Etched by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
4
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
5
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
6
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
7
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
8
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
9
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
10
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
11
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
12
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
13
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
14
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
15
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
16
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
17
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
18
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
19
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
20
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
21
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
22
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
23
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
24
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
25
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
26
George Romney, 1734–1802
The Banquet Scene
ca. 1792
27
George Romney, 1734–1802
Tempest, Version A
undated
28
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
29
George Romney, 1734–1802
Sketch for Canidia and the Youth
undated
30
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
31
George Romney, 1734–1802
Miranda, Prospero, and Caliban: The Tempest
undated
32
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
33
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
34
George Romney, 1734–1802
Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
undated
35
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
36
John Massey Wright, 1777–1866
Falstaff Disguised as Herne
undated
37
Henry Fuseli, 1741–1825
Study for 'Finding of the Body of Bassanio'
1804
38
Robert Smirke, 1752–1845
Prospero and Ariel
1821
39
Robert Smirke, 1752–1845
Falstaff Instructing Bardolph
1825
40
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
41
Robert Smirke, 1752–1845
Anne Page and Slender
1821
42
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
43
Samuel De Wilde, 1748–1832
Head of a Man with a Beard and Long Hair in the Wind
1786
44
unknown artist
The Death of Cordelia
undated
45
John Flaxman, 1755–1826
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
46
Theodor von Holst, 1810–1844
Sheet of Sketches
undated
47
Edward Francis Burney, 1760–1848
Study for the Figures of Demitrius and Two Workmen
undated
48
George Augustus Sala, 1828–1895
Mefistofile II
1880
49
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
50
Theodor von Holst, 1810–1844
Ferdinand Riding the Waves
ca. 1830
51
Theodor von Holst, 1810–1844
Faust and Margaret
undated
52
Theodor von Holst, 1810–1844
Prospero Watching Ferdinand and Miranda
ca. 1840
53
Benjamin Robert Haydon, 1786–1846
Sketches for a Scene from 'Macbeth'
ca. 1811
54
Richard Parkes Bonington, 1802–1828
Studies for Shylock
1825
55
Print made by George Richmond, 1809–1896
The Fatal Bellman
1827
56
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth Stabbing Duncan
between 1809 and 1811
57
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Study of Sleeping Grooms
between 1809 and 1811
58
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Daggers
between 1809 and 1811
59
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
60
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
61
Robert Smirke, 1752–1845
Christopher Sly and the Page, as His Wife
1821
62
Robert Smirke, 1752–1845
Falstaff with Mistress Quickly and Bardolph
1825
63
Robert Smirke, 1752–1845
Launce with his Dog Crab
ca. 1821
64
Robert Smirke, 1752–1845
Ferdinand Reunited with his Father
1821
65
Robert Smirke, 1752–1845
Prospero Conjuring a Masque for Ferdinand and Miranda
ca. 1810
66
Robert Smirke, 1752–1845
Capulet Railing at his Daughter, Juliet
1825
67
Robert Smirke, 1752–1845
Juliet About to Take her Sleeping Draught
1825
68
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
69
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
70
Robert Smirke, 1752–1845
Lady Mortimer's Welsh Song
1825
71
Robert Smirke, 1752–1845
Oberon and Puck
1825
72
Robert Smirke, 1752–1845
The Death of Ophelia
ca. 1810
73
Robert Smirke, 1752–1845
Katherina and Grumio
1821
74
Robert Smirke, 1752–1845
Ford in a Rage After Seeing Falstaff
1821
75
Robert Smirke, 1752–1845
Master William Page and Sir Hugh Evans
1821
76
Robert Smirke, 1752–1845
Hotspur and the Plotters at Bangor
1825
77
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1821
78
Robert Smirke, 1752–1845
Isabella and Mariana Kneeling Before the Duke
1822
79
Alfred Thompson, ca. 1833–1895
Costume Design for two Morris Dancers
undated
80
John Massey Wright, 1777–1866
The Rustics Perform from "A Midsummer Night's Dream"