Period: 19th century / Exhibition History: The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26) / Image Use: Free to Use

1. Hadleigh Castle, The Mouth of the Thames--Morning after a Stormy Night

Creator:: John Constable, 1776–1837
Date:: 1829
Materials & Techniques:: Oil on canvas
Dimensions:: 48 × 64 3/4 inches (121.9 × 164.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

2. Stratford Mill

Creator:: John Constable, 1776–1837
Date:: 1819 to 1820
Materials & Techniques:: Oil on canvas
Dimensions:: 51 1/2 × 72 1/2 inches (130.8 × 184.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: On view at YUAG

3. Dort or Dordrecht: The Dort Packet-Boat from Rotterdam Becalmed

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1818
Materials & Techniques:: Oil on canvas
Dimensions:: 62 × 92 inches (157.5 × 233.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

4. Wreckers -- Coast of Northumberland, with a Steam-Boat Assisting a Ship off Shore

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1833 and 1834
Materials & Techniques:: Oil on canvas
Dimensions:: 35 5/8 x 47 9/16 inches (90.5 x 120.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

5. Staffa, Fingal's Cave

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1831 to 1832
Materials & Techniques:: Oil on canvas
Dimensions:: 35 3/4 x 47 3/4 inches (90.8 x 121.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

6. Inverary Pier, Loch Fyne: Morning

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1845
Materials & Techniques:: Oil on canvas
Dimensions:: 36 x 48 inches (91.4 x 121.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

7. A Mountain Chieftain's Funeral

Creator:: Francis Danby, 1793–1861
Date:: ca. 1848
Materials & Techniques:: Oil on canvas
Dimensions:: 14 × 21 3/4 inches (35.6 × 55.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. The Harvest Moon

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1833
Materials & Techniques:: Oil on paper, laid on panel
Dimensions:: 8 3/4 × 10 7/8 inches (22.2 × 27.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Somerset House Terrace from Waterloo Bridge

Creator:: John Constable, 1776–1837
Date:: ca. 1819
Materials & Techniques:: Oil on panel
Dimensions:: 6 1/8 x 7 3/8 inches (15.6 x 18.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Hadleigh Castle

Creator:: John Constable, 1776–1837
Date:: 1828 to 1829
Materials & Techniques:: Oil on millboard
Dimensions:: 7 7/8 × 9 7/16 inches (20 × 24 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Hampstead Heath, with a Bonfire

Creator:: John Constable, 1776–1837
Date:: ca. 1822
Materials & Techniques:: Oil on canvas
Dimensions:: 10 5/8 x 12 5/8 inches (27 x 32.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Dedham Lock

Creator:: John Constable, 1776–1837
Date:: between 1819 and 1820
Materials & Techniques:: Oil on paper laid on canvas
Dimensions:: 5 1/4 x 7 3/8 inches (13.3 x 18.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. Ploughing Scene in Suffolk

Creator:: John Constable, 1776–1837
Date:: 1824 to 1825
Materials & Techniques:: Oil on canvas
Dimensions:: 16 3/4 x 30 inches (42.5 x 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. Dedham Lock

Creator:: John Constable, 1776–1837
Date:: between 1819 and 1820
Materials & Techniques:: Oil on canvas laid on board
Dimensions:: 13 1/4 x 19 5/8 inches (33.7 x 49.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Cloud Study

Creator:: John Constable, 1776–1837
Date:: ca. 1821
Materials & Techniques:: Oil on paper laid on card
Dimensions:: 9 3/8 x 11 1/2 inches (23.8 x 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. Stormy Sea, Brighton

Creator:: John Constable, 1776–1837
Date:: ca. 1828
Materials & Techniques:: Oil on paper laid on canvas
Dimensions:: 6 1/2 × 10 1/2 inches (16.5 × 26.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. A Cloud Study, Sunset

Creator:: John Constable, 1776–1837
Date:: ca. 1821
Materials & Techniques:: Oil on paper on millboard
Dimensions:: 6 x 9 1/2 inches (15.2 x 24.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. Cloud Study

Creator:: John Constable, 1776–1837
Date:: 1821
Materials & Techniques:: Oil on paper laid on panel
Dimensions:: 8 3/8 x 11 1/2 inches (21.3 x 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. Undergrowth

Creator:: John Constable, 1776–1837
Date:: ca. 1815
Materials & Techniques:: Oil on paper on board
Dimensions:: 6 1/2 x 11 1/2 inches (16.5 x 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. Cloud Study

Creator:: John Constable, 1776–1837
Date:: 1821
Materials & Techniques:: Oil on paper on board
Dimensions:: 9 3/4 x 11 7/8 inches (24.8 x 30.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

21. Cloud Study

Creator:: John Constable, 1776–1837
Date:: 1822
Materials & Techniques:: Oil on paper laid on canvas
Dimensions:: 12 x 20 inches (30.5 x 50.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

22. Mary Freer

Creator:: John Constable, 1776–1837
Date:: 1809
Materials & Techniques:: Oil on canvas
Dimensions:: 30 x 25 inches (76.2 x 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

23. Study of a Cloudy Sky

Creator:: John Constable, 1776–1837
Date:: ca. 1825
Materials & Techniques:: Oil on paper on millboard
Dimensions:: 10 3/8 x 13 inches (26.4 x 33 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

24. Beached Vessels and a Wagon near Trouville

Creator:: Richard Parkes Bonington, 1802–1828
Date:: ca. 1825
Materials & Techniques:: Oil on canvas
Dimensions:: 14 5/8 x 20 5/8 inches (37.1 x 52.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

25. Corso Sant'Anastasia, Verona

Creator:: Richard Parkes Bonington, 1802–1828
Date:: 1828
Materials & Techniques:: Oil on millboard
Dimensions:: 25 5/8 x 17 3/8 inches (65.1 x 44.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

26. L'Enfant du Régiment

Creator:: Sir John Everett Millais, 1829–1896
Date:: 1854 to 1855
Materials & Techniques:: Oil on paper, laid on canvas, mounted on board
Dimensions:: 17 3/4 x 24 inches (45.1 x 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: On view at YUAG

27. A Fish-market near Boulogne

Creator:: Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Oil on canvas
Dimensions:: 32 3/8 x 48 1/4 inches (82.2 x 122.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

28. Near Quillebeuf

Creator:: Richard Parkes Bonington, 1802–1828
Date:: between 1824 and 1825
Materials & Techniques:: Oil on canvas
Dimensions:: 16 3/4 x 21 inches (42.5 x 53.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

29. George James Welbore Agar-Ellis, later first Baron Dover

Creator:: Sir Thomas Lawrence, 1769–1830
Date:: 1823 to 1824
Materials & Techniques:: Oil on canvas
Dimensions:: 36 x 29 inches (91.4 x 73.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

30. Off the Nore

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1840 and 1845
Materials & Techniques:: Oil on paper, laid on canvas
Dimensions:: 12 x 18 inches (30.5 x 45.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

31. Virgin and Child

Creator:: William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Tempera on panel
Dimensions:: 11 1/4 x 9 1/4 inches (28.6 x 23.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

32. An Ornithologist, Possibly John Latham

Creator:: Ramsay Richard Reinagle, 1775–1862
Date:: 1802
Materials & Techniques:: Oil on canvas
Dimensions:: 58 x 58 inches (147.3 x 147.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

33. The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt

Creator:: David Roberts, 1796–1864
Date:: 1849
Materials & Techniques:: Oil on panel
Dimensions:: 14 1/2 x 21 1/2 inches (36.8 x 54.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

34. Portraits of Two Extraordinary Oxen, the Property of the Earl of Powis

Creator:: James Ward, 1769–1859
Date:: 1814
Materials & Techniques:: Oil on panel
Dimensions:: 35 1/2 × 53 1/4 inches (90.2 × 135.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

35. Self-Portrait

Creator:: James Ward, 1769–1859
Date:: 1830
Materials & Techniques:: Oil on canvas
Dimensions:: 30 × 25 inches (76.2 × 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

36. Man Struggling with a Boa Constrictor, Study for “The Liboya Serpent Seizing His Prey”

Creator:: James Ward, 1769–1859
Date:: ca. 1803
Materials & Techniques:: Oil on canvas
Dimensions:: 33 x 47 inches (83.8 x 119.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

37. A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'

A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'

Creator:: George Jones, 1786–1869
Date:: 1815
Materials & Techniques:: oil on paper laid to card
Dimensions:: 8 3/4 x 14 3/4 inches (22.2 x 37.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

38. Henry Fuseli

Creator:: George Henry Harlow, 1787–1819
Date:: 1817
Materials & Techniques:: Oil on panel
Dimensions:: 21 × 16 1/16 inches (53.3 × 40.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

39. Joshua Commanding the Sun to Stand Still

Creator:: John Martin, 1789–1854
Date:: ca. 1840
Materials & Techniques:: Oil on canvas
Dimensions:: 18 7/8 × 24 5/8 inches (47.9 × 62.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

40. Seated Turk

Creator:: Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/4 x 16 1/4 inches (33.7 x 41.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

41. Lord Granville Leveson-Gower, later first Earl Granville

Creator:: Sir Thomas Lawrence, 1769–1830
Date:: between 1804 and 1809
Materials & Techniques:: Oil on canvas
Dimensions:: 92 1/2 x 51 1/2 inches (235 x 130.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

42. The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)

Creator:: Philip Reinagle, 1749–1833
Date:: 1800
Materials & Techniques:: Oil on canvas
Dimensions:: 17 7/8 x 14 3/4 inches (45.4 x 37.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

43. The Deluge

Creator:: John Martin, 1789–1854
Date:: 1834
Materials & Techniques:: Oil on canvas
Dimensions:: 66 1/4 x 101 3/4 inches (168.3 x 258.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

44. Clouded Leopards

Creator:: Jacques-Laurent Agasse, 1767–1849
Date:: ca. 1825
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 12 inches (35.6 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

45. In the Forest at Fontainebleau

Creator:: Richard Parkes Bonington, 1802–1828
Date:: ca. 1825
Materials & Techniques:: Oil on millboard
Dimensions:: 12 3/4 x 9 1/2 inches (32.4 x 24.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

46. A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )

Creator:: Richard Parkes Bonington, 1802–1828
Date:: ca. 1826
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/4 x 15 inches (46.4 x 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

47. The Rest on the Flight into Egypt

Creator:: John Linnell, 1792–1882
Date:: ca. 1827
Materials & Techniques:: Oil on panel
Dimensions:: 7 13/16 x 10 1/2 inches (19.8 x 26.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

48. Belshazzar's Feast

Creator:: John Martin, 1789–1854
Date:: 1820
Materials & Techniques:: Oil on canvas
Dimensions:: 31 1/2 x 47 1/2 inches (80 x 120.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

49. Sir Charles Nicholson

Creator:: Thomas Woolner, 1825–1892
Date:: 1854
Materials & Techniques:: Bronze, in circular wood frame
Dimensions:: Overall: 8 7/16 x 8 7/16 inches (21.4 x 21.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Iola S. Haverstick Fund
On View:: Not on view

50. William Charles Wentworth

Creator:: Thomas Woolner, 1825–1892
Date:: 1854
Materials & Techniques:: Bronze, in a circular wood frame
Dimensions:: Overall: 8 1/4 x 8 1/4 inches (21 x 21 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Iola S. Haverstick Fund
On View:: Not on view

51. Foxgloves

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, white laid paper
Dimensions:: Sheet: 6 3/4 x 8 3/4 inches (17.1 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Brambles

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 x 8 7/8 inches (17.5 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. A Shepherd and his Flock under the Moon and Stars

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1827
Materials & Techniques:: Brown wash, gray wash, and white gouache with pen and brown ink on very thick, slightly textured, card
Dimensions:: Sheet: 4 1/4 x 5 1/8 inches (10.8 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Ancient Trees, Lullingstone Park

Creator:: Samuel Palmer, 1805–1881
Date:: 1828
Materials & Techniques:: Graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 14 5/8 inches (26.7 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. A Moonlit Scene with a Winding River

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1827
Materials & Techniques:: Black and brown wash, gouache, and gum on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 7 1/8 inches (26.7 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Channel Sketchbook

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1845
Materials & Techniques:: Sketchbook bound in red calf with marbled end papers, comprising 88 leaves with 74 watercolors and 26 graphite sketches on medium, slightly textured, white wove paper
Dimensions:: Binding: 4 inches (10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Vesuvius in Eruption

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1817 and 1820
Materials & Techniques:: Watercolor, gum, scraping out on medium, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 1/4 x 15 5/8 inches (28.6 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Upper Fall of the Reichenbach: Rainbow

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1810
Materials & Techniques:: Watercolor, graphite, gouache, and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 x 15 1/2 inches (27.9 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Fluelen: Morning (looking towards the lake)

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1845
Materials & Techniques:: Watercolor, gouache and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 18 7/8 inches (29.8 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Mer de Glace, in the Valley of Chamonix

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1803
Materials & Techniques:: Watercolor, graphite, gum, scraping out and stopping out on moderately thick, slightly textured, cream wove paper mounted on thick, smooth wove paper
Dimensions:: Sheet: 27 3/4 x 41 inches (70.5 x 104.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Jerusalem, Plate 32, "Leaning against the pillars...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Jerusalem, Plate 37, "And One stood forth...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Jerusalem, Plate 41, "Bath who is Legions...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Jerusalem, Plate 14, "One hair nor particle of dust...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Jerusalem, Plate 15, "And Hand & Hyle...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Jerusalem, Plate 28, "Jerusalem / Chap. 2...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Jerusalem, Plate 57, "And the voices of Bath...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Jerusalem, Plate 92, "What do I see!...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Jerusalem, Plate 2, Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Jerusalem, Plate 76

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Jerusalem, Plate 81, "I have mockd those...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Jerusalem, Plate 62, "Repose on me...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Jerusalem, Plate 6, "His Spectre driv'n...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 1/4 × 21 1/2 inches (38.8 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 3/8 × 21 9/16 inches (39 × 54.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 14 7/8 × 21 1/4 inches (37.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 7/16 × 21 1/4 inches (39.2 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 14 3/4 × 21 7/16 inches (37.5 × 54.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 1/4 × 21 1/4 inches (38.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 14 11/16 × 21 1/4 inches (37.3 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The Parable of the Wise and Foolish Virgins

Creator:: William Blake, 1757–1827
Date:: ca. 1825
Materials & Techniques:: Watercolor with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 16 5/8 x 13 7/8 inches (42.2 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Mary Magdalen at the Sepulchre

Creator:: William Blake, 1757–1827
Date:: ca. 1805
Materials & Techniques:: Watercolor with pen and black ink and gray ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 17 1/4 x 12 1/4 inches (43.8 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Sheik Hussein of Gebel Tor and His Son

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1842 and 1843
Materials & Techniques:: Watercolor, white gouache, red chalk, black chalk and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 20 1/8 x 14 1/2 inches (51.1 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Crater of Vesuvius

Creator:: William Haygarth, active 1810–1816
Date:: 1816
Materials & Techniques:: Brown wash, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 1/8 × 21 1/8 inches (33.3 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Seated Turk

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1840 and 1841
Materials & Techniques:: Watercolor, white gouache, black chalk, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 17 x 11 5/8 inches (43.2 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance

Creator:: John Frederick Lewis, 1804–1876
Date:: 1856
Materials & Techniques:: Watercolor, gouache and graphite on slightly textured, beige wove paper mounted on board
Dimensions:: Sheet: 26 1/4 x 53 1/2 inches (66.7 x 135.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Study of a Lioness

Creator:: John Frederick Lewis, 1804–1876
Date:: ca. 1824
Materials & Techniques:: Watercolor and gouache over graphite on buff wove paper
Dimensions:: Sheet: 14 5/16 x 16 9/16 inches (36.4 x 42.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Cavalry Charging

Creator:: Print made by Conrad Gessner, 1764–1826
Date:: 1801
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 1/2 inches (22.9 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Tryfan, Carnarvonshire

Creator:: George Fennell Robson, 1788–1833
Date:: 1826
Materials & Techniques:: Watercolor, gouache and scraping out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 29 15/16 inches (46.4 x 76 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Portia and Bassanio

Creator:: Richard Parkes Bonington, 1802–1828
Date:: ca. 1826
Materials & Techniques:: Watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 5 1/8 inches (16.5 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Study of a Lion and Study of a Lioness' Head

Creator:: John Frederick Lewis, 1804–1876
Date:: ca. 1820
Materials & Techniques:: Graphite, black chalk, and white chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 5/8 x 14 5/8 inches (27 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812

Creator:: Print made by William Ward, 1766–1826
Date:: December 1, 1801
Materials & Techniques:: Mezzotint engraving printed in color with original hand coloring on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 22 1/2 x 18 3/8 inches (57.2 x 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

96. The Great Temple of Amon Karnak, The Hypostyle Hall

Creator:: David Roberts, 1796–1864
Date:: 1838
Materials & Techniques:: Watercolor and gouache with scratching out and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/4 x 13 inches (48.9 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Two Studies of an Indian Elephant's Head

Creator:: Thomas Daniell, 1749–1840
Date:: ca. 1840
Materials & Techniques:: Gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 x 9 5/8 inches (17.8 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Castle Acre Priory, Norfolk

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1804
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 14 5/8 x 11 inches (37.1 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc

Creator:: Anthony Vandyke Copley Fielding, 1787–1855
Date:: 1834
Materials & Techniques:: Watercolor, gouache, blue chalk, graphite, and pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 25 1/2 x 36 1/4 inches (64.8 x 92.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Tree Study

Creator:: Robert Hills, 1769–1844
Date:: between 1800 and 1805
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 8 7/8 inches (30.5 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Search Constraints

Period 19th century

Exhibition History The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)

Image Use Free to Use

Search Results

1. Hadleigh Castle, The Mouth of the Thames--Morning after a Stormy Night

2. Stratford Mill

3. Dort or Dordrecht: The Dort Packet-Boat from Rotterdam Becalmed

4. Wreckers -- Coast of Northumberland, with a Steam-Boat Assisting a Ship off Shore

5. Staffa, Fingal's Cave

6. Inverary Pier, Loch Fyne: Morning

7. A Mountain Chieftain's Funeral

8. The Harvest Moon

9. Somerset House Terrace from Waterloo Bridge

10. Hadleigh Castle

11. Hampstead Heath, with a Bonfire

12. Dedham Lock

13. Ploughing Scene in Suffolk

14. Dedham Lock

15. Cloud Study

16. Stormy Sea, Brighton

17. A Cloud Study, Sunset

18. Cloud Study

19. Undergrowth

20. Cloud Study

21. Cloud Study

22. Mary Freer

23. Study of a Cloudy Sky

24. Beached Vessels and a Wagon near Trouville

25. Corso Sant'Anastasia, Verona

26. L'Enfant du Régiment

27. A Fish-market near Boulogne

28. Near Quillebeuf

29. George James Welbore Agar-Ellis, later first Baron Dover

30. Off the Nore

31. Virgin and Child

32. An Ornithologist, Possibly John Latham

33. The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt

34. Portraits of Two Extraordinary Oxen, the Property of the Earl of Powis

35. Self-Portrait

36. Man Struggling with a Boa Constrictor, Study for “The Liboya Serpent Seizing His Prey”

37. A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'

38. Henry Fuseli

39. Joshua Commanding the Sun to Stand Still

40. Seated Turk

41. Lord Granville Leveson-Gower, later first Earl Granville

42. The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)

43. The Deluge

44. Clouded Leopards

45. In the Forest at Fontainebleau

46. A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )

47. The Rest on the Flight into Egypt

48. Belshazzar's Feast

49. Sir Charles Nicholson

50. William Charles Wentworth

51. Foxgloves

52. Brambles

53. A Shepherd and his Flock under the Moon and Stars

54. Ancient Trees, Lullingstone Park

55. A Moonlit Scene with a Winding River

56. The Channel Sketchbook

57. Vesuvius in Eruption

58. Upper Fall of the Reichenbach: Rainbow

59. Fluelen: Morning (looking towards the lake)

60. Mer de Glace, in the Valley of Chamonix

61. Jerusalem, Plate 32, "Leaning against the pillars...."

62. Jerusalem, Plate 37, "And One stood forth...."

63. Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

64. Jerusalem, Plate 41, "Bath who is Legions...."

65. Jerusalem, Plate 14, "One hair nor particle of dust...."

66. Jerusalem, Plate 15, "And Hand & Hyle...."

67. Jerusalem, Plate 28, "Jerusalem / Chap. 2...."

68. Jerusalem, Plate 57, "And the voices of Bath...."

69. Jerusalem, Plate 92, "What do I see!...."

70. Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

71. Jerusalem, Plate 2, Title Page

72. Jerusalem, Plate 76

73. Jerusalem, Plate 81, "I have mockd those...."