Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
1797
8
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
1797
9
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
1797
10
William Finden, 1787–1852
An Alcove
1834
11
William Finden, 1787–1852
Children Swinging
1834
12
William Finden, 1787–1852
The Bird's Nest
1834
13
William Finden, 1787–1852
Shepherds
1834
14
William Finden, 1787–1852
The Mask
1834
15
William Finden, 1787–1852
An Arabesque
1834
16
Print made by Peltro W. Tomkins, 1760–1840
Sylvia
1786
17
William Finden, 1787–1852
Lady Jane Grey
1834
18
William Finden, 1787–1852
An Arabesque
1834
19
William Finden, 1787–1852
A Voyage of Discovery
1834
20
Print made by Hugh Downman, d. 1789
Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
21
Francesco Bartolozzi, 1728–1815
Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
1789
22
Print made by William Bromley, 1769–1842
David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
1811
23
Francesco Bartolozzi, 1728–1815
Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
1789
24
Francesco Bartolozzi, 1728–1815
Queen Katherine's Dream - "Henry VIII"
1788
25
Niccoló Schiavonetti, 1771–1813
John Hawkesworth
1806
26
Thomas Watson, 1743–1781
Elizabeth Ann Sheridan (née Linley) as St. Cecilia
1779
27
Anthony Cardon, 1772–1813
Dr. Joseph Warton
undated
28
Niccoló Schiavonetti, 1771–1813
Joseph Warton
1807
29
Simon François Ravenet, 1706–1774
Isaac Watts
undated
30
unknown artist
King Henry VI, Second Part, Act 3, Scene 3
1801
31
Francesco Bartolozzi, 1728–1815
The Cottagers
1794
32
Francesco Bartolozzi, 1728–1815
Lady Elizabeth Cavendish (née Hervey), Duchess of Devonshire
1787
33
Samuel Freeman, 1773–1857
David Garrick Esq
1807
34
George Vertue, 1684–1756
Ralph Cudworth
undated
35
Edward Scriven, 1775–1841
George Colman, The Elder
1813
36
John Keyse Sherwin, c.1751–1790
Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"
1791
37
Print made by William Birch, 1755–1834
Mrs. Robinson
1792
38
Peltro W. Tomkins, 1760–1840
Mrs Seaforth as, Tuccia - The Vestal Virgin
1798
39
George Vertue, 1684–1756
Sir Philip Sidney
1741
40
George Vertue, 1684–1756
Sir John Suckling
1744
41
Robert Thew, 1758–1802
Shakespeare, Macbeth Act IV, Scene I
1802
42
Gabriel Scorodomoff, 1748–1792
Reflections on Clarissa Harlow
1785
43
Francesco Bartolozzi, 1728–1815
Concert Ticket For The Benefit of Madame Banti
1795
44
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
45
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
1783
46
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
47
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
48
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
49
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
50
James Heath, 1757–1834
"This is fairy gold, boy, and will prove so"
1804
51
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
52
Print made by Thomas A. Woolnoth, 1785–1857
Mrs. W. West as Cordelia
1820
53
Francesco Bartolozzi, 1728–1815
I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
ca.1785
54
Francesco Bartolozzi, 1728–1815
June
1789
55
Francesco Bartolozzi, 1728–1815
April
1790
56
Print made by Francesco Bartolozzi, 1728–1815
Si Giacerebbe Inutile Per Terra Deserta Senza Frutto, E Senza Onore
1774
57
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
58
Francesco Bartolozzi, 1728–1815
Hercules and Omphale
59
Francesco Bartolozzi, 1728–1815
The Dead Ass, Nampont
1799
60
Francesco Bartolozzi, 1728–1815
The Shepherdess of the Alps
1776
61
Francesco Bartolozzi, 1728–1815
The Hours
1788
62
Francesco Bartolozzi, 1728–1815
Selim of the Shepherd's Moral
1788
63
Francesco Bartolozzi, 1728–1815
My Son attend unto my Wisdom, and Bow Thine ear to my Understanding; Proverbs, Chapter V
64
Francesco Bartolozzi, 1728–1815
February
1793
65
Francesco Bartolozzi, 1728–1815
May
1793
66
Francesco Bartolozzi, 1728–1815
Poetry And History, Presenting Painting, With Subjects For Her Pencil
1794
67
Francesco Bartolozzi, 1728–1815
Palamon and Arcite
1790
68
Francesco Bartolozzi, 1728–1815
Alexander and Nerina
1784
69
Francesco Bartolozzi, 1728–1815
Lauretta
1776
70
Francesco Bartolozzi, 1728–1815
Cecilia
1783
71
Francesco Bartolozzi, 1728–1815
October
1793
72
Francesco Bartolozzi, 1728–1815
August
1793
73
Francesco Bartolozzi, 1728–1815
July
1789
74
Francesco Bartolozzi, 1728–1815
September
1793
75
Francesco Bartolozzi, 1728–1815
Cordelia
1784
76
Peter Simon, 1750–1810
Taming of the Shrew, Act II Scene II
1795
77
Francesco Bartolozzi, 1728–1815
Joseph Andrews
1781
78
Francesco Bartolozzi, 1728–1815
Sappho Embracing Love
1783
79
Francesco Bartolozzi, 1728–1815
Angelica And Medora
1787
80
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
81
Francesco Bartolozzi, 1728–1815
Morte de Clorinda
1785
82
Francesco Bartolozzi, 1728–1815
Rinaldo et Armida
1785
83
Francesco Bartolozzi, 1728–1815
The Snuff Box, Calais
1799
84
Francesco Bartolozzi, 1728–1815
Lodona
1792
85
Francesco Bartolozzi, 1728–1815
Anthony and Cleopatra, Act 3, Scene II
1794
86
Francesco Bartolozzi, 1728–1815
The Birth of Shakespeare
1782
87
Francesco Bartolozzi, 1728–1815
King Lear, Act 4, Scene VII
1794
88
Francesco Bartolozzi, 1728–1815
Troilus and Cressida, Act 4, Scene II
1794
89
Francesco Bartolozzi, 1728–1815
The Death of Alcestis
1796
90
Peter Simon, 1750–1810
Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'
1789
91
Francesco Bartolozzi, 1728–1815
Adelaide
1798
92
Francesco Bartolozzi, 1728–1815
Fonrose
1798
93
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
94
unknown artist
Thomas Percy, Bishop of Dromore
undated
95
George Vertue, 1684–1756
Edmund Spenser
1727
96
James Heath, 1757–1834
"Then go, bid the huntsmen wake them with their horns"
1802
97
James Heath, 1757–1834
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
98
James Heath, 1757–1834
"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
1802
99
William S. Leney, 1769–1831
Taming the Shrew, Act III, Scene II
1793
100
Print made by Thomas Macklin, active 1779–1793
Fallstaff Playing the Prince, The Prince Playing the King