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Creator Gender male

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1827

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Image Use Free to Use

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John Constable Study of Three Parrot Tulips
Attributed to John Constable, 1776–1837
Study of Three Parrot Tulips
ca. 1832
Not on view
George Vincent A View of Thames Street, Windsor
George Vincent, 1796–1832
A View of Thames Street, Windsor
1827 to 1830
Not on view
James Ward Cattle at a Pool at Sunrise
James Ward, 1769–1859
Cattle at a Pool at Sunrise
1827
Not on view
Richard Redgrave Self-Portrait
Richard Redgrave, 1804–1888
Self-Portrait
ca. 1832
Not on view
William Collins Frost Scene
William Collins, 1788–1847
Frost Scene
1827
Not on view
John Ferneley Miss Catherine Herrick with her Nieces and Nephews, the Five Elder Children of the Rev. and Mrs. Henry Palmer
John Ferneley, 1782–1860
Miss Catherine Herrick with her Nieces and Nephews, the Five Elder Children of the Rev. and Mrs. Henry Palmer
1827
Not on view
Sir Francis Leggatt Chantrey George IV
Sir Francis Leggatt Chantrey, 1781–1841
George IV
1827
Not on view
John Constable Sky Study with Rainbow
John Constable, 1776–1837
Sky Study with Rainbow
1827
Joseph Mallord William Turner Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
Joseph Mallord William Turner, 1775–1851
Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
ca. 1832
Joseph Mallord William Turner Carlisle
Joseph Mallord William Turner, 1775–1851
Carlisle
ca. 1832
Edward Lear Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
Edward Lear, 1812–1888
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
Edward Lear People on the Road Near Kalicut, Malabar
Edward Lear, 1812–1888
People on the Road Near Kalicut, Malabar
undated
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
Sir Robert Smirke the younger Design for London Bridge Approach
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
Thomas Jeavons Devonport and Dockyard, Devonshire
Print made by Thomas Jeavons, ca. 1800–1867
Devonport and Dockyard, Devonshire
1827-1838
Henry Pyall Riding - A pair: 1. Go along Bob
Henry Pyall, 1795–1833
Riding - A pair: 1. Go along Bob
1827
Henry Thomas Alken Going at a Rank of Hurdles with Temper and Resolution
Henry Thomas Alken, 1785–1851
Going at a Rank of Hurdles with Temper and Resolution
1827
Henry Thomas Alken "By - he'll get to the Earth..."
Henry Thomas Alken, 1785–1851
"By - he'll get to the Earth..."
1827
Henry Thomas Alken "Topping a Park fence and doing the thing easy"
Henry Thomas Alken, 1785–1851
"Topping a Park fence and doing the thing easy"
1827
Theodore Henry Adolphus Fielding Fox Hunting: Leicestershire - The Meeting
Theodore Henry Adolphus Fielding, 1781–1851
Fox Hunting: Leicestershire - The Meeting
1827
Henry Thomas Alken "The Cover Hack"
Henry Thomas Alken, 1785–1851
"The Cover Hack"
1827
Theodore Henry Adolphus Fielding Fox Hunting: Leicestershire - Getting Away
Theodore Henry Adolphus Fielding, 1781–1851
Fox Hunting: Leicestershire - Getting Away
1827
Theodore Henry Adolphus Fielding Fox Hunting: Leicestershire - Full Cry
Theodore Henry Adolphus Fielding, 1781–1851
Fox Hunting: Leicestershire - Full Cry
1827
Theodore Henry Adolphus Fielding Fox Hunting: Leicestershire - The Death
Theodore Henry Adolphus Fielding, 1781–1851
Fox Hunting: Leicestershire - The Death
1827
Richard Gilson Reeve Coaching: The Mail Coach in a Thunder on Newmarket Heath
Richard Gilson Reeve, 1803–1889
Coaching: The Mail Coach in a Thunder on Newmarket Heath
1827
W. R. Smith Saltash, Cornwall
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827-1838
W. R. Smith Richmond, Yorkshire
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827-1838
Augustus Welby Northmore Pugin Design for a Gothic Chair and Box
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Chair and Box
undated
Augustus Welby Northmore Pugin Design for a Monstrance
Augustus Welby Northmore Pugin, 1812–1852
Design for a Monstrance
undated
Augustus Welby Northmore Pugin Designs for Gothic Candle Sticks and Branches
Print made by Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Candle Sticks and Branches
undated
Augustus Welby Northmore Pugin Sketch of a Small Gothic Church, with a Design for Gothic Ornamentation
Augustus Welby Northmore Pugin, 1812–1852
Sketch of a Small Gothic Church, with a Design for Gothic Ornamentation
undated
Augustus Welby Northmore Pugin Design for a Baptismal Font
Augustus Welby Northmore Pugin, 1812–1852
Design for a Baptismal Font
undated
Augustus Welby Northmore Pugin Sketch of a Gothic Church and Monastery
Augustus Welby Northmore Pugin, 1812–1852
Sketch of a Gothic Church and Monastery
undated
Augustus Welby Northmore Pugin Designs for Gothic Ornamentation
Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Ornamentation
undated
Augustus Welby Northmore Pugin Unidentified Townhouse in a Gothic Style
Augustus Welby Northmore Pugin, 1812–1852
Unidentified Townhouse in a Gothic Style
undated
Augustus Welby Northmore Pugin Sketch of the Interior of a Gothic Church
Augustus Welby Northmore Pugin, 1812–1852
Sketch of the Interior of a Gothic Church
undated
Augustus Welby Northmore Pugin Sketch of a Gothic Church
Augustus Welby Northmore Pugin, 1812–1852
Sketch of a Gothic Church
undated
Augustus Welby Northmore Pugin Designs for Gothic Ornamentation, a Kneeler, and Two Sketches of the Interiors of Gothic Churches
Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Ornamentation, a Kneeler, and Two Sketches of the Interiors of Gothic Churches
undated
William James Muller Miniyeh, (El Minya)
William James Muller, 1812–1845
Miniyeh, (El Minya)
undated
Henry Heath Extravaganza's of 1827
Print made by Henry Heath, active 1824–1835
Extravaganza's of 1827
1827
James Pattison Cockburn Advanced Guard - Sunrise
James Pattison Cockburn, 1779–1847
Advanced Guard - Sunrise
ca. 1832
Thomas Stothard The Fortune Teller
Thomas Stothard, 1755–1834
The Fortune Teller
1827
William James Muller Farm Buildings
William James Muller, 1812–1845
Farm Buildings
undated
William James Muller A Mountain Torrent
William James Muller, 1812–1845
A Mountain Torrent
undated
Robert Wallis St. Maurice (vignette)
Print made by Robert Wallis, 1794–1878
St. Maurice (vignette)
1827
Robert Brandard Orford, Suffolk
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827-1838
Edward Goodall Prudoe Castle, Northumberland
Print made by Edward Goodall, 1795–1870
Prudoe Castle, Northumberland
1827-1838
Edward Goodall Prudoe Castle, Northumberland
Print made by Edward Goodall, 1795–1870
Prudoe Castle, Northumberland
1827-1838
James T. Willmore Okehampton, Devonshire
Print made by James T. Willmore, 1800–1863
Okehampton, Devonshire
1827-1838
James T. Willmore Okehampton, Devonshire
Print made by James T. Willmore, 1800–1863
Okehampton, Devonshire
1827-1838
Robert Brandard Lancaster Sands
Print made by Robert Brandard, 1805–1862
Lancaster Sands
1827-1838
Robert Brandard Lancaster Sands
Print made by Robert Brandard, 1805–1862
Lancaster Sands
1827-1838
J. C. Varrall Malmsbury Abbey, Wiltshire
Print made by J. C. Varrall, active 1815–1827
Malmsbury Abbey, Wiltshire
1827-1838
Thomas Jeavons Knaresborough, Yorkshire
Print made by Thomas Jeavons, ca. 1800–1867
Knaresborough, Yorkshire
1827-1838
Thomas Jeavons Knaresborough, Yorkshire
Print made by Thomas Jeavons, ca. 1800–1867
Knaresborough, Yorkshire
1827-1838
J. C. Varrall Malmsbury Abbey, Wiltshire
Print made by J. C. Varrall, active 1815–1827
Malmsbury Abbey, Wiltshire
1827-1838
J. C. Varrall Malmsbury Abbey, Wiltshire
Print made by J. C. Varrall, active 1815–1827
Malmsbury Abbey, Wiltshire
1827-1838
William Radclyffe Louth, Lincolnshire
Print made by William Radclyffe, 1780–1855
Louth, Lincolnshire
1827-1838
William Miller Great Yarmouth, Norfolk
Print made by William Miller, 1796–1882
Great Yarmouth, Norfolk
1827-1838
William Radclyffe Louth, Lincolnshire
Print made by William Radclyffe, 1780–1855
Louth, Lincolnshire
1827-1838
Charles Westwood Hampton Court Palace
Print made by Charles Westwood, active 1819–1838
Hampton Court Palace
1827-1838
Charles Westwood Hampton Court Palace
Print made by Charles Westwood, active 1819–1838
Hampton Court Palace
1827-1838
Thomas Jeavons Devonport and Dockyard, Devonshire
Print made by Thomas Jeavons, ca. 1800–1867
Devonport and Dockyard, Devonshire
1827-1838
Robert Brandard Dunstanborough Castle, Northumberland
Print made by Robert Brandard, 1805–1862
Dunstanborough Castle, Northumberland
1827-1838
Charles Westwood Carisbrook Castle, Isle of Wight
Print made by Charles Westwood, active 1819–1838
Carisbrook Castle, Isle of Wight
1827-1838
James Redway Althorp Castle, Northamptonshire
James Redway, active 1827–1838
Althorp Castle, Northamptonshire
undated
Robert Smirke Malvolio Dancing
Robert Smirke, 1752–1845
Malvolio Dancing
1827
Robert Smirke She Never Told Her Love, But Sat Like Patience on a Monument
Robert Smirke, 1752–1845
She Never Told Her Love, But Sat Like Patience on a Monument
1827
John Cleghorn Plan of the Regent's Park
Print made by John Cleghorn, active 1840–1881
Plan of the Regent's Park
1827
John Le Keux York House. The South and West Fronts as seen from the Garden
John Le Keux, 1783–1846
York House. The South and West Fronts as seen from the Garden
1827
George Gladwin York House: Plan of Principle Floor
George Gladwin, active 1820s–1830s
York House: Plan of Principle Floor
1827
Samuel Freeman Statue of Achilles in Hyde Park
Print made by Samuel Freeman, 1773–1857
Statue of Achilles in Hyde Park
1827
Robert Newton Devil's at Home: Connoiseur's Sitting in Judgement
Attributed to Robert Newton
Devil's at Home: Connoiseur's Sitting in Judgement
1827
Robert Newton Devil's at Home: Popping the Question to a Devilish fine Creature
Attributed to Robert Newton
Devil's at Home: Popping the Question to a Devilish fine Creature
1827
Robert Newton Devil's at Home: A Scene in May's Buildings
Attributed to Robert Newton
Devil's at Home: A Scene in May's Buildings
1827
Robert Newton Devil's at Home: Monstrous Good Dinner
Attributed to Robert Newton
Devil's at Home: Monstrous Good Dinner
1827
Robert Newton Devil's at Home: Sky Darking among the Devils
Attributed to Robert Newton
Devil's at Home: Sky Darking among the Devils
1827
Robert Newton Devil's at Home: Tragic Recitation or Working Infernally on the Feeling
Attributed to Robert Newton
Devil's at Home: Tragic Recitation or Working Infernally on the Feeling
1827
Thomas Goff Lupton Calais Pier - the English Packet Arriving
Print made by Thomas Goff Lupton, 1791–1873
Calais Pier - the English Packet Arriving
1827
Edward Duncan A View of Ramsgate with the 'Emma', Sir William Curtis's Yacht
Edward Duncan, 1803–1882
A View of Ramsgate with the 'Emma', Sir William Curtis's Yacht
1827
George Cooke Canonbury House, Islington
George Cooke, 1781–1834
Canonbury House, Islington
1827
R. Martin A View of the East Side of London Bridge in 1827
R. Martin, active 1823–1840
A View of the East Side of London Bridge in 1827
1827
George Cooke Tooting Church
George Cooke, 1781–1834
Tooting Church
1827
George Cooke Blackfriar's Bridge
George Cooke, 1781–1834
Blackfriar's Bridge
1827
William Tombleson City of London, Arch of Waterloo Bridge
Print made by William Tombleson, ca.1795–1835
City of London, Arch of Waterloo Bridge
1827
John Martin Joshua Commanding the Sun to Stand Still
John Martin, 1789–1854
Joshua Commanding the Sun to Stand Still
1827
George Cooke Westminster from Vauxhall
George Cooke, 1781–1834
Westminster from Vauxhall
1827
John Phillipps Emslie Ben Johnson's Lock
John Phillipps Emslie, 1839–1913
Ben Johnson's Lock
1827
Joseph Stannard The Beach at Mundesley
Joseph Stannard, 1797–1830
The Beach at Mundesley
1827
George Cooke Tottenham High-Cross
George Cooke, 1781–1834
Tottenham High-Cross
1827
George Cooke The Tower of London from the Excavations for St. Katherine's Dock
George Cooke, 1781–1834
The Tower of London from the Excavations for St. Katherine's Dock
1827
George Vincent Landscape with Men Carrying Stick Across Shoulder (formerly Group of Trees with a Figure in the Roadway)
George Vincent, 1796–1832
Landscape with Men Carrying Stick Across Shoulder (formerly Group of Trees with a Figure in the Roadway)
1827
Welby Sherman The Shepherd
Engraved by Welby Sherman, active 1827
The Shepherd
between 1827 and 1836