Materials & Techniques: etching (printing process) / Collection: Prints and Drawings / Credit Line: Yale Center for British Art, Paul Mellon Collection / Genre: religious and mythological subject / Image Available: Available / Subject Terms: children and religious and mythological subject / Classification: Prints

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Materials & Techniques etching (printing process)

Collection Prints and Drawings

Credit Line Yale Center for British Art, Paul Mellon Collection

Genre religious and mythological subject

Image Available Available

Subject Terms children

Subject Terms religious and mythological subject

Classification Prints

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

1797

Print made by William Sharp, 1749–1824

Niobe

1792

Print made by James Barry, 1741–1806

Repose in Egypt

ca. 1776

Print made by James Barry, 1741–1806

Repose in Egypt

ca. 1776

Print made by Isaac Fuller, 1606/20–1672

Putto Holding a Torch

undated

Print made by Luigi Schiavonetti, 1765–1810

The Meeting of a Family in Heaven

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

The Descent of Man into the Vale of Death

1808, published 1813

Print made by Guillaume Sulpice Chevalier, 1804–1866

Intemperance

undated

Print made by Francesco Bartolozzi, 1728–1815

The Virgin and Child

1770

Print made by Francesco Bartolozzi, 1728–1815

Venus Chiding Cupid

1784

Print made by Francesco Bartolozzi, 1728–1815

Ticket to Westminster Abbey

before 1791

Print made by Francesco Bartolozzi, 1728–1815

Cupid Disarmed by Venus

1804

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Mr. Cox's Museum

1772

Print made by Francesco Bartolozzi, 1728–1815

The Virgin

1778

Print made by Placido Columbani, born ca. 1744, active 1801

At the Minerva at Rome

undated

after George Baxter, 1804–1867

The Healing of the Lame Man

after 1855

after George Baxter, 1804–1867

The Healing of the Lame Man

after 1855

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