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Materials & Techniques watercolor

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1821

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1. At Hailsham, Sussex: a Storm Approaching

At Hailsham, Sussex: a Storm Approaching
Creator:
Samuel Palmer, 1805–1881
Date:
1821
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 12 1/2 inches (21 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Boston Church, Lincolnshire

Boston Church, Lincolnshire
Creator:
J. Harrison, active 1821
Date:
1821
Materials & Techniques:
Watercolor, graphite and pen and brown ink on medium, slightly textured, cream laid paper mounted to thick, rough cream wove paper
Dimensions:
Sheet: 8 1/2 × 7 inches (21.6 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. A Picnic on Richmond Hill

A Picnic on Richmond Hill
Creator:
Joseph Murray Ince, 1806–1859
Date:
undated
Materials & Techniques:
Watercolor, gouache, and gum, with scraping on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 × 11 7/8 inches (22.9 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. An unidentified Gothic Mansion: Side View of the House with Garden

An unidentified Gothic Mansion: Side View of the House with Garden
Creator:
Joseph Murray Ince, 1806–1859
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 13 11/16in. (25.1 x 34.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Thatched Cottage near Henley

Thatched Cottage near Henley
Creator:
John Baverstock Knight, 1785–1859
Date:
1821
Materials & Techniques:
Watercolor, pen and brown ink and graphite on medium, rough, cream wove paper
Dimensions:
Sheet: 6 11/16 × 9 3/4 inches (17 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Hay Barge in a Calm Sea

Hay Barge in a Calm Sea
Creator:
Attributed to Charles Bentley, 1806–1854
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 x 7 3/4 inches (12.7 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. A Market Scene in Venice

A Market Scene in Venice
Creator:
Charles Bentley, 1806–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and scraping on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 10 1/4 inches (19.1 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Portia and Bassanio

Portia and Bassanio
Creator:
Richard Parkes Bonington, 1802–1828
Date:
ca. 1826
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 x 5 1/8 inches (16.5 x 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. View of Mont St. Michel with Figures on the Beach

View of Mont St. Michel with Figures on the Beach
Creator:
William Wyld, 1806–1889
Date:
undated
Materials & Techniques:
Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 11 1/2 inches (19.1 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. View of Gibraltar

View of Gibraltar
Creator:
William Wyld, 1806–1889
Date:
undated
Materials & Techniques:
Watercolor, gouache and graphite on medium, rough, white laid paper
Dimensions:
Sheet: 15 1/8 x 21 5/16 inches (38.4 x 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Coutances Cathedral

Coutances Cathedral
Creator:
William Frome Smallwood, 1806–1834
Date:
undated
Materials & Techniques:
Watercolor, brown wash, and graphite on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 13 1/8 inches (24.8 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Archers Stalking a Stag

Archers Stalking a Stag
Creator:
John Martin, 1789–1854
Date:
1821
Materials & Techniques:
Watercolor, brown wash, and graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 x 10 1/2 inches (19.7 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Three Swords

The Three Swords
Creator:
Print made by unknown artist
Date:
1821
Materials & Techniques:
Watercolor, (As issued (colored by hand)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Dr Syntax & Dairymaid

Dr Syntax & Dairymaid
Creator:
Thomas Rowlandson, 1756–1827
Date:
1821
Materials & Techniques:
Watercolor with pen and red ink and graphite on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 8 11/16 x 11 1/4 inches (22.1 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Dr. Syntax Visits a Boarding School for Young Ladies

Dr. Syntax Visits a Boarding School for Young Ladies
Creator:
Thomas Rowlandson, 1756–1827
Date:
1821
Materials & Techniques:
Watercolor and graphite with pen and black ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/16 x 8 5/16 inches (12.9 x 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Dr. Syntax Visits a Boarding School for Young Ladies

Dr. Syntax Visits a Boarding School for Young Ladies
Creator:
Thomas Rowlandson, 1756–1827
Date:
1821
Materials & Techniques:
Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 8 3/16 inches (13.3 x 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Kitty Overcome

Kitty Overcome
Creator:
Thomas Rowlandson, 1756–1827
Date:
1821
Materials & Techniques:
Watercolor, gray wash, pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/16 x 7 13/16 inches (13.8 x 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Dr. Syntax with Kitty Cowslip

Dr. Syntax with Kitty Cowslip
Creator:
Thomas Rowlandson, 1756–1827
Date:
1821
Materials & Techniques:
Watercolor and graphite with pen and red-brown ink and pen and brown ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 5 3/16 x 8 7/16 inches (13.2 x 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Full Cry. 1821: Riders Taking a Wooden Fence

Full Cry. 1821: Riders Taking a Wooden Fence
Creator:
George Alken, 1794–active 1837
Date:
1821
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 × 11 1/8 inches (21.7 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. A Cock-Fight Watched by Four Men in an Out-House: The Fight, Engraved as Plate 39 in "The National Sports of Great Britain"

A Cock-Fight Watched by Four Men in an Out-House: The Fight, Engraved as Plate 39 in "The National Sports of Great Britain"
Creator:
Henry Thomas Alken, 1785–1851
Date:
1821
Materials & Techniques:
Watercolor, pen and blue ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 9 3/4 × 13 11/16 inches (24.8 × 34.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. "The National Sports of Great Britain," 1821: Owling

"The National Sports of Great Britain," 1821: Owling
Creator:
Henry Thomas Alken, 1785–1851
Date:
1821
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Mount: 13 5/8 × 18 3/4 inches (34.6 × 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. "The National Sports of Great Britain" 1821: Badger Catching

"The National Sports of Great Britain" 1821: Badger Catching
Creator:
Henry Thomas Alken, 1785–1851
Date:
1821
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Mount: 14 1/2 × 19 5/16 inches (36.8 × 49.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Dr Syntax outside the Halfway House

Dr Syntax outside the Halfway House
Creator:
Thomas Rowlandson, 1756–1827
Date:
1821
Materials & Techniques:
Watercolor and graphite with pen and brown ink and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/8 x 6 3/4 inches (10.5 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Releasing a Bag-Fox

Releasing a Bag-Fox
Creator:
George Alken, 1794–active 1837
Date:
1821
Materials & Techniques:
Graphite and watercolor on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 1/2 × 11 1/8 inches (21.6 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. A Cock-fight Watched by Four Men in an Out-House:The Death, Engraved as Plate 40 in "The National Sports of Great Britain"

A Cock-fight Watched by Four Men in an Out-House:The Death, Engraved as Plate 40 in "The National Sports of Great Britain"
Creator:
Henry Thomas Alken, 1785–1851
Date:
1821
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Mount: 9 11/16 × 13 11/16 inches (24.6 × 34.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. South View of Longleat, Wiltshire; the Seat of the Marquis of Bath

South View of Longleat, Wiltshire; the Seat of the Marquis of Bath
Creator:
John Buckler FSA, 1770–1851
Date:
1821
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Interior View of the hall at Longleat; the Seat of the Marquis of Bath

Interior View of the hall at Longleat; the Seat of the Marquis of Bath
Creator:
John Buckler FSA, 1770–1851
Date:
1821
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Lilleshall Hall, Shropshire: Three Elevations

Lilleshall Hall, Shropshire: Three Elevations
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
ca. 1826
Materials & Techniques:
Pen and black ink, watercolor, graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 14 1/2 × 18 1/4 inches (36.8 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Lilleshall Hall, Shropshire: General Plan and Elevation

Lilleshall Hall, Shropshire: General Plan and Elevation
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
ca. 1826
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/2 × 14 1/4 inches (47 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Conjurer with Pistol and Cards

Conjurer with Pistol and Cards
Creator:
George Cruikshank, 1792–1878
Date:
ca. 1826
Materials & Techniques:
Pen and brown ink, black ink, watercolor, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/16 × 7 5/8 inches (13.2 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Old Men O'War

Old Men O'War
Creator:
Attributed to Charles Bentley, 1806–1854
Date:
undated
Materials & Techniques:
Watercolor and scraping out; verso: graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 7 7/8 inches (25.1 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. View from part of Port Orotava, Tenerife from La Caldeva, near Sancho

View from part of Port Orotava, Tenerife from La Caldeva, near Sancho
Creator:
Alfred Diston, active 1818–1829
Date:
1821
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 × 6 3/4 inches (15.6 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Isola Bella, Lago Maggiore

Isola Bella, Lago Maggiore
Creator:
John Skinner Prout, 1806–1876
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 1/8 × 9 3/4 inches (33.3 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. The Botanical Garden near Port Orotava, Tenerife

The Botanical Garden near Port Orotava, Tenerife
Creator:
Alfred Diston, active 1818–1829
Date:
1821
Materials & Techniques:
Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 6 3/4 inches (12.7 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Culver Cliff, Isle of Wight

Culver Cliff, Isle of Wight
Creator:
William Dyce, 1806–1864
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 5/8 x 19 3/8in. (37.1 x 49.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. View from Stokenchurch Hill, Buckinghamshire

View from Stokenchurch Hill, Buckinghamshire
Creator:
William Alfred Delamotte, 1775–1863
Date:
1821
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 13 5/8 inches (22.5 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Walnut Tree

Walnut Tree
Creator:
Robert Hills, 1769–1844
Date:
ca. 1826
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 x 8 1/2 inches (29.2 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Tree Study with Ivy Clinging to Stump

Tree Study with Ivy Clinging to Stump
Creator:
Robert Hills, 1769–1844
Date:
ca. 1826
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 7 1/4 inches (26.7 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Orchard Trees at Under River near Knole

Orchard Trees at Under River near Knole
Creator:
Robert Hills, 1769–1844
Date:
ca. 1826
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 1/4 inches (30.2 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection