On-site Access: Accessible by appointment in the Study Room / Period: 18th century / Subject Terms: architectural subject / Topic subjectplace ss: London

101. Putney on Fulham

Creator:: James Miller, active 1773–1814
Date:: 1770s
Materials & Techniques:: Watercolor, gray wash, and graphite; verso: watercolor, gray wash, and pen and ink over graphite
Dimensions:: Sheet: 7 11/16 × 12 1/2 inches (19.5 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

102. Gentlemen Punting near a Country Villa/ Heathan House, Twickenham

Creator:: James Miller, active 1773–1814
Date:: 1770s
Materials & Techniques:: Watercolor and gray wash over graphite
Dimensions:: Sheet: 7 11/16 x 12 1/2in. (19.5 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

103. The Church of St. John's, Smith Square

Creator:: James Miller, active 1773–1814
Date:: 1770s
Materials & Techniques:: Watercolor and gray wash over graphite
Dimensions:: Sheet: 7 11/16 x 12 1/2in. (19.5 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

104. The Exhibition of the Royal Academy, 1787

Creator:: Print made by Pietro Antonio Martini, 1738–1797
Date:: 1787
Materials & Techniques:: Engraving and etching on medium, slightly textured, cream paper
Dimensions:: Sheet: 14 1/2 × 20 9/16 inches (36.9 × 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. A Perspective View of the Foundling Hospital with Emblematic Figures

Creator:: Charles Grignion, 1717–1810
Date:: 1749
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, beige laid paper, pasted on mount
Dimensions:: Sheet: 13 3/4 × 17 3/8 inches (35 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Thames Side Buildings

Creator:: Samuel Scott, 1701/2–1772
Date:: undated
Materials & Techniques:: Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/8 x 33 inches (36.5 x 83.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

107. Christ Church, Blackfriars, London

Creator:: Thomas Girtin, 1775–1802
Date:: between 1792 and 1794
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/8 x 13 3/16 inches (24.4 x 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. St. Paul's Cathedral, from St. Martin's-le-Grand, London

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Gray wash and watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 19 3/4 x 15 5/16 inches (50.2 x 38.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. The Royal Palace of St. James's next the Park

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 × 16 3/4 inches (27.9 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. View through the South East Window of the Crypt beneath St Stephen's, Westminster

Creator:: George Johann Scharf, 1788–1860
Date:: 1852
Materials & Techniques:: Graphite, gray watercolor and pen and black ink on Smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 10 7/8 inches (33 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. The Monument of King Edward III in Westminster Abbey

Creator:: Claude Du Bosc, c.1711–1740
Date:: undated, ca. 1726-1740
Materials & Techniques:: Engraving on medium smooth laid paper
Dimensions:: Sheet: 14 3/4 × 8 3/4 inches (37.5 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

Creator:: unknown artist
Date:: printed 1740, drawn ca. 1760
Materials & Techniques:: Line engraving marked with pen and black ink, blue wash, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 15/16 × 28 3/4 inches (53.2 × 73 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. A view of the inside of Westminster Hall

Creator:: unknown artist
Date:: ca. 1700
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 11 7/8 inches (22.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. Plate XI: St Stephen's Chapel

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 16 × 23 5/8 inches (40.6 × 60 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. Plate X: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 15 5/8 × 22 5/8 inches (39.7 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. Plate VIII: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 3/8 × 22 1/16 inches (39.1 × 56 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. Plate IX: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 5/8 × 22 1/2 inches (39.7 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. Plate XII: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 16 × 22 inches (40.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 × 14 7/8 inches (48.3 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. Geometrical Construction of the Freeze and Battlements in the House of Commons

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1805
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 11 × 9 3/8 inches (27.9 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. Plate XIII: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 16 × 22 1/8 inches (40.6 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 5 3/4 × 4 1/2 inches (14.6 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 6 3/8 × 3 13/16 inches (16.2 × 9.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 6 3/8 × 5 1/2 inches (16.2 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 4 7/16 × 3 1/8 inches (11.3 × 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 13 1/2 inches (26 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black and brown ink on three sheets of slightly textured, moderately thick, white laid paper pasted together
Dimensions:: Sheet: 14 5/8 × 8 3/4 inches (37.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 5 1/2 inches (17.1 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 4 3/4 inches (14 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 5 1/2 inches (16.5 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 11/16 × 4 1/8 inches (14.4 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 × 5 5/8 inches (17.5 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. Side Window, North, Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 6 7/8 × 7 3/4 inches (17.5 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. North Side, Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 × 14 3/8 inches (22.9 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. Door-way in Wall of South Precints of Westminster Abbey

Creator:: Attributed to John Carter, 1748–1817
Date:: undated
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 × 5 7/16 inches (20 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. South View of the Abbey Church, Westminster, Taken from Dean's Yard

Creator:: Attributed to John Carter, 1748–1817
Date:: 1785
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 8 7/16 × 7 7/16 inches (21.4 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. Window, Dean's Yard

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1806 and 1815
Materials & Techniques:: Graphite on slightly textured, medium, white laid paper
Dimensions:: Sheet: 6 1/2 × 3 3/4 inches (16.5 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. Figure study, Henry VII Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1793
Materials & Techniques:: Graphite on slightly textured, medium, white laid paper
Dimensions:: Sheet: 4 3/16 × 2 1/16 inches (10.6 × 5.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. Plan of Westminster Showing the Coronation Route of George II

Creator:: unknown artist
Date:: ca. 1727
Materials & Techniques:: Graphite and pen and black ink on smooth, thin, brown wove paper
Dimensions:: Sheet: 11 13/16 x 18 5/16in. (30 x 46.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. The North Prospect of Westminster Abbey

Creator:: Print made by John Collins, active ca. 1682
Date:: between 1680 and 1710
Materials & Techniques:: Line engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 20 1/2 × 28 1/4 inches (52.1 × 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. Marriage of Henry the seventh

Creator:: Print made by George Barret Jr., 1767–1842
Date:: 1796
Materials & Techniques:: Line engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 4 1/8 × 4 15/16 inches (10.5 × 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. Henry the Seventh's Chapel

Creator:: Print made by Edward Rooker, 1724–1774
Date:: undated
Materials & Techniques:: Etching on slightly textured, medium, white laid paper
Dimensions:: Sheet: 4 1/2 × 6 3/8 inches (11.4 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. Seats in Henry VII Chapel, Westminster Abbey

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1793
Materials & Techniques:: Graphite and pen and black ink on slightley textured, medium, white laid paper
Dimensions:: Sheet: 14 1/2 × 10 3/8 inches (36.8 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. Continuation of the Preceeding Ornaments

Creator:: Attributed to John Carter, 1748–1817
Date:: 1793
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 6 3/4 × 9 3/8 inches (17.1 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey

Creator:: Attributed to John Carter, 1748–1817
Date:: 1792
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 10 3/4 inches (21.3 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard

Creator:: Print made by John Carter, 1748–1817
Date:: 1791
Materials & Techniques:: Etching on slightly textured, medium, white wove paper
Dimensions:: Sheet: 3 1/8 × 3 9/16 inches (7.9 × 9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 9 5/8 inches (36.8 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. House of Commons and the Entrance to the House of Lords with the Office of Ordnance

Creator:: Print made by Charles Grignion, 1717–1810
Date:: undated
Materials & Techniques:: Engraving with graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/16 × 7 1/2 inches (11 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. Entrance of the House of Lords with the Office of Ordnance

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, smooth, cream laid paper
Dimensions:: Sheet: 6 1/2 × 3 3/4 inches (16.5 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. Plan of Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 5 9/16 inches (15.9 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. Enlarged Detail of Figures from Painting Shown in Previous Sketch

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 9 5/8 × 5 inches (24.4 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. Wall Paintings

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 7 5/8 × 12 1/4 inches (19.4 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. The South-East Prospect of King Henry The VII's Chapel at Westminster

Creator:: Print made by William Henry Toms, ca. 1700–ca. 1750
Date:: 1739
Materials & Techniques:: Line engraving on moderately textured, medium, white laid paper
Dimensions:: Sheet: 11 7/8 × 13 inches (30.2 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. Henry VII Chapel

Creator:: William Capon, 1757–1827
Date:: ca. 1793
Materials & Techniques:: Graphite on slightly textured, medium, white wove paper
Dimensions:: Spine:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. South East View of the Towers of the Abbey, &c. from College St. Westminster

Creator:: John Carter, 1748–1817
Date:: 1782
Materials & Techniques:: Graphite, pen and black ink, watercolor on slightly textured, medium, white wove paper
Dimensions:: Sheet: 13 1/8 × 9 5/8 inches (33.3 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. Ruins of Savoy Palace

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 9/16 x 11 3/4 inches (21.7 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. A Wood Yard on the Thames at Nine Elms

Creator:: Samuel Scott, 1701/2–1772
Date:: undated
Materials & Techniques:: Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 x 35 1/8 inches (34.9 x 89.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

159. The Admiralty Building from Whitehall

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: 1782
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 11 1/4 inches (18.4 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. Royal Botanic Gardens, Kew: Design for Interior of a Mosque

Creator:: Sir William Chambers, 1723–1796
Date:: ca. 1761
Materials & Techniques:: Pen and black ink, watercolor and gray wash on medium, moderately textured, beige laid paper, with additional sheet affixed to verso
Dimensions:: Sheet: 7 3/8 x 12 inches (18.7 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. Facade for a Temple of Peace, Kew Gardens, Surrey

Creator:: Sir William Chambers, 1723–1796
Date:: ca. 1763
Materials & Techniques:: Graphite, pen and black ink, watercolor and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 18 3/4 inches (32.1 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. Bush Hill, Edmonton, London: Plan of a Knot Garden

Creator:: unknown artist
Date:: 1713
Materials & Techniques:: Graphite, pen and brown ink, and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 x 5 1/2 inches (25.1 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. Design for Ceiling

Creator:: Sir William Chambers, 1723–1796
Date:: ca. 1765
Materials & Techniques:: Pen and black and brown ink, watercolor and gouache over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 x 9 3/8 inches (33 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. St. Paul's Church, Covent Garden, after the fire

Creator:: Edward Dayes, 1763–1804
Date:: 1795
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 × 5 5/8 inches (8.9 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. St James's House, Le Palais Royal de St James

Creator:: Print made by Johannes Kip, 1653–1722
Date:: 1707
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/4 × 19 1/4 inches (36.2 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Helen Chillman

166. Old Vauxhall Gardens, Ancient Manor House

Creator:: Thomas Allen, active 1767–1772
Date:: undated
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 3/4 x 7in. (24.8 x 17.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. Drawings of London and the Upper Thames

Creator:: James Miller, active 1773–1814
Date:: 1770s
Materials & Techniques:: Disbound sketchbook with 36 matted drawings and two ms. sheets, cover boards, and newspaper clipping
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

168. View of St. Paul's Cathedral from below Blackfriars

Creator:: Joseph Farington, 1747–1821
Date:: 1791
Materials & Techniques:: Pen and gray ink, gray wash, and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 10 1/4 inches (17.5 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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Period 18th century

Subject Terms architectural subject

Topic subjectplace ss London

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101. Putney on Fulham

102. Gentlemen Punting near a Country Villa/ Heathan House, Twickenham

103. The Church of St. John's, Smith Square

104. The Exhibition of the Royal Academy, 1787

105. A Perspective View of the Foundling Hospital with Emblematic Figures

106. Thames Side Buildings

107. Christ Church, Blackfriars, London

108. St. Paul's Cathedral, from St. Martin's-le-Grand, London

109. The Royal Palace of St. James's next the Park

110. View through the South East Window of the Crypt beneath St Stephen's, Westminster

111. The Monument of King Edward III in Westminster Abbey

112. A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

113. A view of the inside of Westminster Hall

114. Plate XI: St Stephen's Chapel

115. Plate X: St Stephen's Chapel

116. Plate VIII: St Stephen's Chapel

117. Plate IX: St Stephen's Chapel

118. Plate XII: St Stephen's Chapel

119. View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster

120. Geometrical Construction of the Freeze and Battlements in the House of Commons

121. Plate XIII: St Stephen's Chapel

122. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

123. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

124. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

125. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

126. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

127. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

128. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

129. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

130. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

131. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

132. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

133. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

134. Side Window, North, Painted Chamber

135. North Side, Painted Chamber

136. Door-way in Wall of South Precints of Westminster Abbey

137. South View of the Abbey Church, Westminster, Taken from Dean's Yard

138. Window, Dean's Yard

139. Figure study, Henry VII Chapel

140. Plan of Westminster Showing the Coronation Route of George II

141. The North Prospect of Westminster Abbey

142. Marriage of Henry the seventh

143. Henry the Seventh's Chapel

144. Seats in Henry VII Chapel, Westminster Abbey

145. Continuation of the Preceeding Ornaments

146. North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey

147. Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard

148. Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

149. House of Commons and the Entrance to the House of Lords with the Office of Ordnance

150. Entrance of the House of Lords with the Office of Ordnance

151. Plan of Painted Chamber

152. Enlarged Detail of Figures from Painting Shown in Previous Sketch

153. Wall Paintings

154. The South-East Prospect of King Henry The VII's Chapel at Westminster

155. Henry VII Chapel

156. South East View of the Towers of the Abbey, &c. from College St. Westminster

157. Ruins of Savoy Palace

158. A Wood Yard on the Thames at Nine Elms

159. The Admiralty Building from Whitehall

160. Royal Botanic Gardens, Kew: Design for Interior of a Mosque

161. Facade for a Temple of Peace, Kew Gardens, Surrey

162. Bush Hill, Edmonton, London: Plan of a Knot Garden

163. Design for Ceiling

164. St. Paul's Church, Covent Garden, after the fire

165. St James's House, Le Palais Royal de St James

166. Old Vauxhall Gardens, Ancient Manor House

167. Drawings of London and the Upper Thames

168. View of St. Paul's Cathedral from below Blackfriars