Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
1794
5
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)
1794
6
Print made by William Blake, 1757–1827
Chapter II, "Muster around the bleak desarts..." (Plate 4)
1794
7
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 6)
1794
8
Print made by William Blake, 1757–1827
Urizen Swims through Dark Waters (Plate 5)
1794
9
Print made by William Blake, 1757–1827
Chapter III, "As the stars are apart from the earth..." (Plate 7)
1794
10
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 9)
1794
11
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)
1794
12
Print made by William Blake, 1757–1827
Fettered Urizen Weeping (Plate 12)
1794
13
Print made by William Blake, 1757–1827
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)
1794
14
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
15
Print made by William Blake, 1757–1827
The Tyger (Plate 42)
1794
16
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
17
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 10)
1789
18
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
19
Print made by William Blake, 1757–1827
What is Man!, Frontispiece (Plate 1)
1793
20
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
21
Print made by William Blake, 1757–1827
Urizen (Plate 8)
1794
22
Print made by William Blake, 1757–1827
Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
1794
23
Print made by William Blake, 1757–1827
Urizen (Plate 14)
1794
24
Print made by William Blake, 1757–1827
From a Globe of Blood Rises Enitharmon (Plate 16)
1794
25
Print made by William Blake, 1757–1827
Los with the child Orc and Enitharmon (Plate 18)
1794
26
Print made by William Blake, 1757–1827
"They call'd her Pity, and fled..." (Plate 17)
1794
27
Print made by William Blake, 1757–1827
Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)
1794
28
Print made by William Blake, 1757–1827
Songs of Experience, Title Page (Plate 33)
1794
29
Print made by William Blake, 1757–1827
Urizen (Plate 21)
1794
30
Print made by William Blake, 1757–1827
Chapter V, "The globe of life blood trembled..." (Plate 15)
1794
31
Print made by William Blake, 1757–1827
Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)
1794
32
Print made by William Blake, 1757–1827
"The Ox in the slaughter house moans..." (Plate 23)
1794
33
Print made by William Blake, 1757–1827
Praying Child and Howling Dog (Plate 24)
1794
34
Print made by William Blake, 1757–1827
Chapter IX, "They lived a period of years..." (Plate 25)
1794
35
Print made by William Blake, 1757–1827
Urizen (Plate 22)
1794
36
Print made by William Blake, 1757–1827
Jerusalem, Tailpiece (Plate 100)
1804 to 1820
37
Print made by William Blake, 1757–1827
Jerusalem, Frontispiece (Plate 1)
1804 to 1820
38
Print made by William Blake, 1757–1827
"To labours mighty, with vast strength..." (Plate 11)
1804 to 1820
39
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
40
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
41
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
42
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
43
Print made by William Blake, 1757–1827
"Leaning against the pillars..." (Plate 32)
1804 to 1820
44
Print made by William Blake, 1757–1827
"Then the Divine hand found the Two Limits..." (Plate 35)
1804 to 1820
45
Print made by William Blake, 1757–1827
The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)
1827
46
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
47
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
ca. 1788
48
Print made by William Blake, 1757–1827
II. "Reason or the ratio of all we have already known..." (Plate 11)
ca. 1788
49
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
50
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
51
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
52
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
53
William Blake, 1757–1827
"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
between 1797 and 1798
54
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
55
William Blake, 1757–1827
"Up stairs in a whirlwind rattle..." (Design 29)
between 1797 and 1798
56
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
57
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
58
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
59
Print made by William Blake, 1757–1827
"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
1804 to 1820
60
Print made by William Blake, 1757–1827
"To the Jews..." (Plate 27)
1804 to 1820
61
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
62
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
1804 to 1820
63
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
64
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
65
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
66
William Blake, 1757–1827
Christ Giving Sight to Bartimaeus
1799 to 1800
67
William Blake, 1757–1827
Abraham and Isaac
1799 to 1800
68
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
69
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
70
Print made by William Blake, 1757–1827
Rev. John Caspar Lavater
1800
71
Print made by William Blake, 1757–1827
Chaucer's Canterbury Pilgrims
1810 to 1820
72
Text by William Blake, 1757–1827
A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
1809
73
William Blake, 1757–1827
Albion Compelling the Four Zoas to Their Proper Tasks
1804 to 1810
74
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
75
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
76
Print made by William Blake, 1757–1827
Christ Appearing to the Apostles after the Resurrection
1795 to 1805
77
Print made by William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
78
George Richmond, 1809–1896
William Blake in Youth and Age
ca. 1830
79
Attributed to William Blake, 1757–1827
A Corrected and Revised Map of the Country of Allestone
1806
80
Print made by William Blake, 1757–1827
The Dog, Frontispiece
1805
81
Print made by James Heath, 1757–1834
A Select Collection of English Songs, Frontispiece
1783
82
Print made by Robert Hartley Cromek, 1770–1812
Portrait of Thomas Malkin as a Young Child, Frontispiece