Jerusalem, Plate 99, "All Human Forms identified...."
1804 to 1820
38
Print made by William Blake, 1757–1827
Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
1804 to 1820
39
Print made by William Blake, 1757–1827
Jerusalem, Plate 32, "Leaning against the pillars...."
1804 to 1820
40
Print made by William Blake, 1757–1827
Jerusalem, Plate 1, Frontispiece
1804 to 1820
41
Print made by William Blake, 1757–1827
Jerusalem, Plate 2, Title Page
1804 to 1820
42
Print made by William Blake, 1757–1827
Jerusalem, Plate 53, "Jerusalem / Chap. 3"
1804 to 1820
43
William Blake, 1757–1827
The Poems of Thomas Gray, Design 29, "A Long Story."
between 1797 and 1798
44
Print made by William Blake, 1757–1827
Jerusalem, Plate 100
1804 to 1820
45
Print made by William Blake, 1757–1827
Jerusalem, Plate 11, "To labours mighty...."
1804 to 1820
46
Print made by William Blake, 1757–1827
Jerusalem, Plate 25, "And there was heard...."
1804 to 1820
47
Print made by William Blake, 1757–1827
Jerusalem, Plate 26, "Such Visions Have...."
1804 to 1820
48
Print made by William Blake, 1757–1827
Jerusalem, Plate 27, "To the Jews...."
1804 to 1820
49
Print made by William Blake, 1757–1827
Jerusalem, Plate 35, "Then the Divine hand...."
1804 to 1820
50
Print made by William Blake, 1757–1827
Jerusalem, Plate 51
1804 to 1820
51
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
52
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
53
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
ca. 1788
54
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
1793
55
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 2, Title Page
1793
56
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
57
Print made by William Blake, 1757–1827
Jerusalem, Plate 70, "And this the form of mighty Hand...."
1804 to 1820
58
Print made by William Blake, 1757–1827
Jerusalem, Plate 76
1804 to 1820
59
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
60
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 1, Frontispiece
1793
61
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
62
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
63
William Blake, 1757–1827
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
64
Print made by William Blake, 1757–1827
Rev. John Caspar Lavater
1800
65
William Blake, 1757–1827
Chaucer's Canterbury Pilgrims
1810 to 1820
66
Text by William Blake, 1757–1827
A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
1809
67
William Blake, 1757–1827
Abraham and Isaac
1799 to 1800
68
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
69
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
70
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
71
William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
72
Print made by William Blake, 1757–1827
Christ Appearing to the Apostles after the Resurrection
1795 to 1805
73
William Blake, 1757–1827
Christ Giving Sight to Bartimaeus
1799 to 1800
74
William Blake, 1757–1827
Albion Compelling the Four Zoas to Their Proper Tasks