<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Collection Prints and Drawings

Remove constraint Collection: Prints and Drawings

Exhibition History Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)

Remove constraint Exhibition History: Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)

Genre genre subject

Remove constraint Genre: genre subject

Search Results

1. The Bellman

The Bellman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1879
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 x 14 3/16 inches (23.1 x 36.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

2. The Lonely Tower

The Lonely Tower
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1879
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 14 1/16 inches (26.1 x 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3. Opening the Fold

Opening the Fold
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1880
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 15/16 x 10 5/8 inches (20.2 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

4. Cornfield and Church by Moonlight

Cornfield and Church by Moonlight
Creator:
Samuel Palmer, 1805–1881
Date:
early 1830s
Materials & Techniques:
Brush and black ink on very thick, smooth, cream wove paper
Dimensions:
Sheet: 6 x 7 1/4 inches (15.2 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Weary Ploughman

The Weary Ploughman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1858
Materials & Techniques:
Etching and drypoint on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 3/4 x 17 1/16 inches (29.8 x 43.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Harvest under a Crescent Moon

Harvest under a Crescent Moon
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
ca. 1826
Materials & Techniques:
Wood engraving on thin, smooth, cream laid paper
Dimensions:
Sheet: 5 13/16 x 5 1/4 inches (14.8 x 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Labourers

Labourers
Creator:
Print made by George Stubbs, 1724–1806
Date:
1789
Materials & Techniques:
Etching, stipple engraving, roulette and rocker on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 1/4 x 28 inches (54 x 71.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Fourth Stage of Cruelty: The Reward of Cruelty

The Fourth Stage of Cruelty: The Reward of Cruelty
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell

9. The First Stage of Cruelty: Children Torturing Animals

The First Stage of Cruelty: Children Torturing Animals
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell

10. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell

11. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

The Third Stage of Cruelty: Cruelty in Perfection - The Murder
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell

12. Near Suez, 1 pm, 16 January 1849 (48)

Near Suez, 1 pm, 16 January 1849 (48)
Creator:
Edward Lear, 1812–1888
Date:
1849
Materials & Techniques:
Watercolor with pen in brown ink over graphite on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 5 3/16 x 9 1/16 inches (13.2 x 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

13. Outside the Walls of Suez, 8:30 a.m., 17 January 1849 (54)

Outside the Walls of Suez, 8:30 a.m., 17 January 1849 (54)
Creator:
Edward Lear, 1812–1888
Date:
1849
Materials & Techniques:
Watercolor with pen in brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/8 x 5 1/16 inches (19.4 x 12.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

14. The Ramesseum at Thebes

The Ramesseum at Thebes
Creator:
John Frederick Lewis, 1804–1876
Date:
between 1841 and 1851
Materials & Techniques:
Watercolor, white gouache, black chalk and graphite with scratching out on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 13 3/4 × 20 1/8 inches (34.9 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance

A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance
Creator:
John Frederick Lewis, 1804–1876
Date:
1856
Materials & Techniques:
Watercolor, gouache and graphite on slightly textured, beige wove paper mounted on board
Dimensions:
Sheet: 26 1/4 x 53 1/2 inches (66.7 x 135.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Portrait of a Lady at a Drawing Table

Portrait of a Lady at a Drawing Table
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Graphite and brown wash on medium, slightly textured,cream laid paper
Dimensions:
Sheet: 8 1/4 x 6 1/2 inches (21 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River
Creator:
Edward Rooker, 1724–1774
Date:
ca. 1763
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/4 x 20 1/2 inches (45.1 x 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Magicians Marching off After the Success of their Incantations

The Magicians Marching off After the Success of their Incantations
Creator:
Edward Rooker, 1724–1774
Date:
ca. 1763
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 7/8 x 20 3/8 inches (45.4 x 51.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. September

September
Creator:
Paul Drury, 1903–1987
Date:
1928
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 x 7 3/4 inches (16.5 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

20. Wooded Landscape with Herdsman and Cows

Wooded Landscape with Herdsman and Cows
Creator:
Print made by Thomas Gainsborough, 1727–1788
Date:
1797
Materials & Techniques:
Soft-ground etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 13 3/4 inches (27.9 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Lady in a Bonnet

Lady in a Bonnet
Creator:
Paul Sandby, 1731–1809
Date:
between 1760 and 1765
Materials & Techniques:
Red chalk and black chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. After Work

After Work
Creator:
Paul Drury, 1903–1987
Date:
1926
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 10 1/8 inches (18.7 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

23. Labourers

Labourers
Creator:
Richard Earlom, 1743–1822
Date:
1790
Materials & Techniques:
Mezzotint, printed in color on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 17 1/8 x 26 inches (43.5 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle

Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle
Creator:
Print made by Thomas Gainsborough, 1727–1788
Date:
between 1779 and 1780
Materials & Techniques:
Etching and soft-ground etching on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 12 × 15 3/8 inches (30.5 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Return Home

The Return Home
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1830
Materials & Techniques:
Wood-engraving on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 3 11/16 x 6 1/16 inches (9.4 x 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The Ploughman

The Ploughman
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1827
Materials & Techniques:
Wood-engraving on medium, smooth, cream Asian paper
Dimensions:
Sheet: 3 11/16 x 5 1/2 inches (9.4 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Two Women holding a Basket

Two Women holding a Basket
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Watercolor, pen and brown ink and gouache on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 5/8 x 4 7/8 inches (16.8 x 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The Queen Elizabeth Gate

The Queen Elizabeth Gate
Creator:
Paul Sandby, 1731–1809
Date:
1767
Materials & Techniques:
Gouache and watercolor on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 3/8 x 18 1/2 inches (36.5 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Two Men, One Holding a Whip

Two Men, One Holding a Whip
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1754
Materials & Techniques:
Red chalk and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 x 5 1/2 inches (19.4 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Lammas

Lammas
Creator:
Print made by Graham Vivian Sutherland, 1903–1980
Date:
1926
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/4 x 8 5/8 inches (15.9 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

31. London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")

London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 5 7/8 inches (19.7 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. London Cries: A Muffin Man

London Cries: A Muffin Man
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Watercolor, pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 5 3/8 inches (19.7 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes

My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Watercolor, pen and gray ink , black chalk and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 x 6 3/8 inches (19.7 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. A Bedouin Encampment; or, Bedouin Arabs

A Bedouin Encampment; or, Bedouin Arabs
Creator:
John Frederick Lewis, 1804–1876
Date:
between 1841 and 1851
Materials & Techniques:
Watercolor, white gouache and graphite with scratching out on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 13 3/4 x 20 3/8 inches (34.9 x 51.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Key to Life School at the Royal Academy

Key to Life School at the Royal Academy
Creator:
Print made by unknown artist
Date:
1794
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/8 x 14 1/8 inches (25.7 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. A Moonlit Landscape with Cattle by a Pool

A Moonlit Landscape with Cattle by a Pool
Creator:
Thomas Gainsborough, 1727–1788
Date:
ca. 1780
Materials & Techniques:
Soft-ground etching, aquatint, black chalk, white chalk, and gouache on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/16 × 12 3/4 inches (25.5 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

37. Wooded Landscape with Country Cart and Figures

Wooded Landscape with Country Cart and Figures
Creator:
Thomas Gainsborough, 1727–1788
Date:
between 1785 and 1788
Materials & Techniques:
Black and white chalk, gray wash and black wash on medium, slightly textured, antique buff wove paper prepared with gray
Dimensions:
Sheet: 9 3/4 x 13 inches (24.8 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection