful :
Cousin, Victor, 1792–1867
The philosophy of the beautiful
1849
Hay, D. R. (David Ramsay), 1798-1866. An attempt to define aesthetical taste /
Hay, D. R. (David Ramsay), 1798–1866
An attempt to define aesthetical taste
1844
Enfield, William, 1741-1797. An essay on the cultivation of taste,
Enfield, William, 1741–1797
An essay on the cultivation of taste,
1818
Quatremère de Quincy, M. (Antoine-Chrysostome), 1755-1849. The destination of works of art and the use to which they are applied :
Quatremère de Quincy, M. (Antoine-Chrysostome), 1755–1849
The destination of works of art and the use to which they are applied
1821
Dyer, Thomas Henry, 1804-1888, author. On imitative art, its principles and progress :
Dyer, Thomas Henry, 1804–1888
On imitative art, its principles and progress
1882
Cooper, John Gilbert, 1723-1769. Letters concerning taste ...
Cooper, John Gilbert, 1723–1769
Letters concerning taste ..
1755
Ruskin, John, 1819-1900, author. "Modern painters" :
Ruskin, John, 1819–1900
"Modern painters"
1888
Eaves, Morris, 1944- William Blake's theory of art /
Eaves, Morris, 1944–
William Blake's theory of art
c1982
Whistler, James McNeill, 1834-1903. The gentle art of making enemies :
Whistler, James McNeill, 1834–1903
The gentle art of making enemies
MDCCCXC [1890]
Webb, Francis, 1735-1815. Panharmonicon :
Webb, Francis, 1735–1815
Panharmonicon
[1815]
Harris, George, 1809-1890. The theory of the arts;
Harris, George, 1809–1890
The theory of the arts;
1869
Price, Uvedale, Sir, 1747-1829. A dialogue on the distinct characters of the picturesque and the beautiful.
Price, Uvedale, Sir, 1747–1829
A dialogue on the distinct characters of the picturesque and the beautiful
1801
Letters to a young nobleman ...
Letters to a young nobleman ..
1762
Steegman, John, 1899-1966. The rule of taste from George I to George IV,
Steegman, John, 1899–1966
The rule of taste from George I to George IV,
1936
Schimmelpenninck, Mary Anne, 1778-1856. Theory on the classification of beauty and deformity, and their correspondence with physiognomic expression :
Schimmelpenninck, Mary Anne, 1778–1856
Theory on the classification of beauty and deformity, and their correspondence with physiognomic expression
1815
Macvicar, John Gibson, 1800-1884. The philosophy of the beautiful /
Macvicar, John Gibson, 1800–1884
The philosophy of the beautiful
1855
Price, Uvedale, Sir, 1747-1829. Essays on the picturesque, as compared with the sublime and the beautiful;
Price, Uvedale, Sir, 1747–1829
Essays on the picturesque, as compared with the sublime and the beautiful;
1810
Kératry, A. H. (Auguste Hilarion), 1769-1859. Examen philosophique des Considérations sur le sentiment du sublime et du beau,
Kératry, A. H. (Auguste Hilarion), 1769–1859
Examen philosophique des Considérations sur le sentiment du sublime et du beau,
1823
Brownell, Morris R. Alexander Pope & the arts of Georgian England /
Brownell, Morris R
Alexander Pope & the arts of Georgian England
1978
Shee, Martin Archer, 1769-1850. Rhymes on art;
Shee, Martin Archer, 1769–1850
Rhymes on art;
1805
Quatremère de Quincy, M. (Antoine-Chrysostome), 1755-1849. Essai sur la nature,
Quatremère de Quincy, M. (Antoine-Chrysostome), 1755–1849
Essai sur la nature,
1823
Révéroni Saint-Cyr, Jacques Antoine, 1767-1829. Essai sur le perfectionnement des beaux-arts par les sciences exactes,
Révéroni Saint-Cyr, Jacques Antoine, 1767–1829
Essai sur le perfectionnement des beaux-arts par les sciences exactes,
XII.--1803
Duff, William, 1732-1815. An essay on original genius;
Duff, William, 1732–1815
An essay on original genius;
1767
MacDermot, Martin, fl. 1810-1824. A critical dissertation on the nature and principles of taste.
MacDermot, Martin, fl. 1810–1824
A critical dissertation on the nature and principles of taste
1823
Chevreul, M. E. (Michel Eugène), 1786-1889 De la loi du contraste simultané des couleurs :
Chevreul, M. E. (Michel Eugène), 1786–1889
De la loi du contraste simultané des couleurs
1839
Hay, D. R. (David Ramsay), 1798-1866. The laws of harmonious colouring,
Hay, D. R. (David Ramsay), 1798–1866
The laws of harmonious colouring,
1836
Hay, D. R. (David Ramsay), 1798-1866. On the science of those proportions by which the human head and countenance as represented in works of ancient Greek art are distinguished from those of ordinary nature.
Hay, D. R. (David Ramsay), 1798–1866
On the science of those proportions by which the human head and countenance as represented in works of ancient Greek art are distinguished from those of ordinary nature
1849
Mackenzie, George Steuart, Sir, 1780-1848. An essay on some subjects connected with taste /
Mackenzie, George Steuart, Sir, 1780–1848
An essay on some subjects connected with taste
1817
Hay, D. R. (David Ramsay), 1798-1866. The laws of harmonious colouring :
Hay, D. R. (David Ramsay), 1798–1866
The laws of harmonious colouring
1828
Needham, H. A. Taste and criticism in the eighteenth century;
Needham, H. A
Taste and criticism in the eighteenth century;
[1952]
Harding, James Duffield, 1798-1863. The guide and companion to the "Lessons on art" /
Harding, James Duffield, 1798–1863
The guide and companion to the "Lessons on art"
[1854]
Pictor, Fabius, pseud. The hand-book of taste, or, How to observe works of art :
Pictor, Fabius, pseud
The hand-book of taste, or, How to observe works of art
1843
Strangeness and beauty :
Strangeness and beauty
1983
Ruskin, John, 1819-1900, author, illustrator. Modern painters ... /
Ruskin, John, 1819–1900
Modern painters ...
1888
Knight, Richard Payne, 1751-1824, author. An analytical inquiry into the principles of taste /
Knight, Richard Payne, 1751–1824
An analytical inquiry into the principles of taste
1805
Kératry, A. H. (Auguste Hilarion), 1769-1859. Du beau dans les arts d'imitation,
Kératry, A. H. (Auguste Hilarion), 1769–1859
Du beau dans les arts d'imitation,
1822
Suggestions to amateur architects.
Suggestions to amateur architects
1839
Barthez, P.-J. (Paul-Joseph), 1734-1806. Théorie du beau dans la nature et les arts,
Barthez, P.-J. (Paul-Joseph), 1734–1806
Théorie du beau dans la nature et les arts,
1807
Laver, James, 1899- Taste and fashion from the French revolution until to-day /
Laver, James, 1899–
Taste and fashion from the French revolution until to-day
c1937
Symonds, John Addington, 1840-1893. The principles of beauty /
Symonds, John Addington, 1840–1893
The principles of beauty
1857