On-site Access: Accessible by appointment in the Study Room / Creator: Blake, William, 1757–1827 / Subject Terms: literary theme - YCBA Collections Search Search Results

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On-site Access Accessible by appointment in the Study Room

Creator Blake, William, 1757–1827

Subject Terms literary theme

William Blake Romeo and Juliet, Act IV, Scene V

Print made by William Blake, 1757–1827

Romeo and Juliet, Act IV, Scene V

1799

William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

1794

William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

1797

William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

1797

William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

1797

William Blake Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

1797

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

1797

William Blake Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

1797

William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

1797

William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

1797

William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

1797

William Blake Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

1797

William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

1797

William Blake The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"

William Blake, 1757–1827

The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 25, "A Long Story."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 25, "A Long Story."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 33, "A Long Story."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 33, "A Long Story."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 37, "Ode to Adversity."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 37, "Ode to Adversity."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 39, "Ode to Adversity."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 39, "Ode to Adversity."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 47, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 47, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 49, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 49, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 5, "Ode on the Spring."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 51, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 51, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 81, "The Descent of Odin."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 81, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 83, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."

between 1797 and 1798

William Blake Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

1789

William Blake Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

1789

William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

1789

William Blake Songs of Innocence, Plate 10, "The Ecchoing Green" (Bentley 6)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 10, "The Ecchoing Green" (Bentley 6)

1789

William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 99, "Ode for Music."

between 1797 and 1798

William Blake Songs of Innocence, Plate 16, "Night" (Bentley 20)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 16, "Night" (Bentley 20)

1789

William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 97, "Ode for Music."

between 1797 and 1798

William Blake The Book of Thel, Plate 1, "Thel's Motto . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 1, "Thel's Motto . . . ."

1789

William Blake The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

1789

William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

ca. 1788

William Blake America. A Prophecy, Plate 7, "Albions Angel stood...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 7, "Albions Angel stood...."

1793

William Blake The Book of Thel, Plate 1, "Thel's Motto . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 1, "Thel's Motto . . . ."

1789

William Blake The Book of Thel, Plate 2, Title Page

Print made by William Blake, 1757–1827

The Book of Thel, Plate 2, Title Page

1789

William Blake The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."

1789

William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

1789

William Blake The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

1789

William Blake The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)

1794

William Blake The First Book of Urizen, Plate 15 (Bentley 14)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 15 (Bentley 14)

1794

William Blake The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)

1794

William Blake The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)

1794

William Blake The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)

1794

William Blake The First Book of Urizen, Plate 21 (Bentley 16)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 21 (Bentley 16)

1794

William Blake The First Book of Urizen, Plate 25 (Bentley 26)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 25 (Bentley 26)

1794

William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

ca. 1788

William Blake There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

ca. 1788

William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

ca. 1788

William Blake There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

ca. 1788

William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 4, "Why should the mistress . . . ."

1789

William Blake The Book of Thel, Plate 5, "II. / O little Cloud . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 5, "II. / O little Cloud . . . ."

1789

William Blake The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

1794

William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

1794

William Blake The First Book of Urizen, Plate 26, "The Ox in the Slaughter House Moans...." (Bentley 25)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 26, "The Ox in the Slaughter House Moans...." (Bentley 25)

1794

William Blake Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)

1789

William Blake Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

1789

William Blake Songs of Innocence, Plate 6, "The Little Girl Found" (Bentley 35)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 6, "The Little Girl Found" (Bentley 35)

1789

William Blake Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

1789

William Blake Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)

1789

William Blake Songs of Innocence, Plate 4, "A Dream" (Bentley 26)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 4, "A Dream" (Bentley 26)

1789

William Blake There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)

ca. 1788

William Blake There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

ca. 1788

William Blake The Book of Thel, Plate 7, "But he that loves the lowly . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 7, "But he that loves the lowly . . . ."

1789

William Blake Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

1794

William Blake The First Book of Urizen, Plate 10, "12: Los Howld in a Dismal Stupor...." (Bentley 7)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 10, "12: Los Howld in a Dismal Stupor...." (Bentley 7)

1794

William Blake The First Book of Urizen, Plate 11 (Bentley 17)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 11 (Bentley 17)

1794

William Blake The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)

1794

William Blake The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)

1794

William Blake The First Book of Urizen, Plate 18 (Bentley 21)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 18 (Bentley 21)

1794

William Blake The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)

1794

William Blake The First Book of Urizen, Plate 22, "Stretch'd for a Work of Eternity...." (Bentley 20)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 22, "Stretch'd for a Work of Eternity...." (Bentley 20)

1794

William Blake The First Book of Urizen, Plate 23 (Bentley 9)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 23 (Bentley 9)

1794

William Blake The First Book of Urizen, Plate 24, "Of Life Forsaken Mountains...." (Bentley 23)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 24, "Of Life Forsaken Mountains...." (Bentley 23)

1794

William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

ca. 1788

William Blake There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)

ca. 1788

William Blake There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

ca. 1788

William Blake There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

ca. 1788

William Blake For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

William Blake Songs of Innocence, Plate 2, Title Page (Bentley 3)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 2, Title Page (Bentley 3)

1789

William Blake Songs of Innocence, Plate 26, "Spring" (Bentley 23)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 26, "Spring" (Bentley 23)

1789

William Blake Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)

1789

William Blake Songs of Innocence, Plate 3, "Introduction" (Bentley 4)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 3, "Introduction" (Bentley 4)

1789

William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

1789