Jerusalem, Plate 89, "Tho divided by the Cross...."
1804 to 1820
380
Print made by William Blake, 1757–1827
Jerusalem, Plate 9, "Condens'd his Emanations...."
1804 to 1820
381
Print made by William Blake, 1757–1827
Jerusalem, Plate 90, "The Feminine separates...."
1804 to 1820
382
Print made by William Blake, 1757–1827
Jerusalem, Plate 93, "Enitharmon heard...."
1804 to 1820
383
Print made by William Blake, 1757–1827
Jerusalem, Plate 94, "Albion cold lays on his Rock...."
1804 to 1820
384
Print made by William Blake, 1757–1827
Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
1804 to 1820
385
Print made by William Blake, 1757–1827
Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
1804 to 1820
386
Print made by William Blake, 1757–1827
Jerusalem, Plate 98, "Then each an Arrow flaming...."
1804 to 1820
387
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 6, "Air"
1826
388
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
1826
389
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
390
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
391
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
392
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 7, "Fire"
1826
393
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 5, "Earth"
1826
394
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
1826
395
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]