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unknown artist Details of the Screen of Entrance Porch, St Stephen's Chapel
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
John Carter Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
John Carter Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
John Carter Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
unknown artist Entrance Doorway in the Tower, St Stephen's Chapel
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
John Carter Springing of an Arch, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
John Carter Capitals, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
John Carter Front and Profile of the Work under the Window Sills, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
James Basire Plate VIII: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
James Basire Plate XII: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
James Basire Plate X: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
James Basire Plate IX: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
James Basire the younger Plate XI: St Stephen's Chapel
Print made by James Basire the younger, 1769–1822
Plate XI: St Stephen's Chapel
1795
John Carter Plate XIX: St Stephen's Chapel
Print made by John Carter, 1748–1817
Plate XIX: St Stephen's Chapel
1811
John Carter Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
John Carter Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
John Carter Impost moldings, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
Henry Melville House of Commons, the Speaker Reprimanding a Person at the Bar
Print made by Henry Melville, active 1826–1841
House of Commons, the Speaker Reprimanding a Person at the Bar
after 1850
James Basire the younger Vol. 6, Plate XXVII: The Painted Chamber
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXVII: The Painted Chamber
1842
James Basire the younger Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
G.F. Storm Vol. 6, Plate XXVIII
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXVIII
1842
James Basire the younger Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
James Basire the younger Vol. 6, Plate XXXII: The Story of Hezekiah.
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
James Basire the younger Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
James Basire the younger Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
James Basire the younger Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City
1842
George Harley Ruins of Westminster Palace
George Harley, 1791–1871
Ruins of Westminster Palace
1834
George Birch Sections of Room under Painted Chamber
George Birch, 1842–1904
Sections of Room under Painted Chamber
1827
John Collins The North Prospect of Westminster Abbey
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
William Henry Toms The South-East Prospect of King Henry The VII's Chapel at Westminster
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
Robert Isaac Cruikshank A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
Print made by Robert Isaac Cruikshank, 1789–1856
A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
after 1820