Subject Terms: nude and women - YCBA Collections Search Search Results

1. The Salmon Leap, Leixlip

Creator:: Francis Wheatley, 1747–1801
Date:: 1783
Materials & Techniques:: Oil on canvas
Dimensions:: 26 5/8 x 25 1/2 inches (67.6 x 64.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Ely Cathedral

Creator:: unknown artist
Date:: ca. 1800
Materials & Techniques:: Oil on canvas
Dimensions:: 21 5/8 x 29 7/16 inches (54.9 x 74.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. The Three Graces

Creator:: William Edward Frost, 1810–1877
Date:: 1856
Materials & Techniques:: Oil on canvas
Dimensions:: 36 1/4 × 28 3/8 inches (92.1 × 72.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Dr. and Mrs. Melville P. Roberts
On View:: Not on view

4. Diana at the Bath

Creator:: James Ward, 1769–1859
Date:: 1830
Materials & Techniques:: Oil on panel
Dimensions:: 30 x 25 1/2 inches (76.2 x 64.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Arches of Westminster Bridge

Creator:: Samuel Scott, 1701/2–1772
Date:: ca. 1750
Materials & Techniques:: Oil on canvas
Dimensions:: 42 3/4 × 47 3/4 inches (108.6 × 121.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. The Bathing Place at Ramsgate

Creator:: Benjamin West, 1738–1820
Date:: ca. 1788
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 17 1/2 inches (35.6 x 44.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Dido

Creator:: Henry Fuseli, 1741–1825
Date:: 1781
Materials & Techniques:: Oil on canvas
Dimensions:: 96 3/16 × 72 3/16 inches (244.3 × 183.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Allegory of the Power of Great Britain by Sea, design for a decorative panel for George I's ceremonial coach

Creator:: Attributed to Sir James Thornhill, 1675–1734
Date:: ca. 1720
Materials & Techniques:: Oil on panel
Dimensions:: 18 x 21 inches (45.7 x 53.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Allegory of the Power of Great Britain by Land, design for a decorative panel for George I's ceremonial coach

Creator:: Attributed to Sir James Thornhill, 1675–1734
Date:: ca. 1718
Materials & Techniques:: Oil on panel
Dimensions:: 18 x 21 inches (45.7 x 53.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. A Leeward Islands Carib family outside a Hut

Creator:: Agostino Brunias, 1728–1796
Date:: ca. 1780
Materials & Techniques:: Oil on canvas
Dimensions:: 12 1/8 x 9 3/4 inches (30.8 x 24.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. West Indian Man of Color, Directing Two Carib Women with a Child

Creator:: Agostino Brunias, 1728–1796
Date:: ca. 1780
Materials & Techniques:: Oil on canvas
Dimensions:: 12 x 9 7/8 inches (30.5 x 25.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. The Stowe Reliefs: Allegorical scene, possibly Truth revealing herself to the Liberal Arts

Creator:: Attributed to Michael Chuke, 1679–1742
Date:: ca. 1715
Materials & Techniques:: Bronzed limewood
Dimensions:: Overall: 54 5/16 x 37 13/16 inches (138 x 96 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

13. Jerusalem, Plate 40, "Los shudderd at beholding Albion...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper with letterpress inset
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Poems of Thomas Gray, Design 49, "The Progress of Poesy."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Book of Thel, Plate 2, Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Poems of Thomas Gray, Design 3, "Ode on the Spring."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Jerusalem, Plate 71, "And above Albions Land...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Jerusalem, Plate 80, "Encompassd by the frozen net...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Jerusalem, Plate 81, "I have mockd those...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Jerusalem, Plate 69, "Then all the Males...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Songs of Innocence and of Experience

Creator:: William Blake, 1757–1827
Date:: 1789-1794
Materials & Techniques:: Relief etching printed in dark-brown ink, with watercolor and pen and ink on wove paper
Dimensions:: Spine: 7 3/8 inches (18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Ladies in Waiting

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, smooth, cream laid paper
Dimensions:: Sheet: 5 x 6 1/2 inches (12.7 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

28. The Witches' Cavern

Creator:: George Romney, 1734–1802
Date:: between 1792 and 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 9 3/16 inches (14.3 x 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

29. Venus Bathing

Creator:: Print made by James Johnson, 1803–1834
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 20 × 13 1/2 inches (50.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

30. Romance

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1922
Materials & Techniques:: Etching with gouache and graphite on thick, smooth, beige wove paper
Dimensions:: Sheet: 14 15/16 x 11 inches (38 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

31. The Barbadoes Mulatto Girl

Creator:: Print made by Agostino Brunias, 1728–1796
Date:: 1779
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 19 9/16 x 12 5/8 inches (49.7 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Ceiling in the Banqueting House at Whitehall

Creator:: Print made by Simon Gribelin, 1662–1733
Date:: ca. 1720
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/16 × 18 5/16 inches (31.6 × 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Design for Ceiling Walls and Staircase

Creator:: Sir James Thornhill, 1675–1734
Date:: between 1712 and 1713
Materials & Techniques:: Pen and brown ink, gray wash, brown wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 x 19 5/8 inches (38.7 x 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Hercules before the Temple of Janus

Creator:: Print made by Abraham Blooteling, 1640–1690
Date:: between 1680 and 1690
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/16 × 10 11/16 inches (36 × 27.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

35. Hercules before the Temple of Janus

Creator:: Print made by Abraham Blooteling, 1640–1690
Date:: between 1680 and 1690
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 11/16 × 10 11/16 inches (34.8 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

36. Narcissus

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 6 5/16 × 7 3/4 inches (16 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

37. The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

Creator:: Print made by Simon Gribelin, 1662–1733
Date:: 1720
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/8 × 18 3/16 inches (32.7 × 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Design for a Temporary Arch Ornamented with Putti and Allegorical Figures of Music and War

Creator:: Inigo Jones, 1573–1652
Date:: ca. 1622
Materials & Techniques:: Pen and brown ink and brown wash; verso: graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 x 6 3/4 inches (24.1 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Venus and Adonis

Creator:: Peter Oliver, 1589–1647
Date:: 1631
Materials & Techniques:: Gray wash, graphite, and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 9/16 x 8 13/16 inches (19.2 x 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Phyrne

Creator:: Sir William Russell Flint, 1880–1969
Date:: 1929
Materials & Techniques:: Drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 x 7 5/16 inches (22.3 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

41. Bagno della Marchese

Creator:: Sir William Russell Flint, 1880–1969
Date:: 1930
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 1/4 inches (34.3 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

42. Franciscus Bartolozzi

Creator:: Print made by Jacques Bouillard, 1744–1806
Date:: undated
Materials & Techniques:: Line engraving and etching on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 13 7/16 × 8 7/8 inches (34.1 × 22.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Pass-Room Bridewell

Creator:: John Hill, 1770–1850
Date:: 1808
Materials & Techniques:: Aquatint with etching, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 12 5/8 inches (24.2 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

44. The West India Washer-Women

Creator:: Print made by Agostino Brunias, 1728–1796
Date:: 1779
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 19 13/16 x 13 1/8 inches (50.4 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/16 × 10 1/16 inches (35.7 × 25.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Pool of Bethesda

Creator:: Simon François Ravenet, 1706–1774
Date:: 1772
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/8 x 22 5/8 inches (49.2 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Study for Bacchanal

Creator:: Giulio Aristide Sartorio, 1860–1932
Date:: ca. 1894
Materials & Techniques:: Pen and brown ink on medium, smooth, beige wove paper
Dimensions:: Sheet: 8 1/4 x 6 5/8 inches (21 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

48. Study of Classical Figures

Creator:: attributed to Mauritius Lowe, 1746–1793
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 x 8 1/4 inches (27.6 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Herman W. Liebert

49. Time raising Truth, after Rubens’s “The Triumph of Truth”

Creator:: Attributed to Richard Cosway, 1742–1821
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 8 x 11 15/16 inches (20.3 x 30.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

50. Topless Girl Sitting in Fake Brick Room

Creator:: Bruce Davidson, born 1933
Date:: 1965
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 11 x 14 inches (27.9 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

51. Victorious Hero Takes Occasion to Conclude Peace

Creator:: Bernard Lens III, 1682–1740
Date:: 1720
Materials & Techniques:: Watercolor and gouache heightened with gold on vellum
Dimensions:: Frame: 17 1/4 x 20 1/2 x 1 1/2 inches (43.8 x 52.1 x 3.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

52. The Crazy Horse, London's First Topless Bar

Creator:: Lewis Morley, 1925–2013
Date:: 1965
Materials & Techniques:: Gelatin silver print on semigloss photographic paper
Dimensions:: Sheet: 10 × 8 inches (25.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

53. Diana at a Fountain

Creator:: Print made by Robert Robinson, active 1674–1706
Date:: undated
Materials & Techniques:: Mezzotint, state before all letters on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/16 × 7 1/8 inches (25.6 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

54. British Empire Exhibition 1924: Scenes of Empire Series No. 4

Creator:: Gerald Spencer Pryse, 1882–1956
Date:: 1924
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 39 5/8 x 49 7/8 inches (100.6 x 126.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

YCBA Collections Search

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Subject Terms nude

Subject Terms women

Search Results

1. The Salmon Leap, Leixlip

2. Ely Cathedral

3. The Three Graces

4. Diana at the Bath

5. Arches of Westminster Bridge

6. The Bathing Place at Ramsgate

7. Dido

8. Allegory of the Power of Great Britain by Sea, design for a decorative panel for George I's ceremonial coach

9. Allegory of the Power of Great Britain by Land, design for a decorative panel for George I's ceremonial coach

10. A Leeward Islands Carib family outside a Hut

11. West Indian Man of Color, Directing Two Carib Women with a Child

12. The Stowe Reliefs: Allegorical scene, possibly Truth revealing herself to the Liberal Arts

13. Jerusalem, Plate 40, "Los shudderd at beholding Albion...."

14. Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

15. The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."

16. The Poems of Thomas Gray, Design 49, "The Progress of Poesy."

17. The Book of Thel, Plate 2, Title Page

18. The Poems of Thomas Gray, Design 3, "Ode on the Spring."

19. Jerusalem, Plate 71, "And above Albions Land...."

20. Jerusalem, Plate 80, "Encompassd by the frozen net...."

21. Jerusalem, Plate 81, "I have mockd those...."

22. Jerusalem, Plate 69, "Then all the Males...."

23. Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

24. Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

25. Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

26. Songs of Innocence and of Experience

27. Ladies in Waiting

28. The Witches' Cavern

29. Venus Bathing

30. Romance

31. The Barbadoes Mulatto Girl

32. The Ceiling in the Banqueting House at Whitehall

33. Design for Ceiling Walls and Staircase

34. Hercules before the Temple of Janus

35. Hercules before the Temple of Janus

36. Narcissus

37. The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

38. Design for a Temporary Arch Ornamented with Putti and Allegorical Figures of Music and War

39. Venus and Adonis

40. Phyrne

41. Bagno della Marchese

42. Franciscus Bartolozzi

43. Pass-Room Bridewell

44. The West India Washer-Women

45. Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

46. The Pool of Bethesda

47. Study for Bacchanal

48. Study of Classical Figures

49. Time raising Truth, after Rubens’s “The Triumph of Truth”

50. Topless Girl Sitting in Fake Brick Room

51. Victorious Hero Takes Occasion to Conclude Peace

52. The Crazy Horse, London's First Topless Bar

53. Diana at a Fountain

54. British Empire Exhibition 1924: Scenes of Empire Series No. 4