Thomas Philip third Lord Grantham, afterwards Earl De Grey, with his brothers, Frederick John and Philip
1791
5
Print made by Samuel Cousins, 1801–1887
Sunshine of Love
1837
6
Print made by Francis Haward, 1759–1797
The Infant Academy
1783
7
Print made by Charles Wilkin, 1750–1814
Here Poor Boy
1796
8
Print made by Samuel Cousins, 1801–1887
The Visionary
1833
9
Print made by E. J. Dumée, active 1790
Connubial Happiness
1786
10
Francesco Bartolozzi, 1728–1815
Certificate Of The Royal Academy Of Arts Appointing Henry Perronet Briggs To Be An Associate, November 7, 1825
1825
11
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
12
Print made by William Henry Simmons, 1811–1882
The Return (First Class)
1857
13
Print made by Robert Thew, 1758–1802
King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
1801
14
Print made by George Cruikshank, 1792–1878
The Capture of Coldough and Harvey
undated
15
Print made by George Cruikshank, 1792–1878
Turning the Tables
undated
16
Print made by George Cruikshank, 1792–1878
Gemini - Odd-fellows
undated
17
Print made by George Cruikshank, 1792–1878
Peg Todd, as Head Nurse
undated
18
Print made by Francesco Bartolozzi, 1728–1815
Hanover Square
1782
19
Print made by Francesco Bartolozzi, 1728–1815
The Daughters of Guercino
1772
20
Francesco Bartolozzi, 1728–1815
The Graces Crowning the Bust of Raphael
1787
21
Print made by Agostino Brunias, 1728–1796
A Negroes Dance in the Island of Dominica
1779
22
Print made by Louis Charles Ruotte, 1754–ca. 1806
The West India Flower Girl
undated
23
Print made by Agostino Brunias, 1728–1796
A Cudgelling Match between English and French Negroes in the Island of Dominica
1779
24
Francesco Bartolozzi, 1728–1815
Reapers
1790
25
Print made by Anthony Cardon, 1772–1813
Credulity
1796
26
Francesco Bartolozzi, 1728–1815
Cupid and Psyche
1789
27
Francesco Bartolozzi, 1728–1815
Cupid and Psyche
28
Francesco Bartolozzi, 1728–1815
Love and Fortune
1789
29
Francesco Bartolozzi, 1728–1815
Love Caressed
1783
30
Francesco Bartolozzi, 1728–1815
The Power of Love
1783
31
Francesco Bartolozzi, 1728–1815
Vigilance
1782
32
Francesco Bartolozzi, 1728–1815
Sympathy
1782
33
Print made by Francesco Bartolozzi, 1728–1815
Virtuous Love
1793
34
John Eginton, active 1763–1800
The Affectionate Daughter
1792
35
John Whessell, 1760–ca. 1823
The Itinerant Potters
1797
36
Francesco Bartolozzi, 1728–1815
Cupid and Psyche
1789
37
Francesco Bartolozzi, 1728–1815
The Judgement of Paris
1785
38
Francesco Bartolozzi, 1728–1815
The Transparency Picture at the Bank of England
1790
39
Francesco Bartolozzi, 1728–1815
Love
ca. 1783
40
Print made by Francesco Bartolozzi, 1728–1815
Earth
1803
41
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Madame Banti
1797
42
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
43
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
44
Niccoló Schiavonetti, 1771–1813
Rustic Benevolence
1804
45
Francesco Bartolozzi, 1728–1815
The Rural Italian's Wedding
1775
46
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Games at Vauxhall: Playing at Cricket
ca. 1743
47
Francesco Bartolozzi, 1728–1815
Design For A Fan
1782
48
William Hincks, 1752–1797
Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
1791
49
Print made by Agostino Brunias, 1728–1796
Free Natives of Dominica
1780
50
Print made by Isaac Cruikshank, 1764–1811
Young Ladies
1795
51
Print made by Thomas Ryder, 1746–1810
The Captive
1786
52
Francesco Bartolozzi, 1728–1815
Cupid and Psyche
1789
53
Francesco Bartolozzi, 1728–1815
Concert Ticket For The Benefit of Madame Banti
1795
54
Print made by Francesco Bartolozzi, 1728–1815
Hanover Square
1782
55
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
56
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
57
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
58
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
59
James Fittler, 1758–1835
Mail Coach
ca. 1787
60
Francesco Bartolozzi, 1728–1815
Vignette; Pulto With Tablet And Hermes's Staff
undated
61
Francesco Bartolozzi, 1728–1815
Astronomy
1793
62
Francesco Bartolozzi, 1728–1815
Man Stirring a Cauldron Over an Open Hearth
63
Francesco Bartolozzi, 1728–1815
Tobias and the Angel
64
Francesco Bartolozzi, 1728–1815
Angel holding a Feather escorting a Child
1787
65
Francesco Bartolozzi, 1728–1815
Venus
1781
66
Francesco Bartolozzi, 1728–1815
Venus Childing Cupid
1784
67
Francesco Bartolozzi, 1728–1815
His Ego Ne Metas Rerum, Nec Tempora Pono:..
ca.1785
68
Francesco Bartolozzi, 1728–1815
The Prosperity Of Great Britain, Contrasted With The Misery of France
1794
69
Francesco Bartolozzi, 1728–1815
Medea looking at her two Children, one of whom she has Murdered with a Dagger
1777
70
Francesco Bartolozzi, 1728–1815
The Triumph of Beauty and Love
1783
71
Francesco Bartolozzi, 1728–1815
Hatred, Love, Moderation, Fury
1779
72
Francesco Bartolozzi, 1728–1815
La Mattina - The Morning
1760
73
Francesco Bartolozzi, 1728–1815
Pulto Carrying Apples, Bride Leading Eros
c.1785
74
Francesco Bartolozzi, 1728–1815
Il Mezzo Giorno - The Mid Day
1760
75
Francesco Bartolozzi, 1728–1815
Mother And Child
1795
76
Francesco Bartolozzi, 1728–1815
Artemis, Riding Her Chariot, Driven By Two Golden Horned Deer
undated
77
Francesco Bartolozzi, 1728–1815
June
1789
78
Francesco Bartolozzi, 1728–1815
August
1793
79
Francesco Bartolozzi, 1728–1815
Prosperity
1783
80
Francesco Bartolozzi, 1728–1815
Classical Figures Including Woman With Cornucopia Of Coins
ca.1790
81
Francesco Bartolozzi, 1728–1815
Virtue Directed By Prudence To Honor
1784
82
Francesco Bartolozzi, 1728–1815
Genius Describing Beauty, And Cupid Dictating Him
1782
83
Francesco Bartolozzi, 1728–1815
Prudence Endeavoring To Retain Beauty From Following The Insinuation Of Love
1782
84
Francesco Bartolozzi, 1728–1815
The Choice Of Hercules
undated
85
Francesco Bartolozzi, 1728–1815
Classical Scene With Angel And Two Putti Below A Portrait
ca.1757
86
Francesco Bartolozzi, 1728–1815
Vide Howard On Prisons
1780
87
Francesco Bartolozzi, 1728–1815
Vignette: Cherub's Face
c.1790
88
Francesco Bartolozzi, 1728–1815
Sleeping Child
c.1785
89
Francesco Bartolozzi, 1728–1815
Contemplation
1791
90
Francesco Bartolozzi, 1728–1815
Avarice, Charity, Devotion, Sacrilege
1778
91
Francesco Bartolozzi, 1728–1815
Lady and Child
1767
92
Francesco Bartolozzi, 1728–1815
Mother and Child
1768
93
Francesco Bartolozzi, 1728–1815
Conjugal Love
1786
94
Francesco Bartolozzi, 1728–1815
Young Girl With A Mouse On A String Teasing A Cat
1782
95
Francesco Bartolozzi, 1728–1815
Cherub Holding A Laurel Wreath
1793
96
Francesco Bartolozzi, 1728–1815
Memorial: Woman and Dog Grieving Over Portrait of a Man
undated
97
Francesco Bartolozzi, 1728–1815
Memorial: Woman and Dog Grieving Over Portrait of a Man