Genre: sporting art / Image Available: Available - YCBA Collections Search Search Results

901. Position de la Garde de Tierce et le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

902. De la Parade du Cavé sur le Coup de Flanconnade

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

903. De la Passe en Quarte du Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

904. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

905. De la Volte sur la Passe au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/8 × 15 1/8 inches (28.9 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

906. Demi Volte sur les Coups Forcés au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 15/16 × 16 inches (27.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

907. Du Desarmement sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 3/16 inches (28.4 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

908. Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 × 15 1/16 inches (26.4 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

909. Position Aprés Avoir Desarmé sur le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 11/16 inches (28.4 × 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

910. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 11/16 × 15 1/4 inches (27.1 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

911. Du Desarmement Aprés Avoir Paré le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 1/2 inches (28.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

912. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

913. Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 16 7/16 inches (28.1 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

914. L'Epée & Lanterne Combattüe par L'Epée et Manteau

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 17 inches (28.1 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

915. Archers Stalking a Stag

Creator:: John Martin, 1789–1854
Date:: 1821
Materials & Techniques:: Watercolor, brown wash, and graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 10 1/2 inches (19.7 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

916. Boy Holding a Dead Rabbit, Tied to a Stick, by its Hind Legs, in His Left Hand, While Holding a Dead Fowl by the Neck, in His Right Hand

Creator:: Print made by Wallerant Vaillant, 1623–1677
Date:: between 1660 and 1675
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/16 × 9 1/16 inches (28.7 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

917. Bull Dogs and Badgers

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1807
Materials & Techniques:: Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 7/8 × 23 1/2 inches (47.9 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

918. Boulevards, Paris

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1835
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

919. Position de la Garde en Quarte, et le Coup de Flanconnade

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/4 × 15 7/8 inches (26 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

920. Troisieme Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 9 15/16 × 10 inches (25.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

921. Premiere Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/4 × 10 1/16 inches (26 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

922. Quatrieme Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 10 15/16 inches (26.7 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

923. Du Coupé sur Pointe de Quarte en Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

924. De la Risposte en Quinte de Pied forme sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 17 1/4 inches (27 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

925. Position Aprés Avoir Désarmé sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 7/16 × 14 1/8 inches (29.1 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

926. Children Playing with a Mask

Creator:: Print made by John Smith, 1652–1743
Date:: 1703
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 13/16 × 7 5/8 inches (14.8 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

927. A Falconer

Creator:: Print made by John Smith, 1652–1743
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 11/16 × 3 1/4 inches (11.9 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

928. Huntsmen Chasing a Stag

Creator:: Print made by Robert Robinson, active 1674–1706
Date:: undated
Materials & Techniques:: Mezzotint, with burinwork on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 15/16 × 8 15/16 inches (17.6 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

929. To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Color-printed stipple engraving with aquatint and drypoint
Dimensions:: Sheet: 21 x 26 1/4in. (53.3 x 66.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

930. Tiger Hunting in the East Indies

Creator:: Richard Earlom, 1743–1822
Date:: 1802
Materials & Techniques:: Stipple engraving, mezzotint, and etching with hand coloring on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 x 29 1/8 inches (52.1 x 74 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

931. Colonel Mordaunt's Cock Match at Lucknow

Creator:: Richard Earlom, 1743–1822
Date:: 1792
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/4 x 27 1/2 inches (54 x 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

932. Colonel Mordaunt's Cock Match at Lucknow

Creator:: Richard Earlom, 1743–1822
Date:: 1792
Materials & Techniques:: Mezzotint with hand coloring on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 x 28 7/8 inches (53.3 x 73.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

933. The Iron Yachts Mystery and Blue Belle in the Match Sailed May 23rd, 1843

Creator:: Print made by Thomas Goldsworth Dutton, 1819/20–1891
Date:: 1843
Materials & Techniques:: Lithograph with hand coloring on thick, slightly textured, cream card
Dimensions:: Sheet: 15 1/16 x 17 11/16 inches (38.2 x 45 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

934. Huntsmen in a Wood

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 7/8 inches (25.1 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

935. Huntsmen in a Wood

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

936. A View of Hopping Mill, Ware

Creator:: Francois Vivares, 1709–1780
Date:: 1745
Materials & Techniques:: Colored engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 × 21 3/4 inches (39.5 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

937. On the Thames

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

938. Atalanta and Hippomanes

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1763
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

939. Diana Preparing for the Hunt

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1781
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

940. The Pavilion & Steyne at Brighton

Creator:: James Mitan, 1776–1822
Date:: 1806
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 7/16 × 28 7/16 inches (46.8 × 72.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

941. Children Birdsnesting

Creator:: William Ward, 1766–1826
Date:: 1789
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 16 11/16 × 21 5/16 inches (42.4 × 54.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

942. Promenade on the Ramparts of Nantes

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: undated
Materials & Techniques:: Aquatint, engraver's proof, plain
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

943. On the Thames

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 12 1/16 x 17 5/16 inches (30.7 x 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

944. Diana, The Huntress

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1783
Materials & Techniques:: Line and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

945. Diana, The Huntress

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1763
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

946. A Sacrifice To Diana The Goddess Of Hunting

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1791
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

947. The Death of the Stag

Creator:: Print made by Andrew Lawrence, 1708–1747
Date:: 1753
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 24 1/4 × 31 5/8 inches (61.6 × 80.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

948. A-Hunting We Will Go

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 15/16 x 5 3/16 inches (12.6 x 13.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

949. Rat Hunters

Creator:: James Mitchell, 1791–1852
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Mount: 21 13/16 × 15 5/16 inches (55.4 × 38.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

950. Horse Walking to Left

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 × 5 3/8 inches (19.7 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

951. Saddled Horse Facing Left

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/8 × 8 5/8 inches (16.2 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

952. Horse with Rider Wearing Tricorne Hat

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/4 × 3 3/4 inches (10.8 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

953. Profile of a Horse Facing Left

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 7 inches (14.3 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

954. Two Studies of Tumbler, a Dog

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/4 × 5 5/8 inches (8.3 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

955. A Rider in Armor, and Two Horses Lying Down

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 4 5/8 inches (15.2 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

956. Horse and Rider Walking to Right

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 7 3/4 inches (15.2 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

957. A Horse Lying Down

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 × 6 inches (10.5 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

958. King Charles I of England, Mounted

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 4 1/4 inches (15.9 × 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

959. A Hound Facing Left

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/8 × 3 5/8 inches (7.9 × 9.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

960. Study of a Plunging Eagle

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Varnish over graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/2 x 13 5/8 inches (36.8 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

961. The Kill

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 inches (11.4 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

962. Horse with Rider Wearing Tricorne Hat, Walking to Right

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/8 × 3 3/4 inches (11.1 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

963. Studies of Stags' Heads

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/2 × 6 3/8 inches (8.9 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

964. Coits Played opposite the Horns, Kennington Common

Creator:: Robert Dighton, 1752–1814
Date:: ca. 1784
Materials & Techniques:: Pen and black ink and brown ink and watercolor
Dimensions:: Sheet: 6 x 8in. (15.2 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

965. The Ootacamund Hunt Meeting at Mr. Chalmers' House at Gindy, Madras, 1845

Creator:: Justinian Gantz, 1802–1862
Date:: 1845
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/8 × 20 1/8 inches (32.7 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

966. The Close of the Season

Creator:: John Leech, 1817–1864
Date:: undated
Materials & Techniques:: Graphite
Dimensions:: Sheet: 6 3/8 x 9 3/4in. (16.2 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

967. A Race Meeting at Newmarket Heath

Creator:: Jan Wyck, ca. 1645–1700
Date:: ca. 1671
Materials & Techniques:: Gray wash with pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/2 × 16 1/2 inches (24.1 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

968. A Village Fair

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, smooth wove paper
Dimensions:: Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

969. An Old Oak

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 3/8 × 11 7/8 inches (44.1 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

970. Abbotsford from the Northern Bank of the Tweed

Creator:: Print made by William Miller, 1796–1882
Date:: 1839
Materials & Techniques:: Line engraving, India proof, published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

971. The Enraged Vicar

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and gray ink and pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/16 x 7 5/16 inches (12.9 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

972. Studies at the Start

Creator:: Peter Biegel, 1913–1988
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, moderately textured, blue wove paper
Dimensions:: Sheet: 8 1/2 × 11 3/16 inches (21.6 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

973. Mr. Hawks thinks he had Better Turn Back

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Graphite and black chalk
Dimensions:: Sheet: 4 1/4 x 7in. (10.8 x 17.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

974. Mill Reef Wins the Eclipse in Record Time, Sandown, July 3rd, 1971

Creator:: Peter Biegel, 1913–1988
Date:: 1971
Materials & Techniques:: Graphite and watercolor on medium, smooth, cream wove paper
Dimensions:: Image: 6 11/16 × 9 1/16 inches (17 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

975. Fives played at the Tennis court Leicester Fields

Creator:: Robert Dighton, 1752–1814
Date:: ca. 1784
Materials & Techniques:: Pen and black ink and brown ink and watercolor
Dimensions:: Sheet: 6 x 8in. (15.2 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

976. Foot Ball played at Market Place, Barnet

Creator:: Robert Dighton, 1752–1814
Date:: ca. 1784
Materials & Techniques:: Pen and black ink and brown ink and watercolor
Dimensions:: Sheet: 6 x 8in. (15.2 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

977. Four Corners Played at the Swan, Chelsea

Creator:: Robert Dighton, 1752–1814
Date:: ca. 1784
Materials & Techniques:: Pen and black ink and brown ink and watercolor
Dimensions:: Sheet: 6 x 8in. (15.2 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

978. Cricket played by the Gentlemens Club, Whiteconduit House

Creator:: Robert Dighton, 1752–1814
Date:: 1784
Materials & Techniques:: Pen and black ink and brown ink and watercolor
Dimensions:: Sheet: 6 x 8in. (15.2 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

979. Trap Ball Played at the Black Prince, Newington, Butts

Creator:: Robert Dighton, 1752–1814
Date:: ca. 1784
Materials & Techniques:: Pen and black ink and brown ink and watercolor
Dimensions:: Sheet: 6 x 8in. (15.2 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

980. Too Late for the Meet, c. 1860: a Lady on horseback greeting a Man who is alighting from a gig

Creator:: unknown artist
Date:: ca. 1860
Materials & Techniques:: Graphite on medium, slightly textured, laid paper
Dimensions:: Sheet: 6 5/8 × 10 3/4 inches (16.8 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

981. The Earl of Lonsdale's Hound Van arriving at a Meet of the Cottesmore Hunt, March 22, 1809

Creator:: unknown artist
Date:: 1809
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 12 5/8in. (18.1 x 32.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

982. Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

Creator:: Samuel Howitt, 1756–1822
Date:: 1807
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 1/16 inches (29.8 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

983. The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

Creator:: Samuel Howitt, 1756–1822
Date:: 1807
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 14 1/8 × 19 1/8 inches (35.9 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

984. Hunting a Hog-Deer: plate 24 for "Oriental Field Sports"

Creator:: Samuel Howitt, 1756–1822
Date:: 1805
Materials & Techniques:: Watercolor, pen and gray ink, black ink, blue ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 11/16 × 17 inches (29.7 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

985. The Hunting Doctor

Creator:: Attributed to John Leech, 1817–1864
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink, and watercolor on medium, slightly textured, white wove paper
Dimensions:: Image: 10 × 16 5/8 inches (25.4 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

986. Major Hugh Peel in Uniform and Horse Studies

Creator:: Sir Alfred J. Munnings, 1878–1959
Date:: 1919
Materials & Techniques:: Graphite on medium, slightly textured, white wove paper
Dimensions:: Sheet: 11 1/2 × 8 3/4 inches (29.2 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

987. Architectural Study

Creator:: Sir Alfred J. Munnings, 1878–1959
Date:: 1919
Materials & Techniques:: Graphite on medium, slightly textured, white wove paper
Dimensions:: Sheet: 11 1/2 × 8 3/4 inches (29.2 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

988. Major Peel Sitting and Smoking

Creator:: Sir Alfred J. Munnings, 1878–1959
Date:: 1919
Materials & Techniques:: Graphite on medium, slightly textured, white wove paper
Dimensions:: Sheet: 11 1/2 × 8 3/4 inches (29.2 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

989. Sketchbook Drawing

Creator:: Sawrey Gilpin, 1733–1807
Date:: 1787
Materials & Techniques:: Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

990. Childers, the Fleetest Horse that Ever Run at Newmarket

Creator:: Print made by Richard Houston, ca. 1721–1775
Date:: 1755
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

991. The Portraiture of the Cullen Arabian

Creator:: Print made by Richard Houston, ca. 1721–1775
Date:: 1756
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

992. The Portraiture of Bay Bolton

Creator:: Print made by Richard Houston, ca. 1721–1775
Date:: 1756
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

993. The Portraiture of Bald Charlotte

Creator:: Print made by Richard Houston, ca. 1721–1775
Date:: 1756
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

994. Sketchbook Drawing

Creator:: Sawrey Gilpin, 1733–1807
Date:: 1787
Materials & Techniques:: Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

995. Sketchbook Drawing

Creator:: Sawrey Gilpin, 1733–1807
Date:: 1787
Materials & Techniques:: Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

996. Sketchbook Drawing

Creator:: Sawrey Gilpin, 1733–1807
Date:: 1787
Materials & Techniques:: Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

997. Sketchbook Drawing

Creator:: Sawrey Gilpin, 1733–1807
Date:: 1787
Materials & Techniques:: Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

998. Sketchbook Drawing

Creator:: Sawrey Gilpin, 1733–1807
Date:: 1787
Materials & Techniques:: Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

999. Sketchbook Drawing

Creator:: Sawrey Gilpin, 1733–1807
Date:: 1787
Materials & Techniques:: Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1000. Sketchbook Drawing

Creator:: Sawrey Gilpin, 1733–1807
Date:: 1787
Materials & Techniques:: Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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901. Position de la Garde de Tierce et le Coup de Seconde

902. De la Parade du Cavé sur le Coup de Flanconnade

903. De la Passe en Quarte du Dehors des Armes

904. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

905. De la Volte sur la Passe au Dehors des Armes

906. Demi Volte sur les Coups Forcés au Dehors des Armes

907. Du Desarmement sur le Coup de Tierce

908. Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime

909. Position Aprés Avoir Desarmé sur le Coup de Quarte

910. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

911. Du Desarmement Aprés Avoir Paré le Coup de Quarte

912. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

913. Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.

914. L'Epée & Lanterne Combattüe par L'Epée et Manteau

915. Archers Stalking a Stag

916. Boy Holding a Dead Rabbit, Tied to a Stick, by its Hind Legs, in His Left Hand, While Holding a Dead Fowl by the Neck, in His Right Hand

917. Bull Dogs and Badgers

918. Boulevards, Paris

919. Position de la Garde en Quarte, et le Coup de Flanconnade

920. Troisieme Position du Salut

921. Premiere Position du Salut

922. Quatrieme Position du Salut

923. Du Coupé sur Pointe de Quarte en Quarte sur les Armes

924. De la Risposte en Quinte de Pied forme sur le Coup de Seconde

925. Position Aprés Avoir Désarmé sur le Coup de Tierce

926. Children Playing with a Mask

927. A Falconer

928. Huntsmen Chasing a Stag

929. To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting

930. Tiger Hunting in the East Indies

931. Colonel Mordaunt's Cock Match at Lucknow

932. Colonel Mordaunt's Cock Match at Lucknow

933. The Iron Yachts Mystery and Blue Belle in the Match Sailed May 23rd, 1843

934. Huntsmen in a Wood

935. Huntsmen in a Wood

936. A View of Hopping Mill, Ware

937. On the Thames

938. Atalanta and Hippomanes

939. Diana Preparing for the Hunt

940. The Pavilion & Steyne at Brighton

941. Children Birdsnesting

942. Promenade on the Ramparts of Nantes

943. On the Thames

944. Diana, The Huntress

945. Diana, The Huntress

946. A Sacrifice To Diana The Goddess Of Hunting

947. The Death of the Stag

948. A-Hunting We Will Go

949. Rat Hunters

950. Horse Walking to Left

951. Saddled Horse Facing Left

952. Horse with Rider Wearing Tricorne Hat

953. Profile of a Horse Facing Left

954. Two Studies of Tumbler, a Dog

955. A Rider in Armor, and Two Horses Lying Down

956. Horse and Rider Walking to Right

957. A Horse Lying Down

958. King Charles I of England, Mounted

959. A Hound Facing Left

960. Study of a Plunging Eagle

961. The Kill

962. Horse with Rider Wearing Tricorne Hat, Walking to Right

963. Studies of Stags' Heads

964. Coits Played opposite the Horns, Kennington Common

965. The Ootacamund Hunt Meeting at Mr. Chalmers' House at Gindy, Madras, 1845

966. The Close of the Season

967. A Race Meeting at Newmarket Heath

968. A Village Fair

969. An Old Oak

970. Abbotsford from the Northern Bank of the Tweed

971. The Enraged Vicar

972. Studies at the Start

973. Mr. Hawks thinks he had Better Turn Back

974. Mill Reef Wins the Eclipse in Record Time, Sandown, July 3rd, 1971