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Collection
Prints and Drawings
48
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
[remove]
48
Middiman, Samuel, ca. 1750–1831
7
Allen, James C., active 1821–1831
5
Cooke, William Bernard, 1778–1855
5
Lupton, Thomas Goff, 1791–1873
5
Pye, John, 1782–1874
5
Reynolds, Samuel William, 1773–1835
4
Cooke, George, 1781–1834
3
Le, Keux Henry, 1787–1868
3
Smith, William R., active 1819–1851
3
Dawe, Henry E., 1790–1848
2
Hakewill, James, 1778–1843
2
Say, William, 1768–1834
2
Byrne, John, 1786–1847
1
Jeavons, Thomas, ca. 1800–1867
1
Landseer, John, 1769–1852
1
Moses, Henry, ca. 1782–1870
1
Murray, John, founded 1768
1
Rawle, Samuel, 1771–1860
1
Date
1834
449
1835
220
1833
186
1827
164
1836
154
1830
119
1837
97
1832
96
1818
81
1814
69
1816
66
1828
66
1859
66
1820
59
1823
55
1811
48
1819
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48
1812
46
1831
45
1825
41
1826
40
1838
33
1824
32
1813
30
1839
30
1808
29
1821
29
1822
27
1829
25
1896
22
1795
21
1800
20
1809
17
1842
17
1807
16
1856
14
1799
13
1817
11
1797
9
1805
9
1810
9
1815
9
1844
9
1801
8
1841
8
1891
7
1794
6
1804
6
1853
6
1796
5
1875
5
1886
5
1920
5
1798
4
1845
4
1854
4
1902
4
0
3
1802
3
1803
3
1806
3
1860
3
1885
3
1887
3
1840
2
1843
2
1850
2
1852
2
1879
2
1882
2
1851
1
1855
1
1858
1
1861
1
1864
1
1866
1
1869
1
1874
1
1878
1
1888
1
1893
1
1895
1
1897
1
1906
1
1933
1
1938
1
On-site Access
Accessible by appointment in the Study Room
48
Image Use
Free to Use
48
Image Available
Available
[remove]
48
Classification
Prints
48
Creator Gender
male
48
Collective Title
Liber Studiorum
16
A Picturesque Tour of Italy
10
Cooke's Views in Sussex
5
The Proposed East Coast of England (Unpublished)
5
Provincial Antiquities of Scotland
4
Whitaker's History of Richmondshire
4
Picturesque Views in England and Wales
1
Surtees' History of Durham
1
Period
19th century
48
Materials & Techniques
etching (printing process)
43
wove paper
27
laid paper
20
line engraving
20
brown ink
17
chine collé
16
mezzotint
16
engraving (printing process)
9
graphite
1
letterpress printing
1
Height [cm]
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48
Width [cm]
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56
Work Type
intaglio print
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48
Genre
landscape
36
architectural subject
16
cityscape
7
marine art
6
animal art
4
religious and mythological subject
4
genre subject
3
literary theme
2
figure study
1
still life
1
Subject Terms
landscape (representation)
11
river
6
architectural subject
5
castle
5
cityscape
5
marine art
5
church
4
hill
3
religious and mythological subject
3
sea
3
tree
3
bridge
2
lake
2
landscape
2
nymph
2
palace
2
rivers
2
ruins
2
sunlight
2
water well
2
more
Subject Terms
»
Associated Places
United Kingdom
9
England
8
Europe
6
Italy
6
All Saints Church Ruins
3
North Sea
3
Suffolk
3
Terni
3
Umbria
3
Albani, Colli
2
Bridge of Augustus
2
Church of Santa Maria della Cima
2
Church of St. Mary the Virgin
2
Dunwich
2
Durham
2
Genzano di Roma
2
Greta
2
Lazio
2
Narni
2
Nemi, Lago di
2
more
Associated Places
»
Associated People
Aesacus
2
Hesperie
2
Christ
1
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
4
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
2
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
2
Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (Yale Center for British Art, 2007-09-27 - 2007-12-30)
1
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
48
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Date
1819
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Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
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intaglio print
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1
Etched by Joseph Mallord William Turner, 1775–1851
Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
1819
2
Etched by Joseph Mallord William Turner, 1775–1851
The Alcove, Isleworth
1819
3
Etched by Joseph Mallord William Turner, 1775–1851
The Alcove, Isleworth
1819
4
Etched by Joseph Mallord William Turner, 1775–1851
East Gate, Winchelsea, Sussex
1819
5
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
6
Etched by Joseph Mallord William Turner, 1775–1851
Ben Arthur, Scotland
1819
7
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
8
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Interior of a Church
1819
9
Etched by Joseph Mallord William Turner, 1775–1851
Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
1819
10
Etched by Joseph Mallord William Turner, 1775–1851
Isis
1819
11
Etched by Joseph Mallord William Turner, 1775–1851
Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
1819
12
Etched by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
13
Etched by Joseph Mallord William Turner, 1775–1851
East Gate, Winchelsea, Sussex
1819
14
Etched by Joseph Mallord William Turner, 1775–1851
Ben Arthur, Scotland
1819
15
Etched by Joseph Mallord William Turner, 1775–1851
Isis
1819
16
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Interior of a Church
1819
17
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
18
Print made by Samuel Rawle, 1771–1860
Gibside, County of Durham
1819
19
Print made by George Cooke, 1781–1834
Naples, from the Mole
1819
20
Print made by Henry Moses, ca. 1782–1870
Mr. Fawkes Gallery
1819-1820
21
Print made by William Bernard Cooke, 1778–1855
Views in Sussex, Publisher's Printed Wrapper
1819
22
Print made by Samuel Middiman, ca. 1750–1831
Bridge at Narni
1819
23
Etched by Samuel Middiman, ca. 1750–1831
Lake of Nemi
1819
24
Print made by Henry Le Keux, 1787–1868
Borthwick Castle
1819
25
Engraved by Henry Le Keux, 1787–1868
High Street, Edinburgh
1819
26
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1819
27
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1819
28
Print made by William Bernard Cooke, 1778–1855
Battle Abbey, The Spot where Harold Fell
1819
29
Etched by Samuel Middiman, ca. 1750–1831
La Riccia
1819
30
Print made by John Byrne, 1786–1847
Tomb of Cecilia Metella
1819
31
Print made by Samuel Middiman, ca. 1750–1831
Junction of the Greta and Tees at Rokeby
1819
32
Print made by George Cooke, 1781–1834
Critchton Castle
1819
33
Print made by Henry Le Keux, 1787–1868
High Street, Edinburgh
1819
34
Print made by W. R. Smith, active 1819–1851
Florence from Fiesoli
1819
35
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1819
36
Etched by Samuel Middiman, ca. 1750–1831
La Riccia
1819
37
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1819
38
Print made by Thomas Jeavons, ca. 1800–1867
Exeter
1819-1826
39
Print made by James C. Allen, active 1821–1831
Harborough Sands
1819-1826
40
Print made by James C. Allen, active 1821–1831
Harborough Sands
1819-1826
41
Print made by James C. Allen, active 1821–1831
Dunwich
1819-1826
42
Print made by James C. Allen, active 1821–1831
Dunwich, Suffolk
1819-1826
43
Print made by James C. Allen, active 1821–1831
Aldborough
1819-1826
44
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1819
45
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1819
46
Print made by John Landseer, 1769–1852
Casade of Terni
1819
47
Print made by Samuel Middiman, ca. 1750–1831
Bridge at Narni
1819
48
Etched by Samuel Middiman, ca. 1750–1831
Lake of Nemi
1819