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1
- Oberon and Titania
- 1837
2
- Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
- ca. 1832
3
- A Procession of the Damned: Study for the Damned in Dante's "Inferno"
- undated
4
- "Lear in the Storm," King Lear, Act III, Scene II
- undated
5
- Lear Awakened by Cordelia
- between 1774 and 1775
6
- Miranda, Prospero, and Caliban: The Tempest
- undated
7
- Prospero and Miranda
- ca. 1787
8
- Standing Figure, Probably for Lady Macbeth
- undated
9
- Witches' Cavern: MacBeth's Second Visit
- undated
10
- Titania's Attendants Chasing Bats
- undated
11
- Witches' Cavern: MacBeth's Second Visit
- undated
12
- MacBeth at the Witches' Cave: Second Visit, or Canidia and the Youth, or The Opening of the Ark
- undated
13
- MacBeth at the Witches' Cave: Second Visit
- undated
14
- MacBeth: Banquet Scene
- undated
15
- MacBeth: Banquet Scene
- undated
16
- MacBeth: Banquet Scene
- undated
17
- Paradise Lost Sketchbook
- ca. 1793
18
- Daphnis and Chloe
- undated
19
- Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
- undated
20
- The Banquet Scene
- ca. 1792
21
- The Witches' Cavern
- between 1792 and 1793
22
- MacBeth: Banquet Scene
- undated
23
- MacBeth: Banquet Scene
- undated
24
- Sketchbook Drawing
- ca. 1793
25
- Sketchbook Drawing
- ca. 1793
26
- Sketchbook Drawing
- ca. 1793
27
- John Henderson as Falstaff
- 1780
28
- Sketchbook Drawing
- ca. 1793
29
- Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)
- undated
30
- Lear Awakened by Cordelia
- ca. 1774
31
- Sketchbook Drawing
- ca. 1793
32
- Sketchbook Drawing
- ca. 1793
33
- Sketchbook Drawing
- ca. 1793
34
- Sketchbook Drawing
- ca. 1793
35
- Sketchbook Drawing
- ca. 1793
36
- Sketchbook Drawing
- ca. 1793
37
- Sketchbook Drawing
- ca. 1793
38
- Sketchbook Drawing
- ca. 1793
39
- Sketchbook Drawing
- ca. 1793
40
- Sketchbook Drawing
- ca. 1793
41
- Sketchbook Drawing
- ca. 1793
42
- Sketchbook Drawing
- ca. 1793
43
- Sketchbook Drawing
- ca. 1793
44
- Sketchbook Drawing
- ca. 1793
45
- Sketchbook Drawing
- ca. 1793
46
- Sketchbook Drawing
- ca. 1793
47
- Sketchbook Drawing
- ca. 1793
48
- Sketchbook Drawing
- ca. 1793
49
- Sketch for Canidia and the Youth
- undated
50
- Three Studies of a Standing Woman, Possibly Lady MacBeth
- undated
51
- Sketchbook Drawing
- ca. 1793
52
- Sketchbook Drawing
- ca. 1793
53
- Unidentified Subjects
- undated
54
- The Abandonment and Rescue of Perdita from "The Winter's Tale"
- undated
55
- Birth of Man
- undated
56
- Tempest, Version A
- undated
57
- The Abandonment and Rescue of Perdita from "The Winter's Tale"
- undated
58
- The Abandonment and Rescue of Perdita from "The Winter's Tale"
- undated
59
- The Abandonment and Rescue of Perdita from "The Winter's Tale"
- undated
60
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
61
- The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)
- 1794
62
- America. A Prophecy, Plate 7, "Albions Angel stood...."
- 1793
63
- Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."
- 1804 to 1820
64
- Jerusalem, Plate 18, "From every-one of the Four Regions...."
- 1804 to 1820
65
- Jerusalem, Plate 19, "His children exil'd from his breast...."
- 1804 to 1820
66
- Jerusalem, Plate 26, "Such Visions Have...."
- 1804 to 1820
67
- Jerusalem, Plate 32, "Leaning against the pillars...."
- 1804 to 1820
68
- Jerusalem, Plate 33, "Turning his back to the Divine Vision...."
- 1804 to 1820
69
- Jerusalem, Plate 34, "Elevate into the Region of Brotherhood...."
- 1804 to 1820
70
- Jerusalem, Plate 35, "Then the Divine hand...."
- 1804 to 1820
71
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
72
- Jerusalem, Plate 38, "His face and bosom...."
- 1804 to 1820
73
- Jerusalem, Plate 39, "By Satans Watch-fiends...."
- 1804 to 1820
74
- Jerusalem, Plate 41, "Bath who is Legions...."
- 1804 to 1820
75
- Jerusalem, Plate 42, "Thus Albion sat...."
- 1804 to 1820
76
- Jerusalem, Plate 44, "With one accord...."
- 1804 to 1820
77
- Jerusalem, Plate 45, "Bath, healing City!...."
- 1804 to 1820
78
- Jerusalem, Plate 46, "Bath, mild Physician...."
- 1804 to 1820
79
- Jerusalem, Plate 47, "From Camberwell to Highgate...."
- 1804 to 1820
80
- Jerusalem, Plate 48, "These were his last words...."
- 1804 to 1820
81
- Jerusalem, Plate 52, "To the Deists...."
- 1804 to 1820
82
- Jerusalem, Plate 53, "Jerusalem / Chap. 3"
- 1804 to 1820
83
- Jerusalem, Plate 54, "In Great Eternity...."
- 1804 to 1820
84
- Jerusalem, Plate 55, "When those who disregard...."
- 1804 to 1820
85
- Jerusalem, Plate 56, "Then Los heaved...."
- 1804 to 1820
86
- Jerusalem, Plate 63, "Jehovah stood among the Druids...."
- 1804 to 1820
87
- Jerusalem, Plate 64, "Of the Mundane Shell...."
- 1804 to 1820
88
- Jerusalem, Plate 65, "To decide Two Worlds...."
- 1804 to 1820
89
- Jerusalem, Plate 80, "Encompassd by the frozen net...."
- 1804 to 1820
90
- Jerusalem, Plate 16, "Hampstead Highgate Finchley...."
- 1804 to 1820
91
- Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
- 1789
92
- The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
93
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
94
- The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
95
- The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
96
- The Poems of Thomas Gray, Design 61, "The Bard."
- between 1797 and 1798
97
- The Poems of Thomas Gray, Design 63, "The Bard."
- between 1797 and 1798
98
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
99
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
100
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798