Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
602
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
603
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
604
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
605
Paul Sandby, 1731–1809
Lady Francis Scott and Lady Elliot
ca. 1770
606
unknown artist
Fishing near a Waterfall
1790
607
Thomas Rowlandson, 1756–1827
A Man Driving a Team of Six Girls
between 1778 and 1780
608
Marcellus Laroon the Younger, 1679–1772
The Tea Party
ca. 1770
609
Samuel Scott, 1701/2–1772
A View of Edinburgh from the South Looking towards Dalkeith
undated
610
Samuel Scott, 1701/2–1772
Thames Side Buildings
undated
611
Samuel Scott, 1701/2–1772
A Thames Wharf with Westminster Bridge in the Distance
undated
612
Thomas Rowlandson, 1756–1827
Embarkation at Southampton, June 20th 1794
1794
613
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Pump Room
1798
614
Thomas Rowlandson, 1756–1827
A Review on Blackheath, May 1785
1785
615
Henry Fuseli, 1741–1825
Drawing for the Frontispiece of Erasmus Darwin's "The Botanic Garden"
1791
616
John Goldar, 1729–1795
The Sacrifice
1767
617
John Goldar, 1729–1795
The Refusal
1768
618
Thomas Girtin, 1775–1802
Tynemouth Priory, Northumberland
ca. 1793
619
Thomas Girtin, 1775–1802
Glasgow Cathedral
between 1794 and 1795
620
Edward Dayes, 1763–1804
Queen Square, London
1786
621
unknown artist
John Gilpin Then Stopp'd at His Own Door
undated
622
Benjamin West, 1738–1820
The Indians Delivering up the English Captives to Colonel Bouquet near his camp at the folks of Muskingum in North America in November 1764, 1765
between 1765 and 1766
623
John Brown, 1749–1787
A Roman Lady with a Duenna
between 1775 and 1780
624
unknown artist
Gluttony - Oh! What a Dismal Sight!
undated
625
Thomas Rowlandson, 1756–1827
Newport High Street, Isle of Wight
between 1797 and 1800
626
Thomas Rowlandson, 1756–1827
The Prospect Before Us
1788
627
John Russell, 1745–1806
Studies of Two Women's Heads
undated
628
Thomas Rowlandson, 1756–1827
Customs House at Boulogne
1790s
629
Thomas Girtin, 1775–1802
Lichfield Cathedral, Staffordshire
1794
630
Richard Cosway, 1742–1821
Venus and Mars
ca. 1790
631
Francis Cotes, 1726–1770
Study for the Portrait of Princess Louisa and Queen Caroline Matilda of Denmark
ca. 1767
632
John White Abbott, 1763–1851
The Mouth of the Cavern at Castleton in the Peak of Derby
1791
633
Samuel Hieronymus Grimm, 1733–1794
Landscape with Cottage, Bridge and Figures
1774
634
Samuel Hieronymus Grimm, 1733–1794
Kennington Common
1776
635
Samuel Hieronymus Grimm, 1733–1794
View of Wingerworth Hall, Derbyshire
1783
636
Prince Hoare, 1755–1834
Head of a Young Girl
1780
637
Samuel Hieronymus Grimm, 1733–1794
The Gatehouse, Reading Abbey
undated
638
Samuel Hieronymus Grimm, 1733–1794
At Mortlake
1773
639
Samuel Hieronymus Grimm, 1733–1794
The English Lady at Paris
1771
640
Francis Hayman, 1707/8–1776
The Card Party
between late 1720s to early 1730s
641
Henry Fuseli, 1741–1825
Study of a Seated Woman
1791
642
Samuel Hieronymus Grimm, 1733–1794
Vanbrugh Castle, Greenwich
undated
643
Samuel Hieronymus Grimm, 1733–1794
Haverfordwest, Pembrokeshire
1791
644
Samuel Hieronymus Grimm, 1733–1794
Putney Church and Bridge
1772
645
Samuel Hieronymus Grimm, 1733–1794
Rocky Landscape with Peasants and Cattle
1773
646
Samuel Hieronymus Grimm, 1733–1794
The French Lady in London
ca. 1771
647
attributed to Samuel Hieronymus Grimm, 1733–1794
Landscape with a Ruined Norman Church
undated
648
Anthony Highmore, 1719–1799
Ladies Beside a Column and Arcade
undated
649
Thomas Gainsborough, 1727–1788
Travellers on Horseback Approaching a Village with a Spire
between 1765 and 1770
650
John Flaxman, 1755–1826
Illustration to Pilgrim's Progress
1792
651
William Day, 1764–1807
Matlock Baths, Derbyshire
ca. 1789
652
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Though the Bark Cannot be Lost..