Literary Characters Assembled Around the Medallion of Shakespeare
1776
5
John Hamilton Mortimer, 1740–1779
Three Soldiers in Armour Sitting on Stone Blocks
undated
6
James Jefferys, 1751–1784
Self-Portrait
between 1771 and 1775
7
Robert Blyth, 1750–1784
John Hamilton Mortimer
1782
8
John Hamilton Mortimer, 1740–1779
Saint Paul Preaching to the Britons
between 1775 and 1778
9
John Hamilton Mortimer, 1740–1779
Two Men Fighting Before a Woman
1771
10
John Hamilton Mortimer, 1740–1779
A Man Kneeling
1770
11
John Hamilton Mortimer, 1740–1779
Choir and Orchestra (A Choral Band)
1776
12
John Hamilton Mortimer, 1740–1779
Studies of Groups of Heads
undated
13
attributed to John Hamilton Mortimer, 1740–1779
Portrait of James Tuffs
undated
14
attributed to John Hamilton Mortimer, 1740–1779
Portrait of John Saxby
undated
15
Francesco Bartolozzi, 1728–1815
Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance into The World
1778
16
Francesco Bartolozzi, 1728–1815
Vignette: Monk Giving Letter to a Pregnant Woman in a Cell
ca.1785
17
Francesco Bartolozzi, 1728–1815
Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille Rosis
1778
18
William Wynne Ryland, 1732–1783
King John
19
John Hamilton Mortimer, 1740–1779
Revengeful Monsters (two states)
20
Print made by Robert Blyth, 1750–1784
An Aga of the Janizaries
1779
21
Charles Reuben Ryley, 1752–1798
Bacchanalian with Maiden
1780
22
John Hamilton Mortimer, 1740–1779
Revengeful Monsters (two states)
23
Valentine Green, 1739–1813
John Hamilton Mortimer, Esq
1779
24
Robert Blyth, 1750–1784
Banditti...Representing Banditti Variously Employed: Killing an Enemy
1779
25
Francesco Bartolozzi, 1728–1815
The Death of Sir Philip Sydney
1788
26
Samuel Ireland, active 1760–died 1800
Doctors, Birds, Dog, Rat and Skeleton attending a Corpse
27
Samuel Ireland, active 1760–died 1800
Skeletons with an Hour Glass
28
Robert Blyth, 1750–1784
The Elevation of the Brazen Serpent in the Wilderness
1783
29
Robert Blyth, 1750–1784
The Elevation of the Brazen Serpent in the Wilderness
1783
30
Robert Blyth, 1750–1784
Fisherman
1780
31
Gabriel Scorodomoff, 1748–1792
The Ephesian Matron (laid down on same sheet as B1977.14.11653)
1776
32
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
33
Alexander Bannerman, ca. 1730–1780
Joseph Interpreting the Dreams of Pharoah's Chief Butler and Baker
1767
34
Simon François Ravenet, 1706–1774
Life Class
35
Robert Blyth, 1750–1784
Nebuccadnezzer Recovering his Reason
1781
36
Charles Reuben Ryley, 1752–1798
Soldier with A Pike
1780
37
Robert Blyth, 1750–1784
Rustick Dance
1780
38
Robert Blyth, 1750–1784
Banditti Conversing
1779
39
Simon François Ravenet, 1706–1774
The Shepherds in Arcadia
40
John Ogborne the Elder, 1755–1795
The Discovery of Prince Arthur's Tomb by the Inscription on the Leaden Cross (Laid down on the same sheet as B1977.14.12069)
1797
41
Samuel Ireland, active 1760–died 1800
Three etchings laid down on one sheet: Three Soldiers
42
John Hamilton Mortimer, 1740–1779
Iphigenia's Late Procession from Kingston to Bristol - By Chudleigh Meadows, - Then the Dutchess was Brought into Court Attended by her Chaplain, Physician, Apothecary and Three Maids of Honor
1776
43
Print made by Robert Blyth, 1750–1784
John Hamilton Mortimer
1782
44
John Hamilton Mortimer, 1740–1779
Elegy (Four laid down on one sheet)(Notes to numbers 84-86 of Catalogue Mortimer Exhibition 1968)
45
John Hamilton Mortimer, 1740–1779
Pastoral (Four laid down on one sheet)(Notes to numbers 84-86 of Catalogue Mortimer Exhibition 1968)
46
William Woollett, 1735–1785
Dido and Aeneas
1787
47
Jacob Hogg, active 1751
Department of the Canterbury Pilgrims: Prologue, The Canterbury Tales (notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)
1787
48
Jacob Hogg, active 1751
Canterbury Tales: The Sompnour Devil and the Old Woman (Notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)
1787
49
Jacob Hogg, active 1751
Canterbury Tales: The Frere and Thomas (Notes to number 77-78 of Catalogue Mortimer Exhibition 1968)
1787
50
John Hamilton Mortimer, 1740–1779
Lear, from King Lear, Act III, Scene ii
1776
51
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespear: 3) Cassandra, from Troilus and Cressida, Act II, Scene 4 (sic)(Catalogue Mortimer Exhibition 1968 - Number 79)
52
John Hamilton Mortimer, 1740–1779
Edgar, from King Lear, Act III, Scene iii
53
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespeare: 4) Richard II, from Richard II, Act III, Scene 2 (Catalogue Mortimer Exhibition 1968 - Number 79)
1775
54
John Hamilton Mortimer, 1740–1779
'Poet, from A Midsummer Night's Dream, Act V, Scene i'
1775
55
John Hamilton Mortimer, 1740–1779
Twelve etchings from Shakespeare: 10) York, from Henry IV, Part 2, Act V, Scene 4 (Catalogue Mortimer Exhibition 1968 - number 79)
56
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespeare: 12) Shylock, from The Merchant of Venice, Act IV, Scene 1 (Catalogue Mortimer Exhibition 1968 - number 79)
57
Robert Blyth, 1750–1784
Don Quixote in the Sable Mountains (See number 81 of Catalogue Mortimer Exhibition 1968)
1782
58
unknown artist
Don Quixote (Note to number 81 of Catalogue Mortimer Exhibition 1968)
59
Print made by Robert Blyth, 1750–1784
The Captive
1781
60
John Hamilton Mortimer, 1740–1779
Tragedy
1778
61
John Hamilton Mortimer, 1740–1779
Comedy
1778
62
John Hamilton Mortimer, 1740–1779
Nature and Genius introducing Garrick to the Temple of Shakespeare (Catalogue Mortimer Exhibition 1968 - number 83)
63
John Hamilton Mortimer, 1740–1779
The Virgin Teaching St. John
ca. 1776
64
Robert Blyth, 1750–1784
Two untitled etchings laid down on one sheet: Man in Cloak and Woman with Fruit Seated, Overlooking a Bay
1781
65
Robert Blyth, 1750–1784
Caius Marius sitting on the Ruins of Carthage (Number 34 of Catalogue Mortimer Exhibition 1968)
1782
66
Print made by Robert Blyth, 1750–1784
Belisarius
1780
67
Robert Blyth, 1750–1784
Two untitled etchings laid down on one sheet: Bandits and Soldiers Fighting
1782
68
Charles Reuben Ryley, 1752–1798
Two Women at Toilette
1780
69
Joseph Haynes, 1760–1829
Saint Paul Preaching to the Britons
1780
70
Robert Blyth, 1750–1784
Homer Repeating his Verses to the Greeks (number 41 of Catalogue Mortimer Exhibition 1968)
1781
71
William Wynne Ryland, 1732–1783
The Ratifying Magna Charta by King John (number 37 of Catalogue Mortimer Exhibition 1968)
72
Samuel Ireland, active 1760–died 1800
The Death of Sir Philip Sydney (number 42 of Catalogue Mortimer Exhibition 1968)
73
Simon François Ravenet, 1706–1774
The Origin of Drawing (number 47 of Catalogue Mortimer Exhibition 1968)
74
Print made by Robert Blyth, 1750–1784
Silenus
1779
75
John Hall, 1739–1797
Banditti at Market (number 41 of Catalogue Mortimer Exhibition 1968)
76
John Hall, 1739–1797
Banditti at Market (number 41 of Catalogue Mortimer Exhibition 1968)
77
Joseph Haynes, 1760–1829
A Monumental Design (number 45 of Catalogue Mortimer Exhibition 1968)
1784
78
Robert Blyth, 1750–1784
Banditti Returning (number 53 of Catalogue Mortimer Exhibition 1968)
1780
79
John Hall, 1739–1797
Banditti Gambling (number 51 of Catalogue Mortimer Exhibition 1968)
80
Robert Blyth, 1750–1784
Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair
1780
81
Joseph Haynes, 1760–1829
Banditti
1780
82
unknown artist
Canterbury Tales: Miller of Trumpington (notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)
83
Robert Blyth, 1750–1784
Caius Marius Sitting on the Ruins of Carthage
1781
84
Jacob Hogg, active 1751
Canterbury Tales: Three Gamblers and Time (Notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)
1787
85
John Keyse Sherwin, c.1751–1790
Canterbury Tales: January and May (Notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)
86
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespeare: 5) Beatrice, from Much Ado About Nothing, Act 1, Scene 2 (sic)(Catalogue Mortimer Exhibition 1968 - Number 79)
87
John Hamilton Mortimer, 1740–1779
Caliban, from The Tempest
1775
88
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespeare: 8) Bardolph, from Henry IV, Act II, Scene 9 (Catalogue Mortimer Exhibition 1968 - number 79)
89
John Hamilton Mortimer, 1740–1779
Falstaff. Second part Henry IV, Act V, Scene 4th. "There's a merry heart good master Silence / I'll give you a health for that anon."
1776
90
Francesco Bartolozzi, 1728–1815
The Death Of Sir Philip Sidney
1788
91
John Hamilton Mortimer, 1740–1779
Frontispiece dedicated to Sir Joshua Reynolds (no. 1 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
92
John Hamilton Mortimer, 1740–1779
Death on a Pale Horse
ca. 1775
93
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
94
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
95
Robert Blyth, 1750–1784
John Hamilton Mortimer, Historical Painter, Self-Portrait (Note to number 4 of Catalogue Mortimer Exhibition 1968)
1782
96
Print made by Robert Blyth, 1750–1784
Belisarius
1780
97
Samuel Ireland, active 1760–died 1800
The Death of Sir Philip Sydney (number 42 of Catalogue Mortimer Exhibition 1968)
98
Joseph Haynes, 1760–1829
Death on a Pale Horse
1784
99
Print made by Robert Blyth, 1750–1784
Silenus
1779
100
John Hall, 1739–1797
Banditti Gambling (number 51 of Catalogue Mortimer Exhibition 1968)