Materials & Techniques: wove paper / Credit Line: Yale Center for British Art, Paul Mellon Collection / Genre: literary theme / Work Type: drawing and watercolor - YCBA Collections Search Search Results

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Materials & Techniques wove paper

Credit Line Yale Center for British Art, Paul Mellon Collection

Genre literary theme

Work Type drawing

Work Type watercolor

Joseph Mallord William Turner Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray

Joseph Mallord William Turner, 1775–1851

Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray

ca. 1832

George Romney A Procession of the Damned: Study for the Damned in Dante's "Inferno"

George Romney, 1734–1802

A Procession of the Damned: Study for the Damned in Dante's "Inferno"

undated

William Blake The Book of Thel, Plate 7, "But he that loves the lowly . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 7, "But he that loves the lowly . . . ."

1789

William Blake The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

1789

William Blake Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

ca. 1797

William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

ca. 1797

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

ca. 1797

William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

ca. 1797

William Blake Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."

ca. 1797

William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

1789

William Blake The Book of Thel, Plate 7, "But he that loves the lowly . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 7, "But he that loves the lowly . . . ."

1789

William Blake The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

1794

William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

1794

William Blake Jerusalem, Plate 11, "To labours mighty...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 11, "To labours mighty...."

1804 to 1820

William Blake Jerusalem, Plate 12, "Why wilt thou give to her...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 12, "Why wilt thou give to her...."

1804 to 1820

William Blake Jerusalem, Plate 18, "From every-one of the Four Regions...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 18, "From every-one of the Four Regions...."

1804 to 1820

William Blake Jerusalem, Plate 19, "His children exil'd from his breast...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 19, "His children exil'd from his breast...."

1804 to 1820

William Blake Jerusalem, Plate 2, Title Page

Print made by William Blake, 1757–1827

Jerusalem, Plate 2, Title Page

1804 to 1820

William Blake Jerusalem, Plate 20, "But when they saw Albion...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 20, "But when they saw Albion...."

1804 to 1820

William Blake Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."

1804 to 1820

William Blake Jerusalem, Plate 24, "What have I said?...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 24, "What have I said?...."

1804 to 1820

William Blake Jerusalem, Plate 37, "And One stood forth...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 37, "And One stood forth...."

1804 to 1820

William Blake Jerusalem, Plate 40, "Los shudderd at beholding Albion...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 40, "Los shudderd at beholding Albion...."

1804 to 1820

William Blake Jerusalem, Plate 41, "Bath who is Legions...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 41, "Bath who is Legions...."

1804 to 1820

William Blake Jerusalem, Plate 42, "Thus Albion sat...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 42, "Thus Albion sat...."

1804 to 1820

William Blake Jerusalem, Plate 43, "They saw their Wheels...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 43, "They saw their Wheels...."

1804 to 1820

William Blake Jerusalem, Plate 44, "With one accord...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 44, "With one accord...."

1804 to 1820

William Blake Jerusalem, Plate 45, "Bath, healing City!...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 45, "Bath, healing City!...."

1804 to 1820

William Blake Jerusalem, Plate 52, "To the Deists...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 52, "To the Deists...."

1804 to 1820

William Blake Jerusalem, Plate 53, "Jerusalem / Chap. 3"

Print made by William Blake, 1757–1827

Jerusalem, Plate 53, "Jerusalem / Chap. 3"

1804 to 1820

William Blake Jerusalem, Plate 55, "When those who disregard...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 55, "When those who disregard...."

1804 to 1820

William Blake Jerusalem, Plate 57, "And the voices of Bath...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 57, "And the voices of Bath...."

1804 to 1820

William Blake Jerusalem, Plate 7, "Was living: panting...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 7, "Was living: panting...."

1804 to 1820

William Blake Jerusalem, Plate 71, "And above Albions Land...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 71, "And above Albions Land...."

1804 to 1820

William Blake Jerusalem, Plate 72, "And the Thirty-two Counties...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 72, "And the Thirty-two Counties...."

1804 to 1820

William Blake Jerusalem, Plate 74, "The Four Zoa's clouded rage...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 74, "The Four Zoa's clouded rage...."

1804 to 1820

William Blake Jerusalem, Plate 75, "And Rahab Babylon the Great...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 75, "And Rahab Babylon the Great...."

1804 to 1820

William Blake Jerusalem, Plate 76

Print made by William Blake, 1757–1827

Jerusalem, Plate 76

1804 to 1820

William Blake Jerusalem, Plate 81, "I have mockd those...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 81, "I have mockd those...."

1804 to 1820

William Blake Jerusalem, Plate 82, "I have heard Jerusalems groans...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 82, "I have heard Jerusalems groans...."

1804 to 1820

William Blake Jerusalem, Plate 85, "Became a Space & an Allegory...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 85, "Became a Space & an Allegory...."

1804 to 1820

William Blake Jerusalem, Plate 86, "I see thy Form...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 86, "I see thy Form...."

1804 to 1820

William Blake The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 23, "A Long Story."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 23, "A Long Story."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 33, "A Long Story."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 33, "A Long Story."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 53, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 53, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 65, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 65, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 69, "The Fatal Sisters."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 69, "The Fatal Sisters."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 71, "The Fatal Sisters."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 71, "The Fatal Sisters."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 75, "The Fatal Sisters."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 75, "The Fatal Sisters."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 79, "The Descent of Odin."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 79, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 81, "The Descent of Odin."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 81, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 83, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 85, "The Descent of Odin."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 85, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."

between 1797 and 1798

William Blake The First Book of Urizen, Plate 4 (Bentley 24)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 4 (Bentley 24)

1794

William Blake The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)

1794

William Blake The First Book of Urizen, Plate 3 (Bentley 22)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 3 (Bentley 22)

1794

William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 4, "Why should the mistress . . . ."

1789

William Blake Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."

1804 to 1820

William Blake The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 43, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 47, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 47, "The Progress of Poesy."

between 1797 and 1798

William Blake Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)

1789

William Blake Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

1789

William Blake Songs of Innocence, Plate 26, "Spring" (Bentley 23)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 26, "Spring" (Bentley 23)

1789

William Blake Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

1804 to 1820

William Blake Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

1804 to 1820

William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

ca. 1797

William Blake Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"

ca. 1797

William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

ca. 1797

William Blake Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"

ca. 1797

William Blake Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "

William Blake, 1757–1827

Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "

1793

William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

ca. 1797

William Blake Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"

ca. 1797

William Blake The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

1794

William Blake Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)

1794

William Blake Visions of the Daughters of Albion, Plate 1, Frontispiece

William Blake, 1757–1827

Visions of the Daughters of Albion, Plate 1, Frontispiece

1793

William Blake Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "

William Blake, 1757–1827

Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "

1793

William Blake The Book of Thel, Plate 1, "Thel's Motto . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 1, "Thel's Motto . . . ."

1789

William Blake Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

ca. 1797

William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

ca. 1797

William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

ca. 1797

William Blake Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"

ca. 1797

William Blake Jerusalem, Plate 10, "Into the Furnaces...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 10, "Into the Furnaces...."

1804 to 1820