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Exhibition History The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
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1
- Virgin and Child
- 1825
- Not on view
2
- The Horse
- ca. 1805
- Not on view
3
- The Book of Thel, Plate 1, "Thel's Motto . . . ."
- 1789
4
- The Complaint and the Consolation; or Night Thoughts (and title page)
- 1797
5
- Chaucer's Canterbury Pilgrims
- 1810 to 1820
6
- Spring, from Songs of Innocence
- ca. 1795
7
- The Shepherd, from Songs of Innocence
- ca. 1795
8
- Rev. John Caspar Lavater
- 1800
![William Blake The [First] Book of Urizen](https://media.collections.yale.edu/thumbnail/ycba/12c5d561-7a27-493a-8414-af89b2b6c510)
9
- The [First] Book of Urizen
- 1794
10
- Europe. A Prophecy, 1793 (printed 1795)
- 1793, printed 1795
11
- For the Sexes: The Gates of Paradise, London, 1826
- 1826
12
- The Book of Thel
- 1789
13
- The Complaint and the Consolation; or Night Thoughts
- 1797
14
- The Complaint and The Consolation: or Night Thoughts
- ca. 1797
15
- For Children. The Gates of Paradise, London, by William Blake
- 1793
16
- "Visions of the Daughters of Albion", London, by William Blake
- 1793
17
- Illustrations of the Book of Job
- 1825
18
- "There is No Natural Religion", London, by William Blake
- ca. 1788
19
- Songs of Innocence and of Experience
- 1789-1794
20
- "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
- 1797
21
- The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
22
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
23
- Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
- 1789
24
- America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
- 1793
25
- America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
- 1793
26
- America. A Prophecy, Plate 2, Title Page
- 1793
27
- America. A Prophecy, Plate 4, "Silent as despairing love...."
- 1793
28
- The Book of Thel, Plate 1, "Thel's Motto . . . ."
- 1789
29
- America. A Prophecy, Plate 10, "The Terror Answered...."
- 1793
30
- America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
- 1793
31
- America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
- 1793
32
- America. A Prophecy, Plate 17, "On Albions Angels...."
- 1793
33
- America. A Prophecy, Plate 18, "Over the Hills...."
- 1793
34
- America. A Prophecy, Plate 6, "Appear to the Americans...."
- 1793
35
- The First Book of Urizen, Plate 25 (Bentley 26)
- 1794
36
- America. A Prophecy, Plate 1, Frontispiece
- 1793
37
- America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
- 1793
38
- America. A Prophecy, Plate 14, "So Cried He...."
- 1793
39
- America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
- 1793
40
- America. A Prophecy, Plate 16, "In the Flames Stood...."
- 1793
41
- Jerusalem, Plate 26, "Such Visions Have...."
- 1804 to 1820
42
- Jerusalem, Plate 3, "To the Public...."
- 1804 to 1820
43
- Jerusalem, Plate 31, "His western heaven...."
- 1804 to 1820
44
- Jerusalem, Plate 32, "Leaning against the pillars...."
- 1804 to 1820
45
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
46
- Jerusalem, Plate 25, "And there was heard...."
- 1804 to 1820
47
- The Poems of Thomas Gray, Design 55, "The Bard."
- between 1797 and 1798
48
- Jerusalem, Plate 28 Proof Impression
- ca. 1820
49
- Europe. A Prophecy, Frontispiece Proof Impression
- ca. 1820
50
- Jerusalem, Plate 14, "One hair nor particle of dust...."
- 1804 to 1820
51
- Jerusalem, Plate 15, "And Hand & Hyle...."
- 1804 to 1820
52
- Jerusalem, Plate 16, "Hampstead Highgate Finchley...."
- 1804 to 1820
53
- Jerusalem, Plate 18, "From every-one of the Four Regions...."
- 1804 to 1820
54
- Jerusalem, Plate 17, "His Spectre divides...."
- 1804 to 1820
55
- Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."
- 1804 to 1820
56
- Jerusalem, Plate 64, "Of the Mundane Shell...."
- 1804 to 1820
57
- Jerusalem, Plate 66, "In awful pomp & gold...."
- 1804 to 1820
58
- Jerusalem, Plate 70, "And this the form of mighty Hand...."
- 1804 to 1820
59
- Jerusalem, Plate 71, "And above Albions Land...."
- 1804 to 1820
60
- Jerusalem, Plate 72, "And the Thirty-two Counties...."
- 1804 to 1820
61
- Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."
- 1804 to 1820
62
- Jerusalem, Plate 75, "And Rahab Babylon the Great...."
- 1804 to 1820
63
- Jerusalem, Plate 90, "The Feminine separates...."
- 1804 to 1820
64
- Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
- 1804 to 1820
65
- The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
- between 1797 and 1798
66
- America. A Prophecy, Plate 8, "The Morning Comes...."
- 1793
67
- The First Book of Urizen, Plate 10, "12: Los Howld in a Dismal Stupor...." (Bentley 7)
- 1794
68
- The First Book of Urizen, Plate 15 (Bentley 14)
- 1794
69
- The First Book of Urizen, Plate 21 (Bentley 16)
- 1794
70
- For the Sexes: The Gates of Paradise, Plate 1, Title Page
- 1826
![William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]](https://media.collections.yale.edu/thumbnail/ycba/db51dfe6-d6ad-4f8e-89a8-e348c9002be7)
71
- pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
- 1827
72
- Songs of Innocence, Plate 2, Title Page (Bentley 3)
- 1789
73
- Jerusalem, Plate 76
- 1804 to 1820
74
- Jerusalem, Plate 77, "To the Christians...."
- 1804 to 1820
75
- Jerusalem, Plate 85, "Became a Space & an Allegory...."
- 1804 to 1820
76
- Jerusalem, Plate 87, "Repelling weeping Enion...."
- 1804 to 1820
77
- Jerusalem, Plate 88, "Los answerd sighing...."
- 1804 to 1820
78
- Jerusalem, Plate 89, "Tho divided by the Cross...."
- 1804 to 1820
79
- Jerusalem, Plate 9, "Condens'd his Emanations...."
- 1804 to 1820
80
- Jerusalem, Plate 91, "It is easier to forgive an enemy...."
- 1804 to 1820
81
- Jerusalem, Plate 92, "What do I see!...."
- 1804 to 1820
82
- The Poems of Thomas Gray, Design 79, "The Descent of Odin."
- between 1797 and 1798
83
- Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
- 1789
84
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
85
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
86
- The Poems of Thomas Gray, Design 39, "Ode to Adversity."
- between 1797 and 1798
87
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
88
- The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
89
- The Poems of Thomas Gray, Design 29, "A Long Story."
- between 1797 and 1798
90
- Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
- 1804 to 1820
91
- Jerusalem, Plate 29, "Then the Divine Vision...."
- 1804 to 1820
92
- Jerusalem, Plate 30, "And the Two that escaped...."
- 1804 to 1820
93
- Jerusalem, Plate 33, "Turning his back to the Divine Vision...."
- 1804 to 1820
94
- Jerusalem, Plate 34, "Elevate into the Region of Brotherhood...."
- 1804 to 1820
95
- Jerusalem, Plate 41, "Bath who is Legions...."
- 1804 to 1820
96
- Jerusalem, Plate 43, "They saw their Wheels...."
- 1804 to 1820
97
- Jerusalem, Plate 44, "With one accord...."
- 1804 to 1820
98
- Jerusalem, Plate 47, "From Camberwell to Highgate...."
- 1804 to 1820
99
- Jerusalem, Plate 48, "These were his last words...."
- 1804 to 1820
100
- Jerusalem, Plate 49, "The secret coverts of Albion...."
- 1804 to 1820