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Charles Reuben Ryley 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
Charles Reuben Ryley, 1752–1798
'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
1786
Not on view
Charles Reuben Ryley 'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
Charles Reuben Ryley, 1752–1798
'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
1786
Not on view
James Smetham Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
James Smetham, 1821–1889
Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
ca. 1874
Not on view
Pieter van Bleeck Mrs. Cibber as Cordelia
Pieter van Bleeck, 1700–1764
Mrs. Cibber as Cordelia
1755
Not on view
Benjamin West The Cave of Despair
Benjamin West, 1738–1820
The Cave of Despair
1772
Not on view
Joseph Highmore The Harlowe Family, from Samuel Richardson's "Clarissa"
Joseph Highmore, 1692–1780
The Harlowe Family, from Samuel Richardson's "Clarissa"
between 1745 and 1747
Not on view
Charles Robert Leslie Slender, with the Assistance of Shallow, Courting Anne Page, from "The Merry Wives of Windsor," Act III, Scene iv
Charles Robert Leslie, 1794–1859
Slender, with the Assistance of Shallow, Courting Anne Page, from "The Merry Wives of Windsor," Act III, Scene iv
1825
Not on view
Francis Wheatley Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave
Francis Wheatley, 1747–1801
Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave
1792
Not on view
unknown artist Procession of Characters from Shakespeare's Plays
unknown artist
Procession of Characters from Shakespeare's Plays
ca. 1840
Not on view
Philippe-Jacques de Loutherbourg Falstaff with the Body of Hotspur
Attributed to Philippe-Jacques de Loutherbourg, 1740–1812
Falstaff with the Body of Hotspur
ca. 1786
Not on view
Johann Heinrich Ramberg Olivia, Maria and Malvolio from "Twelfth Night," Act III, Scene iv
Johann Heinrich Ramberg, 1763–1840
Olivia, Maria and Malvolio from "Twelfth Night," Act III, Scene iv
1789
Not on view
George Cruikshank Herne's Oak from 'The Merry Wives of Windsor,' V, v
George Cruikshank, 1792–1878
Herne's Oak from 'The Merry Wives of Windsor,' V, v
ca. 1857
Not on view
Robert Smirke The Seven Ages of Man: The Soldier, 'As You Like It,' II, vii
Robert Smirke, 1752–1845
The Seven Ages of Man: The Soldier, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
Pieter van Bleeck Mrs. Cibber as Cordelia
Pieter van Bleeck, 1700–1764
Mrs. Cibber as Cordelia
ca. 1755
Not on view
Thomas Stothard The Return of Othello, 'Othello,' Act II, Scene II
Thomas Stothard, 1755–1834
The Return of Othello, 'Othello,' Act II, Scene II
ca. 1799
Not on view
John S. Clifton Buck Washing on Datchet Mead from 'The Merry Wives of Windsor,' III, v
John S. Clifton, active 1852–1869
Buck Washing on Datchet Mead from 'The Merry Wives of Windsor,' III, v
1849
Not on view
John Cawse Falstaff and the recruits, from "Henry IV, Part II"
John Cawse, 1779–1862
Falstaff and the recruits, from "Henry IV, Part II"
ca. 1818
Not on view
Robert Smirke The Seven Ages of Man: The Justice, 'As You Like It,' II, vii
Robert Smirke, 1752–1845
The Seven Ages of Man: The Justice, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
Robert Smirke The Seven Ages of Man: The Pantaloon, 'As You Like It,' II, vii
Robert Smirke, 1752–1845
The Seven Ages of Man: The Pantaloon, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
William Hamilton The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i
William Hamilton, 1751–1801
The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i
ca. 1790
Not on view
Marcellus Laroon the Younger Scene from Shakespeare's "Henry IV, Part I"
Marcellus Laroon the Younger, 1679–1772
Scene from Shakespeare's "Henry IV, Part I"
1746
Not on view
William Mulready Mr. Peregrine Touchwood Breaking in upon the Rev. Josiah Cargill
William Mulready, 1786–1863
Mr. Peregrine Touchwood Breaking in upon the Rev. Josiah Cargill
1831
Not on view
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
William Hogarth Hudibras Vanquished by Trulla
William Hogarth, 1697–1764
Hudibras Vanquished by Trulla
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
George Romney Lear Awakened by Cordelia
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
George Romney Miranda, Prospero, and Caliban: The Tempest
George Romney, 1734–1802
Miranda, Prospero, and Caliban: The Tempest
undated
George Romney The Banquet Scene
George Romney, 1734–1802
The Banquet Scene
ca. 1792
William Blake America. A Prophecy, Plate 7, "Albions Angel stood...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 7, "Albions Angel stood...."
1793
William Blake Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
1789
William Blake Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
1789
William Blake The Shepherd, from Songs of Innocence
William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
William Blake There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
ca. 1788
William Blake There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
ca. 1788
William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
ca. 1788
William Blake There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
ca. 1788
William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
William Blake Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
1797
William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
1797
William Blake Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
1797
William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
William Blake Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
1797
William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
William Blake Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
1797
William Blake The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
William Blake, 1757–1827
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 57, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 57, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 61, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
between 1797 and 1798
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
ca. 1788
William Blake The Book of Thel, Plate 2, Title Page
Print made by William Blake, 1757–1827
The Book of Thel, Plate 2, Title Page
1789
William Blake The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
1789
William Blake There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
ca. 1788
William Blake Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
1797
William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
1797
William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
William Blake Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
1797
William Blake The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 31, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 33, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 53, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 55, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 63, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
William Blake Jerusalem, Plate 1, Frontispiece
Print made by William Blake, 1757–1827
Jerusalem, Plate 1, Frontispiece
1804 to 1820
William Blake Jerusalem, Plate 12, "Why wilt thou give to her...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 12, "Why wilt thou give to her...."
1804 to 1820
William Blake Jerusalem, Plate 19, "His children exil'd from his breast...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 19, "His children exil'd from his breast...."
1804 to 1820
William Blake Jerusalem, Plate 29, "Then the Divine Vision...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 29, "Then the Divine Vision...."
1804 to 1820
William Blake Jerusalem, Plate 30, "And the Two that escaped...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 30, "And the Two that escaped...."
1804 to 1820
William Blake Jerusalem, Plate 33, "Turning his back to the Divine Vision...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 33, "Turning his back to the Divine Vision...."
1804 to 1820
William Blake Jerusalem, Plate 36, "Reuben returnd to his place...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 36, "Reuben returnd to his place...."
1804 to 1820
William Blake Jerusalem, Plate 39, "By Satans Watch-fiends...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 39, "By Satans Watch-fiends...."
1804 to 1820
William Blake Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
1804 to 1820
William Blake Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
1804 to 1820
William Blake Jerusalem, Plate 41, "Bath who is Legions...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 41, "Bath who is Legions...."
1804 to 1820
William Blake Jerusalem, Plate 42, "Thus Albion sat...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 42, "Thus Albion sat...."
1804 to 1820
William Blake Jerusalem, Plate 51
Print made by William Blake, 1757–1827
Jerusalem, Plate 51
1804 to 1820
William Blake Jerusalem, Plate 54, "In Great Eternity...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 54, "In Great Eternity...."
1804 to 1820