Materials & Techniques: line engraving / Collection: Prints and Drawings / Credit Line: Yale Center for British Art, Paul Mellon Collection / Genre: religious and mythological subject / Subject Terms: architectural subject

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Materials & Techniques line engraving

Collection Prints and Drawings

Credit Line Yale Center for British Art, Paul Mellon Collection

Genre religious and mythological subject

Subject Terms architectural subject

Print made by Bartholomew Howlett, 1767–1827

Grantham Church

1797

Print made by James Basire the younger, 1769–1822

Inside View of the East End of Merton College Chapel

1802

Print made by Joseph Powell, 1780–1834

Winchester Cross

1800

Print made by Edward Goodall, 1795–1870

St. Julienne's Chapel

1834

Print made by Edward Goodall, 1795–1870

Columbus and his Son

1834

Print made by Edward Goodall, 1795–1870

Dido Building Carthage

between 1859 and 1861

Print made by James T. Willmore, 1800–1863

Mercury and Argus

between 1859 and 1861

Print made by James Baylis Allen, 1803–1876

Temple of Jupiter Panhellenius, Aegina

between 1859 and 1861

Print made by John Scott, 1774–1828

Crypt in Kirkstall Abbey, Yorkshire

1814

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech

1842

James Basire the younger Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha

1842

James Basire the younger Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus

1842

James Basire the younger Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXII: The Story of Hezekiah

1842

Print made by James Redway, active 1827–1838

Christ Church College, Oxford

1834

Print made by James Baylis Allen, 1803–1876

Decline of Carthage

between 1859 and 1861

Print made by Charles Cousen, ca. 1819–1889

Bacchus and Ariadne

between 1859 and 1861

Print made by Henry Le Keux, 1787–1868

St. Herbert's Chapel

1834

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1828

Print made by James H. Kernot, active early 19th century

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Edmund Turrell, active 1835–1860

The Temple of Aphaia at Aegina: Sections

1828

Charles Robert Cockerell, 1788–1863

The Temple of Aphaia at Aegina: Longitudinal Section of Platform and Cave

1860

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