Search Constraints
You searched for:
Materials & Techniques line engraving
Remove constraint Materials & Techniques: line engravingMaterials & Techniques stipple engraving
Remove constraint Materials & Techniques: stipple engravingGenre literary theme
Remove constraint Genre: literary themeWork Type intaglio print
Remove constraint Work Type: intaglio printSearch Results
1
- An Alcove
- 1834
2
- Children Swinging
- 1834
3
- Shepherds
- 1834
4
- Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia
- 1789
5
- "Tempest", Act I, Scene I
- 1797
6
- Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
- 1792
7
- Taming Of The Shrew, Act III, Scene II
- 1795
8
- Come Gentle Night: "Romeo and Juliet," Act III, Scene II
- between 1839 and 1849
9
- Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
- 1789
10
- Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
- 1789
11
- "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
- 1802
12
- "Mark your divorce young sir, whom son I dare not call"
- 1804
13
- "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
- 1802
14
- Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
- 1794
15
- The Bird's Nest
- 1834
16
- Lady Jane Grey
- 1834
17
- An Arabesque
- 1834
18
- An Arabesque
- 1834
19
- A Voyage of Discovery
- 1834
20
- The Mask
- 1834
21
- John Hawkesworth
- 1806
22
- Thomas Percy, Bishop of Dromore
- undated
23
- Sir Philip Sidney
- 1741
24
- Sir John Suckling
- 1744
25
- Isaac Watts
- undated
26
- David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
- 1811
27
- "Hubert, let me not be bound!"
- 1802
28
- Ralph Cudworth
- undated
29
- Edmund Spenser
- 1727
30
- King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
- 1801
31
- Ticket: Anacreontic Society Meeting
- 1773
32
- "This is fairy gold, boy, and will prove so"
- 1804
33
- Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
- 1773
34
- Macbeth, Act I, Scene II
- 1784
35
- Soldier Kneeling On A Stone Embracing a Woman, Soldiers in Background
- undated
36
- Coriolanus, Act 5, Scene III
- 1783
37
- Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
- 1780
38
- Polyhemus, Playing The Panpipes For Galatea
- 1783
39
- Frontispiece to Volume II of a Book, Woman pointing to a Tablet on which is written "Sanchos letters"
- 1782
40
- King Alboin Forcing Rosamund to Drink From The Skull of Her Murdered Father, Cunimund, King of the Gepids
- 1779
41
- The Birth of Shakespeare
- 1782
42
- Anthony and Cleopatra, Act 3, Scene II
- 1794
43
- Ophelia vide Hamlet, Act 4, Scene VII
- 1794
44
- King Lear, Act 4, Scene VII
- 1794
45
- Troilus and Cressida, Act 4, Scene II
- 1794
46
- As You Like It, Act IV, Orlando and Oliver
- 1788
47
- ...Scuote, il Lembo Pieno; e Nella Torbida Onda..
- 1773
48
- Vede di Mezzo il Fiume un Cavaliero..
- 1773
49
- Lo Corse ad Abbracciare, e a Sargli Sesta..
- 1773
50
- Angelica, e Medoro in Varj Modi..
- 1773
51
- Stava Ella Nel Sepolcro; e Quivi Attrita..
- 1773
52
- Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance into The World
- 1778
53
- Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille Rosis
- 1778
54
- Title page: L'Amico' de Fanciulli, Vol. III
- 1788
55
- Title page: Depicting Cupid, Venus, and Juno
- 1782
56
- Illustration From Bell's Edition of The Poets of Great Britain
- ca. 1785
57
- Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet
- 1785
58
- Vortigern And Rowena
- 1788
59
- A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
- 1773
60
- E d'Uccider se Stesso in Pensier Venne..
- 1773
61
- Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
- ca.1785
62
- Lauretta
- 1776
63
- The Snuff Box, Calais
- 1799
64
- August
- 1793
65
- September
- 1793
66
- Concert Ticket For The Benefit of Madame Banti
- 1795
67
- William Cavendish of Newcastle
- 1739
68
- Sir Kenelm Digby
- 1748
69
- William Cavendish, Marquis of Newcastle, General of His Majesties Army in the North
- 1713
70
- William Cavendish, first Duke of Newcastle-upon-Tyne
- undated
71
- Ticket: Anacreontic Society Meeting
- 1779
72
- I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
- ca.1785
73
- October
- 1793
74
- Poetry And History, Presenting Painting, With Subjects For Her Pencil
- 1794
75
- Palamon and Arcite
- 1790
76
- Si Giacerebbe Inutile Per Terra Deserta Senza Frutto, E Senza Onore
- 1774
77
- The Shepherdess of the Alps
- 1776
78
- The Dead Ass, Nampont
- 1799
79
- My Son attend unto my Wisdom, and Bow Thine ear to my Understanding; Proverbs, Chapter V
80
- Griselda Returning to her Father
- after 1785
81
- Ticket for the Benefit of Madame Banti
- 1797
82
- Ticket: For The Benefit Of Mad' Banti
- 1795
83
- Ticket for the Benefit of Madame Banti
- 1797
84
- Concert Ticket: Benefit Night of Luigi Borghi
- 1780
85
- Prospero Disarming Ferdinand, Act I, Scene II
- 1793
86
- Reverend Hugh Blair, D.D
- 1801
87
- Joseph Andrews
- 1781
88
- Death of Dido
89
- Orlando Rescues Olympia From The Orca In The Island Ebuda
- 1768
90
- Tom Jones Assisting Molly Seagrim
- 1782
91
- William Cavendish, Duke of Newcastle
- 1739
92
- In Horne's House
- 1982
93
- How a Great Daily Organ is Turned Out
- 1990
94
- Pospero Disarming Ferdinand from The Tempest, Act I, Scene II
- 1793
95
- Samuel Johnson
- 1809
96
- John Philip Kemble
- undated
97
- Thomas Sackvill Earl of Dorset, Baron of Buckhurst
- ca. 1740