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On-site Access Accessible by appointment in the Study Room

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Date 1828

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Study for Cottage in Cornfield, East Bergholt
Creator:
attributed to John Constable, 1776–1837
Date:
ca. 1833
Materials & Techniques:
Graphite and brown wash on medium, smooth, beige wove paper mounted to card
Dimensions:
Sheet: 3 1/2 x 2 1/2 inches (8.9 x 6.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ancient Trees, Lullingstone Park
Creator:
Samuel Palmer, 1805–1881
Date:
1828
Materials & Techniques:
Graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 14 5/8 inches (26.7 x 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shipping
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
between 1828 and 1830
Materials & Techniques:
Brushed brown ink, pen and brown ink, gouache, graphite and white chalk on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 5 3/8 x 7 3/8 inches (13.6 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Temple of Jupiter in the Island of Aegina
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1828
Materials & Techniques:
Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 24 1/8 × 31 inches (61.3 × 78.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pavillion de Flore, August 22, 1828
Creator:
William Henry Lake Price, ca. 1810–ca. 1896
Date:
1828
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 5 3/4 inches (19.1 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Puckally
Creator:
John Gantz, 1772–1853
Date:
1828
Materials & Techniques:
Pen and black ink and watercolor on medium, moderately textured, cream wove paper mounted to card
Dimensions:
Sheet: 6 3/8 × 8 7/8 inches (16.2 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Building and Repairing Masoola Boats
Creator:
John Gantz, 1772–1853
Date:
1828
Materials & Techniques:
Pen and black ink and watercolor on medium, moderately textured, cream wove paper mounted to card
Dimensions:
Sheet: 6 3/8 × 9 inches (16.2 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Basket Maker
Creator:
John Gantz, 1772–1853
Date:
1828
Materials & Techniques:
Pen and black ink and watercolor on medium, slightly textured, cream wove paper mounted to card
Dimensions:
Sheet: 6 1/2 × 9 1/8 inches (16.5 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Air Man, July 10, 1828
Creator:
John Gantz, 1772–1853
Date:
1828
Materials & Techniques:
Pen and black ink and watercolor on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 7 3/8 inches (23.5 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Forum in Rome
Creator:
Hugh William "Grecian" Williams, 1773–1829
Date:
1828
Materials & Techniques:
Watercolor over graphite with stopping-out, scraping out and gum on medium, smooth, white wove paper
Dimensions:
Sheet: 15 7/8 x 25 1/2 inches (40.3 x 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Temple of Jupiter in the Island of Aegina
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1828
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 22 1/8 × 31 3/8 inches (56.2 × 79.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Nantes

Nantes
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1828-1832
Materials & Techniques:
Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Checkoo or Oil Mill
Creator:
John Gantz, 1772–1853
Date:
1828
Materials & Techniques:
Pen and black ink and watercolor on medium, slightly textured, cream wove paper mounted to medium, moderately textured, gray wove paper
Dimensions:
Sheet: 6 3/8 × 9 1/8 inches (16.2 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Palace of La Belle Gabrielle
Creator:
Print made by William Miller, 1796–1882
Date:
1828-1837
Materials & Techniques:
Line engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 5/8 × 13 1/2 inches (21.9 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Palace of La Belle Gabrielle
Creator:
Print made by William Miller, 1796–1882
Date:
1828-1837
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Fonthill

Fonthill
Creator:
Print made by Thomas Crostick, active ca. 1828
Date:
1828
Materials & Techniques:
Line engraving, first published state on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 11 5/8 × 17 3/8 inches (29.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
[Fox-hunting] Set of twelve "Turner's / Illustrations / to Nimrod / on the Condition / of Hunters," supplementary to C. J. Apperley's edition of 1834.
Creator:
Francis Calcraft Turner, active 1782–1846
Date:
ca. 1833
Materials & Techniques:
Hand colored lithograph
Dimensions:
Sheet: 5 x 8 1/2in. (12.7 x 21.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Set of Four: Much Ado About Nothing or Illustrations of Sayings
Creator:
John Phillips, active 1840–1852
Date:
1828
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 11 5/8 x 9 1/2in. (29.5 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
One of a set of four: Much Ado About Nothing or Illustrations of Old Savings
Creator:
John Phillips, active 1840–1852
Date:
1828
Materials & Techniques:
Soft-ground etching, colored by hand
Dimensions:
Sheet: 11 5/8 x 9 1/2in. (29.5 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Set of Four: Much Ado About Nothing or Illustrations of Old Sayings
Creator:
John Phillips, active 1840–1852
Date:
1828
Materials & Techniques:
Soft-ground etching, colored by hand
Dimensions:
Sheet: 11 5/8 x 9 1/2in. (29.5 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Set of Four: Much Ado About Nothing or Illustrations of Old Sayings
Creator:
John Phillips, active 1840–1852
Date:
1828
Materials & Techniques:
Soft-ground etching, colored by hand
Dimensions:
Sheet: 11 5/8 x 9 1/2in. (29.5 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
One of a Set of Four: Much Ado About Nothing or Illustrations of Old Sayings
Creator:
John Phillips, active 1840–1852
Date:
1828
Materials & Techniques:
Soft-ground etching, colored by hand
Dimensions:
Sheet: 11 5/8 x 9 1/2in. (29.5 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Two Durham Oxen
Creator:
Print made by Charles Turner, 1774–1857
Date:
1828
Materials & Techniques:
Mezzotint with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 24 × 30 inches (61 × 76.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Canons Park
Creator:
Attributed to John Preston Neale, 1771/80–1847
Date:
1828
Materials & Techniques:
Graphite and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 19 × 23 1/2 inches (48.3 × 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sportsman and His Dogs
Creator:
Patrick Nasmyth, 1787–1831
Date:
1828
Materials & Techniques:
Watercolor and gouache with scratching out over graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 3/8 × 16 1/2 inches (31.4 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portrait of Samuel Palmer, February 5, 1828
Creator:
George Richmond, 1809–1896
Date:
1828
Materials & Techniques:
Graphite with pen and black ink on medium, slightly textured, cream wove paper 1828, on wove paper
Dimensions:
Sheet: 8 1/8 x 5 7/8 inches (20.6 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. La Mancha

La Mancha
Creator:
Sir David Wilkie, 1785–1841
Date:
1828
Materials & Techniques:
Watercolor and gouache over graphite and black chalk on medium, slightly textured, cream wove paper mounted on thick, slightly textured, cream card
Dimensions:
Sheet: 7 3/16 x 6 11/16 inches (18.3 x 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Palankeen Bearers
Creator:
John Gantz, 1772–1853
Date:
1828
Materials & Techniques:
Pen and black ink and watercolor on medium, slightly textured, cream wove paper mounted to card
Dimensions:
Sheet: 6 3/8 × 9 inches (16.2 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
John Linnell
Creator:
George Richmond, 1809–1896
Date:
1828
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 × 6 3/8 inches (22.9 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Samuel Palmer
Creator:
George Richmond, 1809–1896
Date:
1828
Materials & Techniques:
Pen and brown ink and graphite on medium, slightly textured, light blue wove paper
Dimensions:
Sheet: 6 × 4 3/4 inches (15.2 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mount Blanc
Creator:
Print made by B. R. Davies, active ca. 1833
Date:
1828
Materials & Techniques:
Etching and engraving, Engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 15/16 × 13 1/4 inches (25.2 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ehrenbreitstein
Creator:
Print made by John Pye, 1782–1874
Date:
1828
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 16 13/16 inches (30.5 × 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ehrenbreitstein
Creator:
Print made by John Pye, 1782–1874
Date:
1828
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ehrenbreitstein
Creator:
Print made by John Pye, 1782–1874
Date:
1828
Materials & Techniques:
Etching and line engraving, two plates; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 9/16 × 12 1/8 inches (44.6 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lake Albano
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828
Materials & Techniques:
Etching and line engraving; engraver's proof, open etched state on moderately thick, slightly textured, cream wove paper, with beige chine collé
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lake Albano
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828
Materials & Techniques:
Line engraving, Early proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 × 11 1/2 inches (22.9 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lake Albano
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 5 1/2 × 7 15/16 inches (14 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lago Maggiore
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1828 to 1837
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Virginia Water No. 1
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828
Materials & Techniques:
Open etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lake Albano
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828
Materials & Techniques:
Line engraving, first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 15 3/16 inches (29.8 × 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Virginia Water No. 11
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828
Materials & Techniques:
Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lago Maggiore
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1828-1837
Materials & Techniques:
Line engraving, first published state on medium, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 8 15/16 × 11 7/8 inches (22.7 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Nantes

Nantes
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1828-1837
Materials & Techniques:
Line engraving, engraver's proof on moderateny thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Virginia Water No. 1
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828-1832
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lago Maggiore
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1828
Materials & Techniques:
Open etching on moderately thick, slightly textured, beige wove paper, with beige chine collé
Dimensions:
Sheet: 11 15/16 × 17 1/2 inches (30.3 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Virginia Water No. 1
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828-1832
Materials & Techniques:
Line engraving, first published state on medium, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Virginia Water No. 11
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828-1837
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 1/16 × 17 1/2 inches (30.6 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Nantes

Nantes
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1828-1837
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 3/8 × 16 7/8 inches (31.4 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Nantes

Nantes
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1828-1837
Materials & Techniques:
Line engraving, engraver's proof
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Germain-en-Laye
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828-1837
Materials & Techniques:
Line engraving, engraver's proof (touched) on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 8 3/4 × 11 1/16 inches (22.2 × 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection