Materials & Techniques: black ink and brown wash / Period: 19th century

1. An Ancient Barn at Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash, brown wash, and graphite on moderately textured, moderately thick, cream wove paper
Dimensions:: Sheet: 6 1/8 × 11 inches (15.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Bavella, Corsica

Creator:: Edward Lear, 1812–1888
Date:: ca. 1868
Materials & Techniques:: Pen and brown ink, pen and black ink, brown wash, and graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 9 × 14 1/2 inches (22.9 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Hinton St. George, Somerset: Plan of the Dressing Room

Creator:: James Wyatt, 1746–1813
Date:: 1801
Materials & Techniques:: Graphite, pen and black ink, gray and pink wash on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 5/8 × 21 7/8 inches (32.1 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Sarcophagus in a Church

Creator:: John Kendall, 1766–1829
Date:: May 10, 1806
Materials & Techniques:: Gray and brown wash with pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 7 1/8 inches (19.7 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. A Castle at the Waterside by Moonlight

Creator:: Charles Parsons Knight, 1829–1897
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash with scratching out. Verso: Brown wash on thick, rough, cream wove paper
Dimensions:: Sheet: 4 5/8 × 7 5/8 inches (11.7 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Margate Harbor

Creator:: Samuel Owen, 1768–1857
Date:: ca. 1806
Materials & Techniques:: Brown wash and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 19 1/8 inches (30.8 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1838
Materials & Techniques:: Gray wash, brown wash, and graphite with pen and black and pen and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/16 x 7 1/2 inches (31.3 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Houses at Kilmallock

Creator:: Thomas Crofton Croker, 1798–1854
Date:: undated
Materials & Techniques:: Pen and black ink, brown ink, brown wash, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 6 3/4 × 9 1/8 inches (17.1 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

9. Malvolio Dancing

Creator:: Robert Smirke, 1752–1845
Date:: 1827
Materials & Techniques:: Black ink with brown wash and oil on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/8 x 3 7/8 inches (13 x 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Hogarth Sitting to Roubiliac for His Bust

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Preparatory drawing for The Waltz

Creator:: Edward Francis Burney, 1760–1848
Date:: 1820s
Materials & Techniques:: Pen and brown ink, red chalk, pen and black ink, brown wash, and graphite, squared for transfer on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/4 × 17 1/2 inches (28.6 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Margate Hoy

Creator:: Joseph Clarendon Smith, 1778–1810
Date:: 1807
Materials & Techniques:: Graphite, brown wash, and pen and black ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 11 5/8 inches (23.2 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Maraccas Waterfall

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1851
Materials & Techniques:: Pen and brown ink, black ink, brown wash, graphite, and white gouache with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 8 inches (26.7 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Sketch of a Window and Arches of the Nave in the Church of St. Wensceslas in Prague

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and black ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 1/2 × 6 15/16 inches (26.7 × 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Staircase Railing, Palace of Doge, Venice

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and black ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 6 3/16 × 7 1/16 inches (15.7 × 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Architectural Drawing of a Temple

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash, brown wash, graphite, pen and black ink on thin, moderately textured, beige wove paper
Dimensions:: Sheet: 19 3/16 × 11 1/4 inches (48.7 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Doorhead of the Palazzo Contarini della Porta di Ferro

Creator:: John Ruskin, 1819–1900
Date:: undated
Materials & Techniques:: Pen and black ink, brown wash and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 10 7/8 inches (22.5 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Chauncey B. Tinker, B.A. 1899

20. Plan and Section of a Subterraneous Building Discovered at Mycenea and Supposed to be the Tomb of Agamemnon.

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, gray wash, graphite, pen and black ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 3/8 × 10 7/16 inches (36.5 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Architectural Sketch of Building with Doric Columns

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and black ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 7 9/16 × 10 3/4 inches (19.2 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Sketch of the Plan of the Church of Saint Wenceslas in Prague

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and black ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 9/16 × 6 7/8 inches (26.8 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Fisherman by a Boat with a Dog

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: undated
Materials & Techniques:: Pen and ink and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 8 3/4 inches (15.2 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

24. Lilleshall, Shropshire: General Plan

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: 1826
Materials & Techniques:: Graphite, pen and black ink, brown wash on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 13 × 19 1/4 inches (33 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Roslyn Castle - a wooded river landscape

Creator:: Thomas Peploe Wood, 1817–1845
Date:: 1839
Materials & Techniques:: Brown wash with brown and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 12 5/8 inches (24.1 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Hogarth Declaring His Love to Miss Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 5/8 inches (32.9 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Smock Exposed

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Miss Elizabeth Siddal

Creator:: Dante Gabriel Rossetti, 1828–1882
Date:: between 1854 and 1855
Materials & Techniques:: Gray wash, brown wash, and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 x 4 1/4 inches (18.1 x 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The "Victory" Coming Up Channel

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching printed in brown ink, with graphite, pen and black ink, gouache, and brown wash (touched proof) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 12 3/4 inches (21.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

33. On the Cimaronero River

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and brown ink, black ink, brown wash, graphite and scratching out on medium, slightly texturer, beige wove paper
Dimensions:: Sheet: 7 1/8 × 9 7/8 inches (18.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches

Creator:: Richard Morris, active 1830
Date:: ca. 1831
Materials & Techniques:: Pen in black ink with brown and gray wash on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 9/16 x 20 1/8 inches (16.7 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/4 × 9 3/4 inches (32.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Reconcilation

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Hogarth Drawing Sarah Malcolm

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 9/16 inches (33 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Totnes from the Seymour Hotel

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: 1838
Materials & Techniques:: Pen and black ink, brown ink, gray wash, brown wash and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 7/16 × 18 3/16 inches (29.1 × 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Queen Anne's Court, Cheyne Walk, Chelsea

Creator:: Henry Greaves, 1850–1900
Date:: 1874
Materials & Techniques:: Brown wash, gray wash, pen and brown ink, pen and black ink, and graphite on thick, smooth, cream card
Dimensions:: Sheet: 20 × 25 inches (50.8 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Shakespeare House, Aldersgate Street

Creator:: J. Jacobs, active 1816–1864
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, brown wash and white gouache on slightly textured, medium, white wove paper
Dimensions:: Sheet: 8 13/16 × 8 3/8 inches (22.4 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Ruined Abbey

Creator:: Thomas Crofton Croker, 1798–1854
Date:: undated
Materials & Techniques:: Pen and brown ink, black ink, and brown wash on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 6 3/4 × 9 1/2 inches (17.1 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

47. Caernarvon (Castle) Eagle Tower

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1809
Materials & Techniques:: Pen and black ink, brown ink, brown wash, graphite, and gum arabic on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 1/8 × 20 3/4 inches (38.4 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Entrance Gate to Printers

Creator:: Harry Willson, Active 1813–1852
Date:: undated
Materials & Techniques:: Watercolor, gouache, graphie, brown wash, pen and brown ink and black ink on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 10 3/16 × 6 5/8 inches (25.9 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Herman W. Liebert

49. Drawing Room Ceiling, No. 3 Old Palace Yard

Creator:: Charles James Richardson, 1806–1871
Date:: 1871
Materials & Techniques:: Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:: Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Ceiling to Boudoir House in Old Palace Yard

Creator:: Charles James Richardson, 1806–1871
Date:: 1871
Materials & Techniques:: Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:: Sheet: 12 1/8 × 9 5/16 inches (30.8 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. A Design for a Prison

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1830
Materials & Techniques:: Pen and blue and black ink with graphite and watercolor and brown wash on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/4 × 29 inches (48.9 × 73.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Study for a Block on the Road

Creator:: Gustave Doré, 1832–1883
Date:: between 1869 and 1872
Materials & Techniques:: Pen and brown ink, black ink, black chalk, gray wash, brown wash, graphite, and white gouache on thick, rough, beige wove paper
Dimensions:: Sheet: 17 1/16 × 13 3/16 inches (43.3 × 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Temple of Aphaia at Aegina: Ground Plan, Showing The Temple Restored

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite, pen and black and red ink, and brown and pink wash on two joined sheets of medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 3/8 × 25 inches (31.4 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Temple of Aphaia at Aegina: Two Elevations

Creator:: Charles Robert Cockerell, 1788–1863
Date:: 1860
Materials & Techniques:: Graphite, pen and gray ink and brown wash within single black ink border on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 1/4 x 18 3/4 inches (33.7 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Italianate Landscape

Creator:: James Pattison Cockburn, 1779–1847
Date:: ca. 1832
Materials & Techniques:: Pen and black ink with brown ink, brown wash and gouache on medium, moderately textured, brown wove paper
Dimensions:: Sheet: 5 5/8 × 7 3/4 inches (14.3 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Temple of Aphaia at Aegina: Ground Floor Plan

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite, pen and black, gray and red ink, brown and pink wash on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 1/16 × 19 inches (33.2 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Temple of Aphaia at Aegina: Molding Details

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Pen and black ink and brown wash on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 1/2 × 18 7/8 inches (34.3 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Ruined Gateway at Kilmallock

Creator:: Thomas Crofton Croker, 1798–1854
Date:: undated
Materials & Techniques:: Pen and black ink, pen and brown ink, brown wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 × 6 5/8 inches (23.2 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

59. The Flight

Creator:: Isaac Cruikshank, 1764–1811
Date:: undated
Materials & Techniques:: Graphite, gray wash, brown wash, pen and black ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 9 5/16 × 6 7/8 inches (23.7 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Government Buildings

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1851
Materials & Techniques:: Pen and black ink, brown ink, brown wash, white gouache, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 3/4 × 11 1/4 inches (19.7 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Italian Churches

Creator:: Henry Shaw, 1800–1873
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, brown wash on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 6 1/16 × 5 inches (15.4 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Italian Churches

Creator:: Henry Shaw, 1800–1873
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, brown wash on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 5 15/16 × 4 3/4 inches (15.1 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Italian Churches

Creator:: Henry Shaw, 1800–1873
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, brown wash on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 5 7/8 × 5 1/16 inches (14.9 × 12.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Architectural Plans for Edington Church, Wiltshire

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Pen and black ink, brown wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 13/16 × 10 1/16 inches (17.3 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques black ink

Materials & Techniques brown wash

Period 19th century

Search Results

1. An Ancient Barn at Shoreham

2. Bavella, Corsica

3. Hinton St. George, Somerset: Plan of the Dressing Room

4. Sarcophagus in a Church

5. A Castle at the Waterside by Moonlight

6. Margate Harbor

7. Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior

8. Houses at Kilmallock

9. Malvolio Dancing

10. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

11. Hogarth Sitting to Roubiliac for His Bust

12. Preparatory drawing for The Waltz

13. Margate Hoy

14. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

15. Maraccas Waterfall

16. Sketch of a Window and Arches of the Nave in the Church of St. Wensceslas in Prague

17. Staircase Railing, Palace of Doge, Venice

18. Architectural Drawing of a Temple

19. Doorhead of the Palazzo Contarini della Porta di Ferro

20. Plan and Section of a Subterraneous Building Discovered at Mycenea and Supposed to be the Tomb of Agamemnon.

21. Architectural Sketch of Building with Doric Columns

22. Sketch of the Plan of the Church of Saint Wenceslas in Prague

23. Fisherman by a Boat with a Dog

24. Lilleshall, Shropshire: General Plan

25. Roslyn Castle - a wooded river landscape

26. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

27. Hogarth Declaring His Love to Miss Thornhill

28. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

29. The Smock Exposed

30. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

31. Miss Elizabeth Siddal

32. The "Victory" Coming Up Channel

33. On the Cimaronero River

34. Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches

35. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

36. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

37. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

38. The Reconcilation

39. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

40. Hogarth Drawing Sarah Malcolm

41. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

42. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

43. Totnes from the Seymour Hotel

44. Queen Anne's Court, Cheyne Walk, Chelsea

45. Shakespeare House, Aldersgate Street

46. Ruined Abbey

47. Caernarvon (Castle) Eagle Tower

48. Entrance Gate to Printers

49. Drawing Room Ceiling, No. 3 Old Palace Yard

50. Ceiling to Boudoir House in Old Palace Yard

51. A Design for a Prison

52. Study for a Block on the Road

53. The Temple of Aphaia at Aegina: Ground Plan, Showing The Temple Restored

54. The Temple of Aphaia at Aegina: Two Elevations

55. Italianate Landscape

56. The Temple of Aphaia at Aegina: Ground Floor Plan

57. The Temple of Aphaia at Aegina: Molding Details

58. Ruined Gateway at Kilmallock

59. The Flight

60. Government Buildings

61. Italian Churches

62. Italian Churches

63. Italian Churches

64. Architectural Plans for Edington Church, Wiltshire