Jerusalem, Plate 99, "All Human Forms identified...."
1804 to 1820
58
William Blake, 1757–1827
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
59
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
60
William Blake, 1757–1827
The Poems of Thomas Gray, Design 29, "A Long Story."
between 1797 and 1798
61
Print made by William Blake, 1757–1827
Jerusalem, Plate 70, "And this the form of mighty Hand...."
1804 to 1820
62
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
63
Print made by William Blake, 1757–1827
Jerusalem, Plate 76
1804 to 1820
64
Print made by William Blake, 1757–1827
Jerusalem, Plate 6, "His Spectre driv'n...."
1804 to 1820
65
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
66
Print made by William Blake, 1757–1827
Rev. John Caspar Lavater (1787-1801)
1800
67
William Blake, 1757–1827
Chaucer's Canterbury Pilgrims
1810 to 1820
68
William Blake, 1757–1827
Albion Compelling the Four Zoas to Their Proper Tasks
1804 to 1810
69
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
70
Text by William Blake, 1757–1827
A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
1809
71
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
72
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
73
Print made by William Blake, 1757–1827
Christ Appearing to the Apostles after the Resurrection