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Date 1827

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John Constable Study of Three Parrot Tulips
Attributed to John Constable, 1776–1837
Study of Three Parrot Tulips
ca. 1832
Not on view
George Vincent A View of Thames Street, Windsor
George Vincent, 1796–1832
A View of Thames Street, Windsor
1827 to 1830
Not on view
James Ward Cattle at a Pool at Sunrise
James Ward, 1769–1859
Cattle at a Pool at Sunrise
1827
Not on view
William Collins Frost Scene
William Collins, 1788–1847
Frost Scene
1827
Not on view
Thomas Phillips Portrait of Charles Frederick Schlaberg, London, 1827
Thomas Phillips, 1770–1845
Portrait of Charles Frederick Schlaberg, London, 1827
1827
Not on view
John Ferneley Miss Catherine Herrick with her Nieces and Nephews, the Five Elder Children of the Rev. and Mrs. Henry Palmer
John Ferneley, 1782–1860
Miss Catherine Herrick with her Nieces and Nephews, the Five Elder Children of the Rev. and Mrs. Henry Palmer
1827
Not on view
Richard Redgrave Self-Portrait
Richard Redgrave, 1804–1888
Self-Portrait
ca. 1832
Not on view
John Gibson An Unknown Young Woman
John Gibson, 1790–1866
An Unknown Young Woman
late 1820s
Not on view
Sir Francis Leggatt Chantrey George IV
Sir Francis Leggatt Chantrey, 1781–1841
George IV
1827
Not on view
Sir Francis Leggatt Chantrey Alexander Knox
Sir Francis Leggatt Chantrey, 1781–1841
Alexander Knox
late 1820s
Not on view
Francis Danby Study for "The Golden Age"
Francis Danby, 1793–1861
Study for "The Golden Age"
1827
John Constable Sky Study with Rainbow
John Constable, 1776–1837
Sky Study with Rainbow
1827
Joseph Mallord William Turner Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
Joseph Mallord William Turner, 1775–1851
Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
ca. 1832
Joseph Mallord William Turner Carlisle
Joseph Mallord William Turner, 1775–1851
Carlisle
ca. 1832
Edward Lear Entrance to the Port of Marseille
Edward Lear, 1812–1888
Entrance to the Port of Marseille
undated
Edward Lear Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
Edward Lear, 1812–1888
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
Edward Lear Venice, the Doge's Palace
Edward Lear, 1812–1888
Venice, the Doge's Palace
undated
Edward Lear English Country Town
Edward Lear, 1812–1888
English Country Town
undated
Edward Lear People on the Road Near Kalicut, Malabar
Edward Lear, 1812–1888
People on the Road Near Kalicut, Malabar
undated
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
James Duffield Harding Fishermen's Houses at Sculcoats near Hull, Yorkshire
James Duffield Harding, 1798–1863
Fishermen's Houses at Sculcoats near Hull, Yorkshire
1827
Sir George Hayter Banditti of Kurdistan Assisting Georgians in Surprising and Carrying off Circassian Women
Sir George Hayter, 1792–1871
Banditti of Kurdistan Assisting Georgians in Surprising and Carrying off Circassian Women
1827
John Frederick Lewis St. Goarhausen on the Rhine between Koblenz and Mainz
John Frederick Lewis, 1804–1876
St. Goarhausen on the Rhine between Koblenz and Mainz
1827
John Frederick Lewis The Valley of Lutscheuen
John Frederick Lewis, 1804–1876
The Valley of Lutscheuen
1827
John Frederick Lewis The Via Mala
John Frederick Lewis, 1804–1876
The Via Mala
1827
Sir George Hayter A Capriccio of Windsor Castle
Sir George Hayter, 1792–1871
A Capriccio of Windsor Castle
1827
John Frederick Lewis Tyrolese Hunters
John Frederick Lewis, 1804–1876
Tyrolese Hunters
between 1827 and 1828
Frederick Christian Lewis the Elder River Tamar, near Endsleigh, Devon
Frederick Christian Lewis the Elder, 1779–1856
River Tamar, near Endsleigh, Devon
ca. 1832
Joseph Nash Fashionable Men and Women Promenading
Joseph Nash, 1808–1878
Fashionable Men and Women Promenading
1827
Joseph Nash Sketches of Towns People
Joseph Nash, 1808–1878
Sketches of Towns People
1827
Sir Robert Smirke the younger Design for London Bridge Approach
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
Sir Robert Smirke the younger Design for London Bridge Approach
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
Capt. Thomas Hastings Sketch of Boatmen on the Shore, Ships in the Distance
Capt. Thomas Hastings, 1778–1854
Sketch of Boatmen on the Shore, Ships in the Distance
1827
Capt. Thomas Hastings East Cowes by Moonlight, September 1827
Capt. Thomas Hastings, 1778–1854
East Cowes by Moonlight, September 1827
1827
Capt. Thomas Hastings East Cowes, Isle of Wight
Capt. Thomas Hastings, 1778–1854
East Cowes, Isle of Wight
1827
Capt. Thomas Hastings From Lord Henry Seymour's Pier, Isle of Wight
Capt. Thomas Hastings, 1778–1854
From Lord Henry Seymour's Pier, Isle of Wight
1827
Capt. Thomas Hastings West Cowes, 24 June 1827
Capt. Thomas Hastings, 1778–1854
West Cowes, 24 June 1827
1827
Capt. Thomas Hastings East Cowes Castle, Isle of Wight
Capt. Thomas Hastings, 1778–1854
East Cowes Castle, Isle of Wight
1827
Richard Parkes Bonington Vue Generale des Ruines du Château d'Arlay
Print made by Richard Parkes Bonington, 1802–1828
Vue Generale des Ruines du Château d'Arlay
1827
Richard Parkes Bonington Pierre de Vaivre
Print made by Richard Parkes Bonington, 1802–1828
Pierre de Vaivre
1827
James Pattison Cockburn Advanced Guard - Sunrise
James Pattison Cockburn, 1779–1847
Advanced Guard - Sunrise
ca. 1832
Thomas Stothard The Fortune Teller
Thomas Stothard, 1755–1834
The Fortune Teller
1827
Richard Parkes Bonington Trees and a Cottage by a River
Richard Parkes Bonington, 1802–1828
Trees and a Cottage by a River
1827