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Materials & Techniques black ink
Remove constraint Materials & Techniques: black inkCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionImage Use Free to Use
Remove constraint Image Use: Free to UseSearch Results
1
- The Horse
- ca. 1805
- Not on view
2
- A Harrow in the Orchard
- ca. 1896
3
- Over the Bank, Exmoor
- ca. 1895
4
- Huntsman and Hounds
- ca. 1896
5
- Brighton Beach Looking West
- undated
6
- A View on the Orwell
- undated
7
- An Ancient Barn at Shoreham
- undated
8
- Opening the Fold: Early Morning
- ca. 1880
9
- A Cow Lodge with a Mossy Roof
- ca. 1829
10
- Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq
- ca. 1840
11
- A Cottage among Trees, Shoreham
- undated
12
- Cornfield and Church by Moonlight
- early 1830s
13
- The Valley of Vision
- undated
14
- The Timber Wain
- between 1833 and 1834
15
- Horses Fighting
- undated
16
- Grotesque Male Head
- undated
17
- Grotesque Female Head
- undated
18
- Grotesque Male Head
- undated
19
- Grotesque Male Head
- undated
20
- Grotesque Male Head
- undated
21
- Grotesque Male Head
- undated
22
- Grotesque Male Head
- undated
23
- Grotesque Male Head
- undated
24
- Grotesque Female Head
- undated
25
- Grotesque Male Head
- undated
26
- Grotesque Female Head
- undated
27
- Grotesque Male Head
- undated
28
- Grotesque Female Head
- undated
29
- Grotesque Male Head
- undated
30
- Grotesque Female Head
- undated
31
- Andernach
- 1817
32
- Barnard Castle
- ca. 1825
33
- Villa d'Este
- ca. 1796
34
- Leeds
- 1816
35
- Lake Geneva and Mount Blanc
- 1802 to 1805
36
- Rome from Monte Mario
- ca. 1818
37
- View of Hampton Court, Herefordshire, from the Northwest
- ca. 1806
38
- Ship Aground Brighton
- 1830
39
- Abu Simbel, 11-11:30 am, 8 February 1867 (374)
- 1867
40
- The Capo Sant' Angelo, Amalfi
- ca. 1885
41
- Catania
- 1847
42
- The Dead Sea, 16 and 17 April 1858
- April 16 and 17, 1858
43
- Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
- undated
44
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
45
- Bavella, Corsica
- ca. 1868
46
- The Wave
- undated
47
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
48
- The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
49
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
50
- The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
51
- The Poems of Thomas Gray, Design 79, "The Descent of Odin."
- between 1797 and 1798
52
- The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
- between 1797 and 1798
53
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
54
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
55
- The Poems of Thomas Gray, Design 85, "The Descent of Odin."
- between 1797 and 1798
56
- The Poems of Thomas Gray, Design 81, "The Descent of Odin."
- between 1797 and 1798
57
- Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."
- 1804 to 1820
58
- Jerusalem, Plate 10, "Into the Furnaces...."
- 1804 to 1820
59
- Jerusalem, Plate 12, "Why wilt thou give to her...."
- 1804 to 1820
60
- Jerusalem, Plate 13, "And that toward Eden...."
- 1804 to 1820
61
- Jerusalem, Plate 14, "One hair nor particle of dust...."
- 1804 to 1820
62
- Jerusalem, Plate 2, Title Page
- 1804 to 1820
63
- Jerusalem, Plate 21, "O Vala! O Jerusalem...."
- 1804 to 1820
64
- Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
- 1804 to 1820
65
- Jerusalem, Plate 25, "And there was heard...."
- 1804 to 1820
66
- Jerusalem, Plate 39, "By Satans Watch-fiends...."
- 1804 to 1820
67
- Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
- 1804 to 1820
68
- Jerusalem, Plate 43, "They saw their Wheels...."
- 1804 to 1820
69
- Jerusalem, Plate 48, "These were his last words...."
- 1804 to 1820
70
- Jerusalem, Plate 50, "The Atlantic Mountains...."
- 1804 to 1820
71
- Jerusalem, Plate 52, "To the Deists...."
- 1804 to 1820
72
- Jerusalem, Plate 53, "Jerusalem / Chap. 3"
- 1804 to 1820
73
- Jerusalem, Plate 6, "His Spectre driv'n...."
- 1804 to 1820
74
- Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."
- 1804 to 1820
75
- Jerusalem, Plate 63, "Jehovah stood among the Druids...."
- 1804 to 1820
76
- Jerusalem, Plate 65, "To decide Two Worlds...."
- 1804 to 1820
77
- Jerusalem, Plate 66, "In awful pomp & gold...."
- 1804 to 1820
78
- Jerusalem, Plate 67, "By those who drink their blood...."
- 1804 to 1820
79
- Jerusalem, Plate 68, "O Skofield why art thou cruel?...."
- 1804 to 1820
80
- Jerusalem, Plate 72, "And the Thirty-two Counties...."
- 1804 to 1820
81
- Jerusalem, Plate 77, "To the Christians...."
- 1804 to 1820
82
- Jerusalem, Plate 8, "Rose up against me...."
- 1804 to 1820
83
- Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."
- 1804 to 1820
84
- Jerusalem, Plate 84, "Highgates heights & Hampstead...."
- 1804 to 1820
85
- Jerusalem, Plate 89, "Tho divided by the Cross...."
- 1804 to 1820
86
- Jerusalem, Plate 9, "Condens'd his Emanations...."
- 1804 to 1820
87
- Jerusalem, Plate 90, "The Feminine separates...."
- 1804 to 1820
88
- Jerusalem, Plate 92, "What do I see!...."
- 1804 to 1820
89
- Jerusalem, Plate 93, "Enitharmon heard...."
- 1804 to 1820
90
- Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
- 1804 to 1820
91
- Jerusalem, Plate 94, "Albion cold lays on his Rock...."
- 1804 to 1820
92
- Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
- 1804 to 1820
93
- Jerusalem, Plate 98, "Then each an Arrow flaming...."
- 1804 to 1820
94
- Jerusalem, Plate 100
- 1804 to 1820
95
- Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."
- 1804 to 1820
96
- Jerusalem, Plate 79, "My tents are fall'n...."
- 1804 to 1820
97
- The Poems of Thomas Gray, Design 29, "A Long Story."
- between 1797 and 1798
98
- The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
- between 1797 and 1798
99
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
100
- The Poems of Thomas Gray, Design 61, "The Bard."
- between 1797 and 1798