Hadleigh Castle, The Mouth of the Thames--Morning after a Stormy Night
1829
On view at YUAG
2
John Constable, 1776–1837
Stratford Mill
1819 to 1820
On view at YUAG
3
Joseph Mallord William Turner, 1775–1851
Wreckers -- Coast of Northumberland, with a Steam-Boat Assisting a Ship off Shore
between 1833 and 1834
On view at YUAG
4
Joseph Mallord William Turner, 1775–1851
Inverary Pier, Loch Fyne: Morning
ca. 1845
On view at YUAG
5
Joseph Mallord William Turner, 1775–1851
Dort or Dordrecht: The Dort Packet-Boat from Rotterdam Becalmed
1818
On view at YUAG
6
Joseph Mallord William Turner, 1775–1851
Staffa, Fingal's Cave
1831 to 1832
On view at YUAG
7
Francis Danby, 1793–1861
A Mountain Chieftain's Funeral
ca. 1848
Not on view
8
Samuel Palmer, 1805–1881
The Harvest Moon
ca. 1833
Not on view
9
John Constable, 1776–1837
Hampstead Heath, with a Bonfire
ca. 1822
Not on view
10
John Constable, 1776–1837
Hadleigh Castle
1828 to 1829
Not on view
11
John Constable, 1776–1837
Somerset House Terrace from Waterloo Bridge
ca. 1819
Not on view
12
John Constable, 1776–1837
Dedham Lock
between 1819 and 1820
Not on view
13
John Constable, 1776–1837
Stormy Sea, Brighton
ca. 1828
Not on view
14
John Constable, 1776–1837
Mary Freer
1809
Not on view
15
John Constable, 1776–1837
Study of a Cloudy Sky
ca. 1825
Not on view
16
John Constable, 1776–1837
A Cloud Study, Sunset
ca. 1821
Not on view
17
John Constable, 1776–1837
Cloud Study
1822
Not on view
18
John Constable, 1776–1837
Cloud Study
1821
Not on view
19
John Constable, 1776–1837
Cloud Study
1821
Not on view
20
John Constable, 1776–1837
Undergrowth
ca. 1815
Not on view
21
John Constable, 1776–1837
Ploughing Scene in Suffolk
1824 to 1825
Not on view
22
John Constable, 1776–1837
Dedham Lock
between 1819 and 1820
Not on view
23
John Constable, 1776–1837
Cloud Study
ca. 1821
Not on view
24
Richard Parkes Bonington, 1802–1828
Beached Vessels and a Wagon near Trouville
ca. 1825
On view at YUAG
25
Sir John Everett Millais, 1829–1896
L'Enfant du Régiment
1854 to 1855
On view at YUAG
26
Richard Parkes Bonington, 1802–1828
A Fish-market near Boulogne
1824
On view at YUAG
27
Richard Parkes Bonington, 1802–1828
Corso Sant'Anastasia, Verona
1828
On view at YUAG
28
Richard Parkes Bonington, 1802–1828
Near Quillebeuf
between 1824 and 1825
On view at YUAG
29
Sir Thomas Lawrence, 1769–1830
George James Welbore Agar-Ellis, later first Baron Dover
1823 to 1824
On view at YUAG
30
Joseph Mallord William Turner, 1775–1851
Off the Nore
between 1840 and 1845
Not on view
31
William Blake, 1757–1827
Virgin and Child
1825
Not on view
32
Philip Reinagle, 1749–1833
The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)
1800
Not on view
33
David Roberts, 1796–1864
The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt
1849
Not on view
34
James Ward, 1769–1859
Man Struggling with a Boa Constrictor, Study for “The Liboya Serpent Seizing His Prey”
ca. 1803
Not on view
35
James Ward, 1769–1859
Portraits of Two Extraordinary Oxen, the Property of the Earl of Powis
1814
Not on view
36
James Ward, 1769–1859
Self-Portrait
1830
Not on view
37
Ramsay Richard Reinagle, 1775–1862
An Ornithologist, Possibly John Latham
1802
Not on view
38
George Jones, 1786–1869
A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'
1815
Not on view
39
Richard Parkes Bonington, 1802–1828
Seated Turk
1826
Not on view
40
John Martin, 1789–1854
The Deluge
1834
Not on view
41
Sir Thomas Lawrence, 1769–1830
Lord Granville Leveson-Gower, later first Earl Granville
between 1804 and 1809
Not on view
42
John Martin, 1789–1854
Joshua Commanding the Sun to Stand Still
ca. 1840
Not on view
43
George Henry Harlow, 1787–1819
Henry Fuseli
1817
Not on view
44
Richard Parkes Bonington, 1802–1828
A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
Jerusalem, Plate 14, "One hair nor particle of dust...."
1804 to 1820
70
Print made by William Blake, 1757–1827
Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
1804 to 1820
71
Print made by William Blake, 1757–1827
Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
1804 to 1820
72
Print made by William Blake, 1757–1827
Jerusalem, Plate 92, "What do I see!...."
1804 to 1820
73
Print made by William Blake, 1757–1827
Jerusalem, Plate 15, "And Hand & Hyle...."
1804 to 1820
74
Print made by William Blake, 1757–1827
Jerusalem, Plate 62, "Repose on me...."
1804 to 1820
75
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
76
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
77
Print made by William Blake, 1757–1827
Jerusalem, Plate 32, "Leaning against the pillars...."
1804 to 1820
78
Print made by William Blake, 1757–1827
Jerusalem, Plate 6, "His Spectre driv'n...."
1804 to 1820
79
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
80
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
81
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
82
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
83
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
84
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
85
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
86
William Haygarth, active 1810–1816
Crater of Vesuvius
1816
87
George Fennell Robson, 1788–1833
Tryfan, Carnarvonshire
1826
88
Richard Parkes Bonington, 1802–1828
Portia and Bassanio
ca. 1826
89
John Frederick Lewis, 1804–1876
Seated Turk
between 1840 and 1841
90
John Frederick Lewis, 1804–1876
Study of a Lion and Study of a Lioness' Head
ca. 1820
91
John Frederick Lewis, 1804–1876
Sheik Hussein of Gebel Tor and His Son
between 1842 and 1843
92
John Frederick Lewis, 1804–1876
A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance
1856
93
John Frederick Lewis, 1804–1876
Study of a Lioness
ca. 1824
94
Print made by Conrad Gessner, 1764–1826
Cavalry Charging
1801
95
Print made by William Ward, 1766–1826
The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812
December 1, 1801
96
Thomas Daniell, 1749–1840
Two Studies of an Indian Elephant's Head
ca. 1840
97
David Roberts, 1796–1864
The Great Temple of Amon Karnak, The Hypostyle Hall
1838
98
Robert Hills, 1769–1844
Tree Study
between 1800 and 1805
99
Anthony Vandyke Copley Fielding, 1787–1855
A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc