Jerusalem, Plate 32, "Leaning against the pillars...."
1804 to 1820
59
Print made by William Blake, 1757–1827
Jerusalem, Plate 6, "His Spectre driv'n...."
1804 to 1820
60
Print made by William Blake, 1757–1827
Jerusalem, Plate 99, "All Human Forms identified...."
1804 to 1820
61
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
62
William Blake, 1757–1827
The Poems of Thomas Gray, Design 29, "A Long Story."
between 1797 and 1798
63
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
64
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
1793
65
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 2, Title Page
1793
66
Text by William Blake, 1757–1827
A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
1809
67
Print made by William Blake, 1757–1827
Rev. John Caspar Lavater
1800
68
William Blake, 1757–1827
Chaucer's Canterbury Pilgrims
1810 to 1820
69
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
70
William Blake, 1757–1827
Christ Giving Sight to Bartimaeus
1799 to 1800
71
William Blake, 1757–1827
Albion Compelling the Four Zoas to Their Proper Tasks
1804 to 1810
72
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
73
Print made by William Blake, 1757–1827
Christ Appearing to the Apostles after the Resurrection
1795 to 1805
74
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons