Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
102
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
103
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
104
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
105
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
106
William Blake, 1757–1827
The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
between 1797 and 1798
107
William Blake, 1757–1827
The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
between 1797 and 1798
108
William Blake, 1757–1827
The Poems of Thomas Gray, Design 79, "The Descent of Odin."
between 1797 and 1798
109
William Blake, 1757–1827
The Poems of Thomas Gray, Design 81, "The Descent of Odin."
between 1797 and 1798
110
William Blake, 1757–1827
The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."
between 1797 and 1798
111
William Blake, 1757–1827
The Poems of Thomas Gray, Design 93, "Ode for Music."
between 1797 and 1798
112
William Blake, 1757–1827
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
113
William Blake, 1757–1827
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
114
William Blake, 1757–1827
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
115
William Blake, 1757–1827
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
116
William Blake, 1757–1827
The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
between 1797 and 1798
117
William Blake, 1757–1827
The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
between 1797 and 1798
118
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
119
William Blake, 1757–1827
The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
between 1797 and 1798
120
William Blake, 1757–1827
The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
121
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
122
William Blake, 1757–1827
Plate 33 (page 72): 'And vapid; sense and reason shew the door'
1797
123
William Blake, 1757–1827
Jerusalem, Plate 78, "The Spectres of..."
1804 to 1820
124
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
125
William Blake, 1757–1827
The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
between 1797 and 1798
126
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
127
William Blake, 1757–1827
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
128
William Blake, 1757–1827
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
129
William Blake, 1757–1827
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
130
William Blake, 1757–1827
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
131
William Blake, 1757–1827
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
132
William Blake, 1757–1827
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
133
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
134
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
135
William Blake, 1757–1827
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
136
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
137
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
138
William Blake, 1757–1827
The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
139
William Blake, 1757–1827
The Poems of Thomas Gray, Design 29, "A Long Story."
between 1797 and 1798
140
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
141
William Blake, 1757–1827
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
142
William Blake, 1757–1827
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
143
William Blake, 1757–1827
Beggar's Opera, Act III
1790
144
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
145
William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
146
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
147
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
148
William Blake, 1757–1827
Illustrations of the Book of Job - Wrapper
149
William Blake, 1757–1827
Caius Julius Cæsar
1821
150
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
151
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 17
1821
152
William Blake, 1757–1827
Octavius Augustus Cæsar
1821
153
William Blake, 1757–1827
Illustrations of the Book of Job
1825
154
William Blake, 1757–1827
The Complaint and the Consolation; or Night Thoughts
1797
155
William Blake, 1757–1827
The Complaint and The Consolation: or Night Thoughts
ca. 1797
156
William Blake, 1757–1827
Book of Job, Plate 10, Job Rebuked by His Friends
1825
157
William Blake, 1757–1827
"Visions of the Daughters of Albion", London, by William Blake
1793
158
William Blake, 1757–1827
For Children. The Gates of Paradise, London, by William Blake
1793
159
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Frontispiece
1821
160
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
161
William Blake, 1757–1827
Abraham and Isaac
1799 to 1800
162
William Blake, 1757–1827
Christ Giving Sight to Bartimaeus
1799 to 1800
163
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
164
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
165
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
166
William Blake, 1757–1827
Sealing the Stone and Setting a Watch
1800 to 1803
167
William Blake, 1757–1827
The Entrance Front of Hayley's House at Eartham
1801
168
William Blake, 1757–1827
A Woody Landscape
ca. 1801
169
William Blake, 1757–1827
An Angel with a Trumpet
between 1805 and 1808
170
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
171
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
172
William Blake, 1757–1827
Copy of the Laocoön, for Rees's Cyclopædia
1815
173
William Blake, 1757–1827
A Visionary Head
1819 to 1820
174
William Blake, 1757–1827
Five Visionary Heads of Women
1819 to 1820
175
William Blake, 1757–1827
Socrates, a Visionary Head
ca. 1820
176
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
177
William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
178
William Blake, 1757–1827
Albion Compelling the Four Zoas to Their Proper Tasks
1804 to 1810
179
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
180
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
181
William Blake, 1757–1827
Study for a Destroying Deity
1820 to 1825
182
William Blake, 1757–1827
Landscape with Spire
ca. 1801
183
William Blake, 1757–1827
Chaucer's Canterbury Pilgrims
1810 to 1820
184
William Blake, 1757–1827
Illustrations of the Book of Job: Title Page
185
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
186
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
187
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
188
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
189
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
190
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
191
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
192
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
193
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
194
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
195
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
196
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
197
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
198
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
199
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
200
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]