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Materials & Techniques line engraving

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Subject Terms flowers (plants)

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William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
ca. 1797
William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
1797
James Basire the younger View of the Cathedral of Christ Church and Part of Corpus Christi College
Print made by James Basire the younger, 1769–1822
View of the Cathedral of Christ Church and Part of Corpus Christi College
1808
William Byrne The Ruins of the College of Lincluden
Print made by William Byrne, 1743–1805
The Ruins of the College of Lincluden
1782
Samuel Cousins Sunshine of Love
Print made by Samuel Cousins, 1801–1887
Sunshine of Love
1837
Charles Grignion A French Petit Maître and His Valet
Charles Grignion, 1717–1810
A French Petit Maître and His Valet
1771
Charles Grignion James Paine
Charles Grignion, 1717–1810
James Paine
undated
James H. Baker Come Gentle Night: "Romeo and Juliet," Act III, Scene II
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
James Heath, 1757–1834
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
James Heath "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
James Heath, 1757–1834
"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
1802
James Heath "Mark your divorce young sir, whom son I dare not call"
James Heath, 1757–1834
"Mark your divorce young sir, whom son I dare not call"
1804
unknown artist The Methodist Tailor Caught in Adultery
Print made by unknown artist
The Methodist Tailor Caught in Adultery
1768
Francesco Bartolozzi Ticket: Anacreontic Society Meeting
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1779
Guillaume Sulpice Chevalier Intemperance
Print made by Guillaume Sulpice Chevalier, 1804–1866
Intemperance
undated
Robert Sargent Austin Girl at a Gate
Print made by Robert Sargent Austin, 1895–1973
Girl at a Gate
between 1938 and 1939
Renold Elstrack Isabella Clara Eugenia, Infanta of Spain
Renold Elstrack, 1570–1625(?)
Isabella Clara Eugenia, Infanta of Spain
between 1616 and 1621
William Faithorne Henry More
Print made by William Faithorne, ca. 1620–1691
Henry More
1675
Robert Sargent Austin Young Mother
Print made by Robert Sargent Austin, 1895–1973
Young Mother
1937
Robert Sargent Austin Four Friends
Print made by Robert Sargent Austin, 1895–1973
Four Friends
1947
Robert Sargent Austin The Letter
Print made by Robert Sargent Austin, 1895–1973
The Letter
1938
Robert Sargent Austin Four Friends
Print made by Robert Sargent Austin, 1895–1973
Four Friends
1946
Robert Pollard View of Queen Square
Engraved by Robert Pollard, 1755–1838
View of Queen Square
1789
Francesco Bartolozzi Ticket: Anacreontic Society Meeting
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
James Heath "This is fairy gold, boy, and will prove so"
James Heath, 1757–1834
"This is fairy gold, boy, and will prove so"
1804
James Caldwall The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812
Print made by James Caldwall, 1739–1819
The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812
1800
Elizabeth Blackwell Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737
Print made by Elizabeth Blackwell, died 1774
Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737
1737